In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.
ALL EYES ON YOU, min., UK
Directed by Ted Clarke
Paranoid couple Adam and Claire move to the peaceful countryside for a fresh start, but quickly become unsettled by a series of sinister interactions with their new neighbours, putting their trust - and relationship - to the test…
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When struggling creative Christopher Nolan is dumped by his girlfriend upon her discovery that he is not the legendary director of films such as Oppenheimer and Interstellar, he decides to prove himself by staging a play adaptation of The Dark Knight. "The Christopher Nolan Experience" captures the behind-the-scenes efforts leading up to this anticipated disaster.
https://www.instagram.com/thechristophernolanexperience/
Conversation with director/co-writer Matthew Putnam and lead actor Darren Emery.
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Guillotine, 22min., Romania
Directed by Alexandru Hosu
https://www.instagram.com/hosu_de_biciclete/
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A young woman waits for her lover for a secret trip. However, he does not show up and does not respond to her messages. That’s when strange and inexplicable events begin to happen in her house. She asks for help from her lover, who ignores her. Realizing that she is hopelessly alone, she gives up waiting for salvation and surrenders to her own shadow.
https://www.instagram.com/cardosohelo/?hl=en
Director Statement
"Submerged" is my graduation film from Academia Internacional de Cinema. This short film is an extension of the research I’ve been developing in theatre and literature, proposing a reflection on the tendency to wait, something encouraged in girls from a very young age. The wait for a great love, a hope for something external that will give life meaning. The horror surrounding this waiting evokes the idea of a monstrous femininity: when left alone, the protagonist of "Submerged" unconsciously materializes her shadow, which ultimately consumes her and breaks the cycle of passivity.
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THE BODY, 6min.. Horror/Comedy Short Film
Alex thinks she is at home alone, finishing up her "work," when her brother Ansel interrupts. Now, she must clean up all the evidence before he can see it.
www.instagram.com/official.kennedy.productions
Director Statement
This film has been a seed in my mind for many years now. I put my blood, sweat, and tears into this. It is my thesis to complete my undergraduate degree. I think it perfectly captures my weird sense of humor and love for all things horror. Making this film meant everything to me as my friends and family rallied around to support me. It is my baby, and bringing it to life has been one of my greatest honors. I hope it makes you laugh.
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The First Night, 7min., Brazil
Directed by Gabriel Milessis Braga
After collapsing at the altar, Elise awakens inside an old church, and something inside her has changed. Guided by a mysterious man who seems to understand her condition, she begins to confront a new, terrifying hunger. The First Night is a gothic meditation on becoming, resistance, and the quiet seduction of darkness in our lifes.
https://www.instagram.com/thegabrielwars/
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Folie Glacée, 11min., Canada
Directed by Louis Rémillard
Eli et Vincent se commandent une collation à la crèmerie locale sans s'attendre aux horreurs qui ruineront leurs rendez-vous en amoureux
What motivated you to make this film?
It all started with me and my friend, who's the director of photography on the film, hanging out in Montreal. We both got ourselves ice cream cones and as we were eating them, walking around, the idea of the story kind of came to us as a joke at first. I thought about it for a moment, and I ended up telling myself it would make a fun screenplay. I came up with the idea of the ice cream vendor being ill intended and serving contaminated ice cream and he suggested the idea of the couple being on a date. So I owe it a lot to my friend's encouragement and believing in my story once the screenplay was finally done. We were excited to make something that would be wacky, fun and horror since it is a genre we both liked very much.
From the idea to the finished product, how long did it take for you to make this film?
As it is for most passion projects, everyone was either working their full time job or started working on other projects. The crew was mostly composed of my newly graduated classmates so it was a dance of work-fun balance.I think it took about six months of production but since it was all done in free and voluntary time, those six months were spreaded throughout a whole year.
How would you describe your film in two words!?
Wacky and bloody!
What was the biggest obstacle you faced in completing this film?
