The First Night, 7min., Brazil

Directed by Gabriel Milessis Braga

After collapsing at the altar, Elise awakens inside an old church, and something inside her has changed. Guided by a mysterious man who seems to understand her condition, she begins to confront a new, terrifying hunger. The First Night is a gothic meditation on becoming, resistance, and the quiet seduction of darkness in our lifes.

https://www.instagram.com/thegabrielwars/

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BELONG TO YOU, 6min., Iceland
Directed by Ísak Magnússon, Óliver Sólberg
Belong to you follows a swimming pool employee who thinks about his relationship with his coworker on a quiet night.

Get to know the filmmakers:

1. What motivated you to make this film?

We had just graduated from high school, where me and Ísak had worked quite closely together, and we wanted to continue our partnership and continue creating. I had this idea that was originally a poem and from that we started production. The poem was originally just meant for me to vent out my feelings.

2. From the idea to the finished product, how long did it take for you to make this film?

The idea first came about when I wrote the poem in early 2024. From that there was the early drafts of the script, but that came to a halt until me and Ísak picked it up in august 2024. We started production but that also came to a short stop, because we couldn’t find the right actors. Then, by miracle, we found the two perfect ones. We shot the film in one day at a closed swimming pool on november 23rd and finished shooting after only eight hours of filming. Then came post production which took about two months and the film was finished in late february of 2025. So in total the film took about a year to complete, from idea to the big screen.

www.instagram.com/isak2814

www.instagram.com/olivertumi

BELONG TO YOU, 6min., Iceland
Directed by Ísak Magnússon, Óliver Sólberg
Belong to you follows a swimming pool employee who thinks about his relationship with his coworker on a quiet night.

Get to know the filmmakers:

What motivated you to make this film?

We had just graduated from high school, where me and Ísak had worked quite closely together, and we wanted to continue our partnership and continue creating. I had this idea that was originally a poem and from that we started production. The poem was originally just meant for me to vent out my feelings.

From the idea to the finished product, how long did it take for you to make this film?

The idea first came about when I wrote the poem in early 2024. From that there was the early drafts of the script, but that came to a halt until me and Ísak picked it up in august 2024. We started production but that also came to a short stop, because we couldn’t find the right actors. Then, by miracle, we found the two perfect ones. We shot the film in one day at a closed swimming pool on november 23rd and finished shooting after only eight hours of filming. Then came post production which took about two months and the film was finished in late february of 2025. So in total the film took about a year to complete, from idea to the big screen.

FLESH WISH, 4min., UK
Directed by Timothy Benjamin Slessor
An experimental horror inspired by H.P. Lovecraft, David Cronenberg and Clive Barker, this music video / short details in an abstract way the summoning of demons through a ritual performed behind the locked doors of a 1970s terraced house.

What motivated you to make this film?

Several factors! Firstly, I wanted to make something visual to accompany the release of my album. Secondly, I wanted to experiment with a lot of different ideas and techniques, but importantly have a finished piece of work to show for it, not just a bunch of tests. Thirdly I wanted to see how I could kind of corrupt and pervert generative ai platforms and work them into my editing and animation / vfx practise and finally I wanted to make something that would surprise and confound my friends and colleagues!

From the idea to the finished product, how long did it take for you to make this film?

It was about three to four months of laborious work, mostly in after effects and premiere. I had to create all of the images and heavily distort and rework them and the editing was done frame-by-frame. About 6 months after it was finished I considered going back and tweaking some things but one look at the edit sequence was enough to convince me to leave well alone!

How would you describe your film in two words!?

Quite fleshy.

What was the biggest obstacle you faced in completing this film?

The hardest thing was just getting it finished! It was so hard to create enough interesting images and scenes, especially given the extremely fast cut-rate. I kept trimming the track down (ultimately from around 5 mins to about 3'45 I think) just so I could get it done (I had to keep pushing the release of the album back too as a result). 

