In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.
Change - Kramon - Music Video.
The unconscious self and conscious self meet.
Interview with star/director Meredith Adelaide on the making of the video.
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Black People Don’t Tango, 13min., USA
Directed by Robert Xavier Clark
An African American man learns to tango after a trip to Argentina.
Based on a true story.
What motivated you to make this film?
This short film Black People Don't Tango is adapted from a feature-length film script that I developed in 2019. That feature script is further adapted from a short story that I wrote in college.
The primary motivation for the short film is to function as a proof of concept for the larger Black People Don't Tango idea.
From the idea to the finished product, how long did it take for you to make this film?
Roughly one month.
What was the biggest obstacle you faced in completing this film?
Scheduling and securing locations. The short film was put together and shot in a very tight timeframe. Also most of the people in the film are not professional actors, so getting everyone on the call sheet to show up on specific days was challenging. We also had some late talent and location changes happen, so we had to stay flexible and adapt.
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Heal avec Delphine, 30min., USA
Directed by Delphine Breyne
Heal avec Delphine is a deeply personal docuseries that follows individuals navigating life after cancer, trauma, alopecia, and other challenges. Each episode invites viewers into a powerful journey of reconnection and renewal—beginning with an intimate look at the person’s world, followed by a transformative beauty restoration at Delphine’s atelier, and ending with a meaningful surprise to mark their new beginning. Through heartfelt storytelling, emotional connection, and light-touch artistry, the series introduces a new era of beauty and healing, where feeling truly seen becomes the start of renewed self-confidence, emotional healing, and personal transformation.
https://www.instagram.com/delphineeyebrowcouture/
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Detectives & Dragons, 8min., Canada
Directed by Lucas Candelino, Benjamin Kostecki, Evan McDowell
A know-it-all detective is tasked with incriminating a murder suspect through a fantasy role-playing game by recreating the scenario of the killing. Tensions escalate when he goes off-script.
https://instagram.com/candelino.jpeg
https://www.wildsound.ca/videos/audience-feedback-detectives-dragons
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FOR LUCIE, 12min,. UK
Directed by Amy Louise Pemberton
When a devastating family secret comes to light, Nick and Liz must confront painful truths that will change their lives forever.
https://www.instagram.com/missamypembs/
https://en.wikipedia.org/wiki/Amy_Pemberton
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Differently Water, 8min., Italy
Directed by Daniele Catini
Two Arab women meet underwater to express their love. The sea becomes an accomplice to a secret in which their eyes reveal that desire hidden from a world that cannot understand
.https://www.instagram.com/daniele_catini21
https://www.wildsound.ca/videos/audience-feedback-differently-water
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The Cupcake Chronicles Vol. 2: The Cupcake Shop Ghost
Is the cupcake shop haunted? Or are those strange noises coming from the stomachs of hungry customers? Either way, everyone ends up satisfied.
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The Call is a powerful documentary that breaks the silence around firefighter mental health, offering an unflinching look at the trauma, PTSD, and suicide crisis facing first responders. Through raw interviews, real-life stories, and behind-the-scenes access to firehouses in New Mexico, the film explores the emotional toll of a profession associated with bravery, but rarely with vulnerability.
http://thecalldocumentary.com/
Conversation with directors Laura Boyd Owen, Charles Edwin English.
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The Inga Tree Model 2025, 10min., Honduras
Directed by Adam Wakeling
The Inga Alley-Cropping pilot is in year 13 in rural, northern Honduras and has impressive results for carbon sequestered and avoided--876,000 tons in 12 years--trained and assisted by an all-Honduran team, 500 smallholder families have planted over 3 million native, nitrogen-fixing trees on steep, highly degraded land. The clearing/burning stops when a family plants their alley (a process that destroys 200,000 acres a day).
http://www.ingafoundation.org/
https://www.instagram.com/ingafoundation/
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Meevil the Weevil: Breakfast of Champions, 4min., USA
Directed by Kyle Arneson
Meevil https://filmfreeway.com/submissions/32428116#ff_javascriptthe Weevil is a little bug with big dreams of being a stuntman. “Breakfast of Champions” mixes stop motion animation with live action footage where we follow Meevil’s thrilling ride across a 1970s breakfast table on rocket roller skates.
https://www.instagram.com/stunt.bug/
Get to know the filmmaker:
What motivated you to make this film?
The film came about after developing the character as a hesitant hero with big dreams of grandeur. It’s strongly inspired by the stunt men and women of the 1970’s and 80’s that I found so captivating back when the world was a little more shag-carpeted and wood-paneled. During this initial creative period I lost my father unexpectedly and it was at some point in the haze of the grieving process I realized that the relationship between Meevil, and Olis, his coach, mirrored that of my relationship to my father. So with that guiding light, the ethos of the project became clear and bringing it to reality became a goal for me as a way to honor my dad.