It was definitely having to shoot the film almost entirely at night. Scheduling became complicated because I wanted everyone on deck, comfortable and up to work. Having to rest throughout the day and having to shoot everything before sunrise became particularly challenging for the biological clock. We did everything possible to make the experience as fun as it could be and playing with fake blood, making scary scenes definitely contributed to the good ambiance on set. Although it was challenging, we have good laughs to look back to.
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Red Wins, 77min., Italy
Directed by A.M. Nonnis
Six people play a dark and ruthless gambling game in which every card can either grant significant rewards or decree a death sentence. With each turn, a mysterious red light selects the player, inexorably determining the fate of every participant.
https://www.instagram.com/mattia_nonnis
https://www.wildsound.ca/videos/audience-feedback-red-wins
Get to know the filmmaker:
What motivated you to make this film?
I was driven by passion and stubbornness. I almost had no money to make this project, but I had amazing and talented people around me who made it happen. I was allowed to use our town's beautiful theater for filming, found the actors, arranged a crew, and then I said to myself, “You know what? We can do this.” Red Wins was in my mind, and I needed to bring it to life as soon as possible.
From the idea to the finished product, how long did it take for you to make this film?
It took around 3 years. I started writing Red Wins in early 2021 and finished post-production at the end of 2024. By January 2025, I finished the last small corrections, and then Red Wins was ready for the festivals. I’m not gonna lie, it was so hard to let it go. I kept making little corrections for a while!
How would you describe your film in two words?
Irregular and oppressive.
What was the biggest obstacle you faced in completing this film?
Let’s be real, shooting Red Wins was no piece of cake! It was my first movie, the budget was low, and even if everyone who joined me in this adventure strongly believed in the project, I couldn’t hold them up for too long. We had breaks, some even lasting months, between different phases of filming. The post-production part wasn’t any easier. I had to focus on other work as well and find time for Red Wins. I had to keep going through the night sometimes, and it was exhausting. Covering different roles was hard, but no doubt, I put every piece of my soul into Red Wins.
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THE FARMHOUSE, 15min,. Australia
Directed by Luke Creely
A young woman, living alone in an isolated rural farmhouse, is haunted one night by a mysterious entity which forces her to confront her inner demons and traumatic past.
https://instagram.com/_lcfilms
Get to know the filmmaker:
What motivated you to make this film?
I have always been drawn to slow-burn horror cinema in the mould of Michael Haneke from Austria. His early films are fascinating explorations of the human psyche. This has inspired me from the beginning of my career. I am also very interested in pain and trauma as key themes in my films. So, my aim was to make a Haneke-style horror film that immerses the viewer and makes them uncomfortable as they observe a character who is alone and grappling with PTSD from a past traumatic event.
What were your initial reactions when watching the audience talking about your film in the feedback video?
The audience feedback video was excellent because the members who spoke understood the film and my intentions as director. They “got it”. And this means that I did what I needed to do as director. Their interpretations were interesting to listen to as well.
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HOME, 30min,. USA
Directed by Sue Schroeder, Adam Larsen
Filmed in France and Poland, Larsen and Schroeder, alongside an international community of gifted artists – from Columbia, France, Germany, Israel, Poland and the US- seek to create connection, impact, and meaning through a visually rich and poetic experience of beauty and loss, tenderness and urgency, action and recognition, mirroring and magnifying light. The work is gentle and steadfast, sharing and protecting life and in its surest moments, revealing the “we”, instead of the “I”.
Get to know filmmaker Sue A. Schroeder:
What motivated you to make this film?
Adam Larsen and I have collaborated on a number of projects with one or the other of us taking the lead. For HOME, we chose to start with a “shared” idea, tied to our kindred artistic vision – beauty and nature. An urgency developed as the climate crisis raged on. Activating empathy in our viewers, a “felt” sense became all the more important – hence the personal stories and human figure within the film.
What were your initial reactions when watching the audience talking about your film in the feedback video?
Curiosity and amazement – how each viewer has their individual experience of the film and yet all are true.
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HORNED, 4min,. USA
Directed by Jerrod D Brito
When a cocky cam boy jokingly live-streams a creepypasta dare, he inadvertently summons an ancient demon who craves more than just his soul.
