SCARLETT O., 6min., USA, Horror
Directed by Alexandra Tebano, Dale Johnson
A tortured woman is stuck in the purgatory in her own mind forced to relive the same excruciating moment over and over again.

Get to know the filmmakers:

Alexandra: I had found this script again, after years of sitting with it, and it still resonated so much with me. I had realized a lot of the same thought patterns and neurosis was still there, and I felt compelled to make it as the ultimate purge of these emotions and feelings. It felt that if I could really make it this time, I could.

Dale: My main motivation as executive producer was to support Alexandra who wrote it, acted in it, co-directed it and co-produced it.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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ENTER THE ROOM, 15min., USA
Directed by Harry Waldman
A young adult (Brian) is visited by his brother, Jeremy, who needs a place to stay as he settles into his new city. The two polar opposite personalities begin to clash as Jeremy’s presence poses a threat to Brian’s way of life. Brian’s uptight personality and unreasonable living standards rub off on Jeremy, creating an incredible amount of tension. Bad blood, stemming from a traumatic past event reveals the shocking truth of the brothers’ current situations, as Brian struggles to differentiate between reality and his worst nightmares.

http://www.edgewaterfilmproductions.com/
https://www.facebook.com/EntertheRoommovie/

https://www.instagram.com/hwaldman18/

Get to know the filmmaker:
-My relationship with my roommate during the first semester of my freshman year of college is what gave me the idea for “Enter the Room”. Almost all of the various things that Brian was getting on Jeremy’s case about during the narrative were actual things that my roommate accused me of. (And there were other things he said/did to me that I wasn’t able to fit into the film)

Living with him was a very unpleasant experience for me, and I felt that I needed to get it off my chest by telling this story. In addition to Brian being based on my college roommate, I added a disturbing and tragic backstory about him and decided that he and Jeremy being brothers would make for a more interesting narrative. While I am not nearly as uptight as my college roommate was, I can be a bit neurotic, so I took “pieces of myself” which I injected into Brian in order to make him more layered. In general, I believe that creating complex characters often requires giving them flaws that can make them unlikeable at times, and I always do my best to try to walk in the shoes of the anti-hero or villain in order to portray them in a more genuine manner.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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PIT & PENDULUM, 27min., Canada, Drama/Horror
Directed by J. Aldric Gaudet
It is the terrorizing story of a person sentenced to death who becomes the plaything of their jailers. They are sent walking through a dark room in hopes they will fall into a pit. When that doesn’t happen they are tied down on a table to watch the painfully slow descent of a swinging pendulum with a sharp-edged blade aimed at their stomach. Escaping from the blade did not mean freedom. The walls of the dungeon grow blistering hot first, then squeeze together to push them to the brink of the pit, before being saved at the very last second.

https://www.pit-pendulum.com/

From J. Aldric Gaudet on the obstacles he faced making the film:

Walking the tightrope between showing too much and showing too little, while at the same time complimenting Poe’s words without embellishing.

Playing on the Film Festival Streaming service later this month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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THE DEAD THAT LIVE, 9min., USA, Drama/Horror
Directed by Mark Oguschewitz
A lonely zombie must fight for his life during the zombie apocalypse

From the filmmaker:

Writer/Producer Mario Mabe brought me the 7-page script and I immediately fell in love with the last page and a half.

This is where the script turned into something different – it showed some real humanizing elements still present within the zombie character. Unlike most zombie films, this script took the zombie’s perspective and challenged us to understand him. The zombie wasn’t just a mindless body walking around trying to kill people. I thought that was interesting and wanted to explore that idea more.

Interview conducted by Matthew Toffolo

Playing on the Film Festival Streaming service later this month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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MEAN TO AN END is a winning short film that played at the Festival for Horror.

“A sexy young woman seeks out married men to seduce in a bar in an effort to get pregnant, but her intentions for the baby are unexpected.”