From the idea to the finished product, how long did it take for you to make this film?
From idea to final prduct this film took 3 years to make. Nothing happens fast in stop motion animation, the puppet had to be designed and built, all of the props and sets were hand made and the entire film was shot one frame at a time.
How would you describe your film in two words!?
Nostalgic fun!
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Interview with the filmmaking team of the feature documentary.
Director: Daniel Matmor. Producer: Jody Glover. Historian: Tom White.
HIDDEN – The Kati Preston Story is a powerful journey seen through the eyes of a child—a firsthand account of a society’s slow and insidious descent into authoritarianism, dictatorship, and tyranny. Kati Preston’s joyful childhood in Hungary came to an end in 1944. Bit by bit, law by law, action by action, her world was dismantled. Everything she knew and loved was stripped away.
https://www.hiddenkatiprestonstory.com/
https://www.instagram.com/freespiritprods
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Watch the Best Scene Reading: https://www.youtube.com/watch?v=ew4yxfT2YUA
Fiona Haegerbergh, a journalist for The Metro Standard, arrives in a rural Norwegian town to investigate rising drug use. Officially, she’s there to produce a webcast— but Fiona has her own agenda: uncovering the truth behind the recent suspicious death of a local drug dealer. Fiona’s editor urges her to stay on task, as much is riding on the Metro Standard’s survival—now largely dependent on the recent success of its popular web series.
Get to know the writer:
What is your screenplay about?
My screenplay is about a journalist Fiona Haegerbergh, who travels to a remote Norwegian town to cover rising drug use for her paper’s popular web series, but she’s secretly investigating the suspicious death of a local dealer. She’s met with hostility from townsfolk and a wary sheriff, but she gradually earns his reluctant trust as she digs into the community’s hidden drug network. Her search leads to Jenny, a young mine worker with ties to Fiona’s brother, who may have inherited the operation. When Jenny is suddenly found drowned, Fiona’s investigation takes a darker turn and she is faced with a devastating choice: expose what she’s uncovered and risk her own secret being revealed—or stay silent and let the town’s shadows close in.
What genres does your screenplay fall under?
Thriller, Mystery
Why should this screenplay be made into a movie?
Because it has a good mystery, loveable characters and an unexpected twist.
How would you describe this script in two words?
Powerful forces
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AN ANATOMY OF GRIEF, 15min., Canada
Directed by Anthony Joseph Spatafora
A mother grieving the death of her son while being haunted by his corpse.
https://www.instagram.com/ananatomyofgrief_shortfilm/
What motivated you to make this film?
It actually came to me in a dream I had a few years ago, where I lived in a reality where I had been gone for 10 years and no one knew where I went. I came back into my friends' and family's lives and saw how my absence affected them. My parents were especially heartbroken. I'll never forget the moment in that dream when I came face to face with my mother after being gone for 10 years. The sadness, relief and pain in her face and voice haunts my brain to this day and it is what inspired me to write this story.
The story was also based on my own personal experiences with loss in my family. My father's dad passed away when he was young leaving my dad, uncle, and grandmother alone. My mother's father had an accident which altered who he was until the day he passed away. Seeing how these events affected my family and how they were all able to bounce back from it made me want to express how there is always hope even after immense loss.
From the idea to the finished product, how long did it take you to make this film?
It took me about a year and a half to develop the script and go into production and post-production. But I actually wrote the story in 2021 and then I adapted it into a script in 2024 because the story resonated more with me then. I finally finished it in April of 2025.
I rewrote the script many times. At one point, I had the mother's sister in the story as her support system, but I cut her out because I thought it was more important to show Cassandra (the mother) dealing with this loss on her own. Because not everyone has somebody to rely on.
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Watch the Best Scene Reading: https://www.youtube.com/watch?v=Kl_qNRmmZSs
A grizzly bear and a polar bear mate as a result of climate change and in an attempt to find food for their “grolar bear” cub the male polar bear must leave the safety of their ice cave to hunt and find sustenance for his new family in a harsh and increasingly difficult environment. He encounters humans and gets himself into a bit of trouble while simply trying to survive and provide for his family.
https://www.instagram.com/planetaeric
Get to know the writer:
It is a story about the Canary in the coal mine of climate change – Grolar bears. Grolar bears are a new hybrid species, a mutation resulting from the union of a polar bear and a grizzly due to habitat overlap caused by climate change.