Get to know the filmmaker:
Funny story. I attended Dan Savage’s HUMP Film Festival, a traveling film fest that features short films of an adult nature, and though they had many diverse films, I didn’t see any strictly horror movies. I felt there might be an opportunity there, so I tried to come up with a way to merge horror—my signature genre—with sex. I just started jotting notes and tried to find a way to combine them both, but be fair to both, too, and then I added a little humor. Those were the ingredients for “Horned.” But I really wanted to make sure it stood alone as a horror story, with a beginning, middle, and end, and as much character development as I could squeeze into a short in under five minutes of length. So I cut it two ways—a more explicit version for HUMP with thirty more seconds of content and a better punchline to the film (it was selected, by the way—it tours this fall), and the somewhat censored version we were lucky enough to screen at Horror Underground.
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SOLITUDE, 87min., USA
Directed by Jeremy Brown, Mick Strawn
A famous upbeat survivalist is cast for a popular television
series about surviving in solitude, but survival turns to despair when she discovers a supernatural entity's presence.
Interview with well renowed Production Designer Mick Strawn about his upcoming co-director horror film "Solitude".
http://www.brownspacefilms.com/
https://www.facebook.com/solitudefilm2023
https://twitter.com/brownspacefilm
https://www.instagram.com/solitude_film_2024/
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WEREWOLF MARGARITA, 10min., USA
Directed by Jax Deerman Kinlaw
A young woman is stalked by a werewolf.
Get to know the filmmaker:
I originally wrote Werewolf Margarita as an assignment in a college screenwriting class. The assignment: pick a random song lyric out of a hat and write a 5-10 page screenplay inspired by the song lyric. I got the lyric, “I saw a Werewolf drinking a Pina Colada” and it started from there. When we did a class reading of the script, i got great responses from both my classmates and teachers so I knew I wanted to make it into a film at some point. Once I graduated, I wanted to continue moving forward in the industry ao I picked up my favorite script from filmschool and pressed go!
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VITAL INSTRUMENTS, 17min., USA
Directed by Greg Kase
In this dark fever dream, a botched pawn shop robbery sends desperate brothers Walter and Pete, and their newly employed getaway driver Cutty, hobbling to a safe house that was supposed to be abandoned. Instead, they find shackled women in critical need of their help. Things complicate after their captor is mortally wounded in a shootout, and the predicament as to why they are prisoners in the first place becomes highly questionable—especially after the first one they reluctantly release immediately (and violently) kills herself, and the rest of them start chanting in ancient tongues.
https://vitalinstruments.wixsite.com/movie
https://www.facebook.com/Vital.Instruments.Movie/
https://www.instagram.com/vital_instruments_movie/
Get to know the filmmaking team:
The concept of the crooks vs occult was a marriage of two genres we all deeply enjoyed, Heist and Spooky Occult Horror. As a group of horror film fans, we had never seen a movie do this in the same way this concept was blossoming in our minds. The exploration of a clash between outcasts of society, a sort of stand off on the fringes. Like most filmmakers, we started describing scenes that we would like to see and dialogue we would want to hear until it culminated in the understanding that if we wanted to see it, we had to make it.
You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.
NO SLASHER HERE, 9min., USA
Directed by Robert Tiemstra
A woman comes home from work, only to receive an unsettling phone call. Does the danger only exist over the phone, or is there a masked killer inside her home?
https://instagram.com/the_timestar
Get to know the filmmaker:
The production for ‘No Slasher Here’ started with a New Years’ Day text message from me to Llenelle, my producing partner for this film – “do you want to make a spooky movie this year?” We’d worked together before, but never on a horror film. I was just finishing up the film festival run for my last film – a dystopian short called The October Martyr – and I was feeling the urge to do something scrappy & fun. Once I had Llenelle on board to act in something, I just asked myself ‘what sort of horror movie would I cast her in?’ and the answer came in the form of a When a Stranger Calls/Black Christmas/Scream style horror movie opening. The central conceit occurred to me while I was on a walk – instead of having a killer call someone, what if the ‘victim’ in this kind of setup picks up the phone to find another similar horror movie opening going on somewhere else? Then it became a puzzle for me to solve, a weird mobius strip of slasher movie suspense.