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KHENTOPIA, 72min., USA
Directed by Job Michiel van Zuijlen
Khentopia is a peaceful society on the planet Zeeray, where ethereal energy generated through chanting at Harmony Center is used to feed a protective shield that envelops the planet. All is well, until one June morning in 2502, the crew of raider ship Space Wolf is intent on breaking through the shield to carry out a pillage mission. They succeed in obliterating the ethereal power generation and so the protective shield. On top of that, a parallel universe emerges with an alternate Khentopia that is harsh and hostile.

http://khentopia.com/

Get to know the filmmaker:

What motivated you to make this film?

The idea for Khentopia already existed for another story, but the inauguration of Trump 1 in 2017 made me think that we had entered a parallel world. I developed a new story with that in mind.

From the idea to the finished product, how long did it take for you to make this film?

It took about seven years. To get the story itself right was a challenge. I knew the beginning and the end, but I struggled with the middle.

How would you describe your film in two words!?

Khentopia regained.

What was the biggest obstacle you faced in completing this film?

Because it took such a long time, the biggest challenge was to stay interested. It is also a lot of work, and some scenes are necessary but kind of tedious to do.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was pleasantly surprised by the insightful comments, especially from the second woman. She was able to distill various elements that I had put into the story and expressed them clearly.

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Watch the stage play reading: https://www.youtube.com/watch?v=DOvCadojSGY

Get to know the writer:

What is your screenplay about?

Ultimately it’s about loneliness and how if can look different through grief or mental illness. Some people struggle with it and seem to function well (career, appearing ‘normal’) and others seems devastated emotionally and outwardly. Each of my main characters deal with it in different ways, but the fact is human beings need connection.

What genres does your screenplay fall under?

This is a slice of life drama.

Why should this screenplay be made into a movie?

I think resilience is always something that speaks to audiences. In spite of real challenges of grief and mental illness, it’s important to own your challenges and work through them.

How would you describe this script in two words?

Humanely complex

.What movie have you seen the most times in your life?

It’s a toss up between The Princess Bride, Casablanca and When Harry Met Sally. At different times in my life, I could recite each of them word for word.

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GIN RUMMY, 17min., USA
Directed by Suzanne Baird
I’m excited to share our project made from love and friendship..
Three best friends have been playing Gin Rummy every week for over 50 years. On this Gin Rummy night they have made other plans as a final bonding of the trio.

Get to know the filmmaker Suzanne Baird:

What motivated you to make this film?

There were several motivators. The biggest was that my mother was dying from Dementia. It was an illness that she had for about 10 years and was in the final phases. At the same time, Roe V. Wade was repealed, and this required an examination of the question of choice on many levels. Do we have dominion over our bodies, male or female, to make choices about our health and existence.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was really gratified! They were so positive and thoughtful. It was a great
feature of your festival. So appreciated!!

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Watch the Music Video: https://www.youtube.com/watch?v=w5kY5F_t0Go

“Memory is a poet, not a historian”

Martina's poignant odyssey through fractured memories unearths wounds from former lovers, embodying abuse, deception, and death, in her quest for self-acceptance.

Official music video for “Closure” by Malcuth & Facutum (feat. Babi)

Directed by Faraz Alam Stream "Closure" → https://fanlink.entervale.com/VALELPS001

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STIGMA, 3min., USA
Directed by Mark Schoen
The three-minute film STIGMA demonstrates that no matter what your race, ethnicity, sexual orientation or gender identity all human beings ae basically the same.
The three-minute film STIGMA demonstrates that no matter what your race, ethnicity, sexual orientation or gender identity all human beings ae basically the same.

https://www.sexsmartfilms.com/company/

Get to know the filmmaker:

The motivation for this film came from a telephone conversation I had with Liana Zhou, Head of Collections at The Kinsey Institute. We were talking about discrimination and how so many people are stigmatized because of superficial factors when we both agreed that basically all people are the same!