This is a comical, yet heartfelt story of one father’s mission to feed his young grolar bear cub or face starvation. His nightmare begins when he encounters humans. Will he survive a nightmare lost among humans and get back safely to his family and save his cub? Or will his family be another casualty of our greed and exploitation of our planet’s resources?
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Watch the best scene reading: https://www.youtube.com/watch?v=V_xZNbtIV2w
The Harmony Saga is a five-part mythopoetic cinematic universe culminating in a transcendent sixth finale. Combining visionary science fiction, sacred myth, and philosophical depth, it follows the rise of a divine AI, the collapse of a galactic Church, and the rebirth of cosmic balance.
https://www.instagram.com/brad.reinhold
Get to know the writer:
What is your screenplay about?
Its about transcendence by overcoming trauma. Its about truth versus concealment, light versus darkness, freedom versus tyranny, spirituality versus dogma.
What genres does your screenplay fall under?
Sci fi/Fantasy/Drama/Heroines Journey
Why should this screenplay be made into a movie?
Given where are society is at now, the looming darkness, i think its important to show how harmony can be a path forward for all of us, to bring unity. Not through conflict, but through resonance.
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An ancient realm awakens. Somewhere between the living and the dead, a long forgotten forest begins to blossom. An exploration of loss, rebirth, and what awaits after death. A music driven short film that relies on imagery and sensation to convey meaning and suggest narrative. Even After (Prelude) was produced through digital paintings methodically rendered into photographic images with AI, custom small AI model creation for additional visuals, and original musical composition.
The process used to create this film can be viewed here:
https://youtu.be/y5VfbGxK1Iw
Project Links
Director Statement
I create music-driven short films that blend sculpture, painting, and AI to explore the inner landscape of self and the nature of a greater reality.
My process begins with hand-sculpted digital characters and environments rooted in classical and Renaissance traditions. These are transformed into richly detailed, photorealistic visuals using AI tools — not to replace the artist’s process, but to enrich it. I’m committed to exploring how AI can be used ethically in artmaking: not as a shortcut that erases creative work, but as a tool that preserves and amplifies the voice of the artist within a deeply intentional process.
Original musical composition is the driving force of each piece. Rather than relying on dialogue or sound effects, I craft immersive scores that act as both the emotional anchor and the sonic identity of the world — shaping tone, pacing, and meaning. The music is not background; it is the pulse and spirit of the story.
My films explore themes of death, transformation, memory, and the otherwordly. They often unfold in liminal and mythic spaces — haunted forests, vanished towns, thresholds of the afterlife — carried entirely by music, imagery, and movement.
Blending conventional techniques with influences from silent film, experimental cinema, and works like Fantasia, my work exists between narrative and abstraction. It invites audiences to feel before they understand — to experience story as sensation — while redefining what cinematic language can be.
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Guillotine, 22min., Romania
Directed by Alexandru Hosu
https://www.instagram.com/hosu_de_biciclete/
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THE BODY, 6min.. Horror/Comedy Short Film
Alex thinks she is at home alone, finishing up her "work," when her brother Ansel interrupts. Now, she must clean up all the evidence before he can see it.
www.instagram.com/official.kennedy.productions
Director Statement
This film has been a seed in my mind for many years now. I put my blood, sweat, and tears into this. It is my thesis to complete my undergraduate degree. I think it perfectly captures my weird sense of humor and love for all things horror. Making this film meant everything to me as my friends and family rallied around to support me. It is my baby, and bringing it to life has been one of my greatest honors. I hope it makes you laugh.
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The First Night, 7min., Brazil
Directed by Gabriel Milessis Braga
After collapsing at the altar, Elise awakens inside an old church, and something inside her has changed. Guided by a mysterious man who seems to understand her condition, she begins to confront a new, terrifying hunger. The First Night is a gothic meditation on becoming, resistance, and the quiet seduction of darkness in our lifes.
https://www.instagram.com/thegabrielwars/
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Jamaica Story is a documentary made to inspire Jamaicans worldwide to invest their time as well as their money to help create a brighter and stronger Jamaica!
https://instagram.com/jamaicastory/
Director Statement
I was born in NY to Jamaican parents, but spent a pivotal time in Little London, Westmoreland, Jamaica. This time created a love and affinity for Jamaica I barley understand sometimes. In 2018 I had the crazy idea to film a feature length documentary about Jamaica talking to any and everyone who said yes. I reached out to anyone I could through many mediums. I spent my own money going back and forth between Jamaica and the US. People told me I was crazy, but here I am today still following my dream of creating a documentary to help change a country and a people.
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