Director Statement

Horror from a female perspective can be disturbing. When I wrote this short script a few years ago, I did not anticipate directing it, but felt that I was the only one who truly understood the dynamics of the characters, so it became my directorial debut. Horror can be full of scary creatures and things that go bump in the night, but I find horror in the mundane, the everyday, and in the ways that humans harm each other. Audiences like to think that women are weak and innately good, but it is patently not true. Evil knows no gender. I would like to thank my amazing talented volunteer cast and crew who brought a very polarizing piece to life and committed utterly. I am thankful that they believed in the project and in the creative vision of a first-time director.

Film playing on the Film Festival Streaming service later this month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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THE DOOR was awarded BEST PERFORMANCES at the June 2022 LA Feedback Film Festival.

https://www.imdb.com/title/tt17055052/?ref_=nm_knf_i1

Director Statement

The Door is a proof of concept short film created in the hopes of finding funding or a distributor for a feature film that has been in the works for over 5 years. This short is an altered version of the beginning of the feature film. There are many more mysteries to unravel and explore.

This short in particular is incredibly personal. It’s essentially how I view the concept of death. After losing people very close to me in the winter of 2020, I made this as a way to cope with and accept what happened. This film is very special and personal to me. Although it will never be explicitly stated in the film, The Door is an allegory for death and my view of it. When someone dies, they’re taken from you. Out of the billions of people on the earth, at some point our loved ones will be “chosen”. They will be taken from us and sent into the unimaginable void that is death. Are they okay wherever they are? Will we ever see them again? To me it’s almost like they pass through a door, never to be seen again. Death itself is not evil, it is natural. It comes for us all no matter how we lived in life. No matter how good you are or how evil and vile you are, you will not be spared by your own mortality. I’ve always viewed horror as an exaggeration of our reality. Our everyday fears translated into things that are larger than life. I want to incorporate these very thoughts into the film.

Something as simple as a door can be terrifying if perceived in the right context. As odd as it sounds, I see a stationary door as the perfect embodiment of death itself. Wherever it may be, no matter if you see it throughout your life or only at the very end, it is always out there. Patiently waiting until it is your time to open it up and pass through.

This short film is dedicated to everyone we lost and those we wish to see again.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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SOLI DEO GLORIA was the winning short screenplay at the HORROR Underground Film Festival. Conversation with the writer followed by the screenplay reading.

Watch the script reading: https://www.wildsound.ca/videos/soli-deo-gloria

“In a rural early 20th century midwest American town, young August must face frequent abuse by his fundamentalist preacher father. As domestic troubles intensify with August’s family, so do visions of a monstrous presence chasing him. Can August escape both the source and the symbol of his trauma?”

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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“A true crime novelist teams up with a former FBI profiler to prove the existence of a serial killer that uses hypnosis to get others to confess to his crimes before and innocent man is executed.”

Interview with winning Horror Festival screenwriter Paul Mortsolf on the process writing the script. Followed by the best scene reading (audio version) of the screenplay.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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THE WORST THAT COULD HAPPEN was the winner of BEST PERFORMANCES at the Feb. 2022 Horror Feedback Film Festival.

“Sarah finally has a date set up with her long-time crush, Paul. She’s determined to make it perfect, but her anxiety causes her to imagine every worst case scenario, no matter how outlandish.”

Conversation with the talented Emily Murnane on the making of the film.

Twitter: https://twitter.com/emily_murnane/

Instagram: https://www.instagram.com/emilymurnane

Film also playing at the WILDsound TV app in April. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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THANK YOU FOR STAYING was the winner of BEST PERFORMANCES at the October 2021 HORROR Underground Film Festival. You can watch this film and the festival for FREE on Sunday all day HERE.

“A couple of city dwellers escaping the pandemic head up to a mountain rental hideaway and struggle to survive the night. Made in quarantine.”

Conversation with filmmaker/actor Ty Clancey on the making of this film. Co-star/wife Britta Clancey also joined to talk about the film.

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TERATOMA was the winner of BEST FILM at the October 2021 HORROR Underground Film Festival. You can watch this film and the festival for FREE on Sunday all day HERE.

“Two young people, a girl and a boy, will have to face a venereal disease after having sexual relations.”

Conversation with director/writer Jano Pita on the making of the film.