You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.
AUGURY, 5min., USA
Directed by Cousteau Bix Christopher
What do you see?
Get to know the filmmaker:
I have always been fascinated with film, and I fully committed to being a filmmaker at age 11, a passion that has never faltered for me. With the case of Augury, it had certainly been a while since I created my last short film (during the pandemic). A lot of momentum was derailed due to covid, so I switched gears and while working full-time focused on getting my Bachelor’s degree in Film and Media Studies through ASU Online. Throughout this time, I also did extensive amounts of personal research into cinematography and film production to learn as much as I could.
Once I finally received my Bachelor’s, I decided to put myself to the test. I wanted to make the highest quality production I could with essentially no budget. I believe the total budget for this film was around $200, and it pretty much all went to the prop and craft services. I don’t come from a wealthy family, and never had that “rich uncle” or anyone who would be able to fund my film endeavors, so being self-funded I always leaned heavily into how to “get the best bang for your buck.” I had some gear I collected over the years, and with my trusty Blackmagic Pocket, two video lights, a little LED light mat, and the absolute unbridled passion from my amazing cast and crew, Augury came to be.
You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.
THE BOOK OF NAUGHTY KIDS, 17min., Brazil
Directed by Miguel Soares Moreira
Amanda, a curious 10-year-old, wonders about the existence of Santa Claus. After some trouble at school caused by her classmates Marcel and Lana, she wishes they would disappear from her life. On Christmas Eve, she discovers that Santa might not be so good after all. Who is the naughty or the nice kid?
https://www.crossfilmes.com/
https://instagram.com/olivrodcm
Get to know the filmmaker:
Probably the love of original horror stories related to brazilian’s urban legends, which unfortunatelly are not very well explored.
You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.
THE BEF, 9min., USA
Directed by Eric Burleson
While being pursued by a police officer, a young boy struggles with his decisions for the baby in his care and how to help his sick mother.
https://instagram.com/burlesoneric
Get to know the filmmaker:
The motivation for the bef started because I wanted to do one more short film on the east coast before I moved to Los Angeles. Time was definitely not on our side. I had planned to do my cross country road trip at the end of July 2018 and it was May. Once the script was completed we hit the ground running on pre-production. Luckily when writing the script I already had the actors in mind for Sammy and Baby but I knew that if I could not get the families on board, then the film would not have happened. Thankfully, after talking with both sets of parents and children, they all were interested and agreed to be in the film. I had worked with Jacob Shapiro (Sammy) and Michael Harrington (Baby) before this so I knew they were the perfect choices. Jacob was the lead in a narrative music video I directed and Michael was in a commercial I directed earlier that year.
You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.
JOINTS, 12min., USA, Horror/Comedy
Directed by Hadrian Lynn
Get to know the filmmaker:
I was and still am obsessed with the zombie genre, and have always wanted to do a zombie film. When the opportunity rose to make a 10-15 minute short film, I gladly took it and created this film! Other than my love of zombie movies, some other sources and motivated/inspired me were the movie 12 Angry Men and my own personal life.
You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.
SINS OF THE FATHER, 102min,. USA, Horror
Directed by Vanessa M. H. Powers
After the death of his father, Aden and his mother, Sarah, find themselves responsible for the sale of his family home – a place they thought they’d left behind. When Sarah’s friends arrive to help, the task seems almost manageable. However, as they clear out the house, they uncover secrets in Sarah’s past and the sinister nature of the cultivated community Aden was raised in…. And his father’s family is not so eager to let the sins of the past go unpunished.
https://www.sinsofthefatherfilm.com/
https://www.facebook.com/Sinsfatherfilm/
https://twitter.com/sinsfatherfilm
https://www.instagram.com/sinsfatherfilm/
Get to know the producer/writer Tristan Corrigan:
The Director (Vanessa M. H. Powers) and the EP/Writer (Tristan Corrigan) have known each other since high school and had talked about doing a horror film on Tristan’s family farm. During COVID it was brought up that filming in an isolated area would be ideal and from there the idea and script was born.
You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.