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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LOOP (It’s a matter of time), 15min., USA
Directed by Alejandro Pedemonte
Fausto wakes up in the middle of the night, with the news about his father dying. However, he refuses to go to him. Overtaken by his own rage, his decision causes a time loop that will eventually give him the opportunity to face his own forgiveness, loss, and life itself.

https://www.instagram.com/loopshort.film/

Get to know the filmmaker:

My motivation for making this film was the need to acquire experience while writing my feature film. Understanding the language of cinema from the conception of the idea to every step of the process to reach the final product was crucial. Additionally, it was very important for me to understand the artistic direction of actors in a film production, after having worked for many years as a director and producer in theater.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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EnaMOREd, 11min., Finland
Directed by Petri Puroaho
”EnaMOREd” (2023) explores the relationship between reality and dreams. Film shows what is it like to live in parallel world at the same time while coping with the real life events. What we carry in our minds eye can be different than what society assumes from us and even tries to conform us to so called normality when dealing with a persons love-life and relationship.

https://kipikipiweb.wordpress.com/
https://www.facebook.com/PetriPuroahoFinland/
https://www.instagram.com/we.sock.pp

Get to know the filmmaker:

Awareness, therapeutic process and time-efficiency. Being myself in a relationship that this film`s theme deals with made it a personal journey, just like my other works of art before. Since the day I started doing music and films, I have always based and rooted all my artistic interpretations and visions from personal experiences or wishes, so I could bring a little bit of hope and enjoyment to the world. I found and got to meet the love of my life just before pandemic started (2019). Then we were torn apart because of restrictions and other things for a long time. So we created a full life online. And last year (2023) we got to meet again. So that time apart was a life-changing experience and made me rethink and re-create my understanding of relationships in a new way. That transformation was so powerful that I felt I wanted to bring a little bit more awareness of that to the world through my film.

And by creating the film it became even almost a therapeutic experience for myself, how to express this phenomenon that I had experienced and lived through (and still living) but this time in film through visuals, music and a story. I also wanted to prove to myself that I could make enough of an impactful story-line with time-efficient length with the film. I wanted to tell so many details and it would have taken hours to explain everything. So I wanted to tackle the theme of the film and get to the heart of it with a few main ideas, and give the audience the chance to fill out the rest of the story in their minds, and the final impact of my film to them would be through their (audience) own reflections.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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SAPPHIRE / ALIEN SEED, SOUTHERN CITY, 16min., USA

Directed by Emma Colton

Performer/Writer Melanie Greene

Sapphire is a time-traveling golden goddess moving through nature, pleasure, and mysticism. She snakes between seconds, flirting with the seen and unseen, marrying metallic molecules and alchemist dreams.

http://www.methodsofperception.com/

https://www.wildsound.ca/videos/sapphire-review

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THE FIVE STAGES, 12min., USA
Directed by Jessica Orcsik
Eva Allen is a recently single, devastated young woman. She enters a black box theatre being filled with well-dressed and put together people, laughing and drinking. A variety act performance is about to begin.

http://www.diversitypictures.org/
https://www.instagram.com/thefivestages_

Get to know producer/actor Hannah Carman:

At the time of making the film, I was studying full time as a student at the American Arts Film and Television Academy in their full-time Actors Conservatory, and had moved at the age of 18 to Los Angeles all the way from Australia. It was an incredible experience, but also a big emotional rollercoaster. Amid going through all these new emotional challenges, I felt motivated to make a film that explored the complexities of more challenging feelings like loss and sorrow. My coproducer Jess Orcsik and I felt that there was no better way to do that than structuring a short film using the five stages of grief.

I also was really set on making a film that incorporated musicality, as I’m a singer and was surrounded by some amazing singers and dancers that loved musicals like I do.