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DREAMER'S JOURNEY was the winner of BEST SHORT FILM at the August 2021 HORROR Film Festival. You can watch the festival and film HERE all day day for FREE.

Conversation with filmmaker Mitchell Branget on his process making this student Horror Film.

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GESTIRN was the winner of BEST THRILLER SHORT FILM at the August 2021 Thriller/Suspense Festival. You can watch the festival and film HERE all day day for FREE.

Conversation with director Fabio Stecher on the process making this film and using the excellent location he always wanted to shoot it.

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RED PILL is a multiple award winning feature film from veteran actress turned director Tonya Pinkins, who makes her feature directorial debut. Conversation with Tonya on the making of the film from conception to distribution.

Halloween weekend of the 2020 election, six old friends ride into red country armed with humor and naiveté.
When the meet an immovable force their plans are thwarted and their fight to win the election becomes a fight for their lives. Six progressives, one deadly weekend.

Film plays for FREE this upcoming Saturday all day. Bookmark the page HERE.

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FIRST TIME was the winner of BEST PERFORMANCES at the June 2021 HORROR/THRILLER Film Festival. WATCH this film and the festival right HERE.

“A young woman panics after getting revenge on her abusive boyfriend.”

Conversation with the talented filmmaker Euan Foulis on the speedy and effective process making this film.

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Submit to the festival anytime via FilmFreeway: https://filmfreeway.com/WILDsoundFilmandWritingFestival

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‘They’re Watching Us’ is a psychological thriller surrounding an actor couple who agree to partake in an interactive experience acting opportunity. A HORROR FESTIVAL Winning Screenplay.

Conversation with writer Daniel G. on the process of creating this award winning script. Best scene audio version reading after the interview.

WATCH the Best Scene Reading:

CAST LIST:
Narrator: Steve Rizzo
Emma: Kyana Teresa
Lenore: Val Cole

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Submit to the festival anytime via FilmFreeway: https://filmfreeway.com/WILDsoundFilmandWritingFestival

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“WHAT IF” was the winner of BEST DIRECTION at the April 2021 HORROR Film Festival. Sign up to watch for FREE all day Sunday HERE

How to make a film in Arizona during COVID when you live in Los Angeles! Great conversation with the talented filmmaker Tammy Klembith

A woman experiences strange occurences that trigger events beyond her control, including the very nature of her own existence.

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THE GUARD STATION was the winner of BEST FILM at the April 2021 HORROR Film Festival. Sign up to watch for FREE all day Sunday HERE

How to blow up a car. How to create an excellent creature. Those are some of the highlights from the interview with director Matt Zappala.

Michael is a temp security guard that suffers psychological trauma from a car accident in which his partner perished. Taking on a new job in a junkyard where a mysterious sinkhole has opened up he must now confront his fear of fire if he is to survive the night from the deadly, shape shifting creature that has arisen.

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BRUISES was the winner of BEST SOUND & MUSIC at the April 2021 HORROR Film Festival. Sign up to watch for FREE all day Sunday HERE

The art of making a film when you can’t go anywhere! Great chat with filmmaker Anthony Martino on the process of making BRUISES.

A woman discovers that each time she sees her reflection, a bruise appears on her face.

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“Solstice” is written along the lines of films like “April Fool’s Day” and “Wicker Man.” The story is about Angela who tries to overcome her fear of death while friends from her past are being murdered around her.

Conversation with the screenwriter Stephen John Beyer. He talks about his writing process, and the art of getting it done on the page.

Watch the best scene of SOLTICE HERE

CAST LIST:
Narrator: Val Cole
Angela: Julie Sheppard
Peter/Julius: Steven Rizzo
Fred/Thomas: Allan Michael Brunet
Amy: Kyana Teresa
Clayton: Andy Kamp
Ken: Bill Poulin

Follow WILDsound Podcasts on all social media channels: @wildsoundpod

Submit to the festival anytime via FilmFreeway: https://filmfreeway.com/WILDsoundFilmandWritingFestival

Subscribe via Twitter: https://twitter.com/wildsoundfest