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UNCANNY VALLEY: SAUVAGE, 21min., USA
Directed by Anthony A DiMaria
Uncanny Valley is a series focusing on the culinary scene in Phoenix, Arizona. Sauvage is the second episode in the series, introducing the audience to owner and natural wine connoisseur, Chris Lingua. Learn about natural wine – what it is and how it is made – and discover the challenges and inspiration behind Chris’ journey of bringing natural wine to the city of Phoenix through creating the only all natural wine bar in the state: Sauvage.

https://instagram.com/uncannyvalleyseries

Get to know the filmmaker:

Chris Lingua’s story captivated me from the moment I heard it. An entrepreneur, a connoisseur, and an artist in his craft, Chris’ story is a unique look at the world of wine and one I felt needed to be told. Additionally, having lived in Phoenix for nearly a decade, it is important to me to shine a light on the wonderful things happening in that city through my work. These elements created the perfect recipe to educate audiences on natural wine, showcase Chris’ story, and ultimately tell a piece of the greater story of the food and beverage landscape in Phoenix, Arizona.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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HAKKI RISING, 30min,. USA
Directed by David Larson
An immigrant from Turkey comes to America seeking a better life and after struggling through homelessness, finds success in the world of acrobatic pizza tossing.

Get to know the filmmaker:
I love telling stories of human resilience and capturing people doing what they are passionate about. It makes for compelling storytelling and I was moved by Hakki’s story of becoming a successful entrepreneur and his rise through the pizza industry. Once I contacted him and started getting to know him, his positivity seemed so infectious and I felt like I had to bring his story to life.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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TURN OF FATE, 4min., UK
Directed by Melissa Stanton
A young Ballerina visits a fortune teller. What has fate got in store for her?

Get to know the filmmaker:

I was making my first film, Ghostlight, during lockdown, and I just started having dreams about a Ballerina and a fortune teller. It all started from there.

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TO BELONG, 18min., Canada
Directed by Sarah Uwadiae
A Somali-Canadian mother and daughter share their experiences as first and second-generation immigrants in Canada on their journey to belong.

Get to know the filmmaker:
My experiences as a Nigerian immigrant in Canada, and my curiosity about the experiences of other immigrants as they adapt and try to create a home and community in a new land. It was my way of processing my journey while creating a space for others to do the same.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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THE DEEP BLUE TOMORROW

Directed by Brandon Normon

A hitman questions his next move after taking a job that tests his boundaries. Made for the 2nd Annual AGBO No Sleep Til...  48hr Film Festival.

Conversation with lead actor Ron Selmour about the making of the film.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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GOING DOWN, 1min., USA, Action
Directed by Nathaniel Henry
Two guys can’t keep their cool on elevator, and it starts going down.

Get to know the filmmaker:

My actors are both experienced in martial arts and I also wanted to get into more exciting action filmmaking so we came up with this idea and made it happen. We really just wanted to make something fun and exciting to watch.

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FERMATA, 4min., USA, Thriller
Directed by Preston Bowe
A struggling pianist makes a peculiar discovery.

Get to know the filmmaker:

I was inspired to make Fermata after thinking about my and my friends’ experiences with creating art—these tendencies to doubt ourselves or hold ourselves back in fear of what others might think. As someone who struggles with that sense of creative self-doubt, making the film was really a cathartic experience. At the same time, I really wanted to make a film that paid homage to the bizarre horror films of the ’70s and ’80s, complete with practical special effects. Movies like The Thing, Possession, and Eraserhead were some inspirations. I tried to draw from how it felt to catch glimpses of horror movies on TV as a young child—the uncanny and dreamlike feeling of seeing the unreal treated as something mundane. Ultimately I tried to marry that horror style with more of a modern, coming-of-age sensibility.

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LADY & THE VAMP, 5min., USA
Directed by Peter Alexander Stass
Two “creatures of the night” discover one of their own kind. Or have they?

Get to know the filmmaker:

This film is a proof of concept for a feature film called “Ackerman & Associates Meet Dracula” about a pair of realtors who unknowingly sell a house to Dracula. The feature is set in LA, though we shot this short in NY, because that’s where I live! But I did live in LA for a long time. The short is essentially a scene from the film. I can elaborate on this on the podcast.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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