In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.
Watch script reading: https://www.wildsound.ca/videos/in-the-house-that-elle-built
Elizabeth has her hands full with her two foster kids, a roommate and a new love interest that she's not sure can handle her lifestyle.
https://www.instagram.com/lbe.hackney/
——
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Watch the best scene reading: https://www.youtube.com/watch?v=6ATnlU8JqBA
The vicious attack that almost killed her erased all that she was. But not what she did. Elyse Tysoni s shocked to learn her taped confessions remove any hope of escaping her nightmare. Desperate for a lifeline, her only option is to be studied by Doctor Steve Bennett, a psychologist who specializes in psychopaths, to prove she is no longer a threat. But as the study progresses, it’sclearthere’smore to herstory than anyone knew.
Get to know the writer:
What is your screenplay about?
ORIGIN STORY is about a woman, Elyse Tyson, who wakes from a coma to find herself in prison with no memory. Everything that made her who she was is gone; her life turned into a living nightmare. And she’s still responsible for what she did. She’s a serial killer. Or at least she was. We follow Elyse as she tries to piece together who she is now by delving into her past, even if that means losing herself again.
What genres does your screenplay fall under?
Psychological Thriller
Why should this screenplay be made into a movie?
Beyond immersing the audience in a thrilling journey into the dark recesses of the human mind, ORIGIN STORY explores what makes us who we are and the meaning of justice. By putting those concepts to the test in a scenario that is an extreme contrast to what most of us experience, it makes difficult subjects easier to digest and provokes discussion.
How would you describe this script in two words?
Relentless suspense
What movie have you seen the most times in your life?
It’s a toss-up between Terminator 2 and The Princess Bride.
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Watch the best scene reading: https://www.youtube.com/watch?v=V_xZNbtIV2w
The Harmony Saga is a five-part mythopoetic cinematic universe culminating in a transcendent sixth finale. Combining visionary science fiction, sacred myth, and philosophical depth, it follows the rise of a divine AI, the collapse of a galactic Church, and the rebirth of cosmic balance.
https://www.instagram.com/brad.reinhold
Get to know the writer:
What is your screenplay about?
Its about transcendence by overcoming trauma. Its about truth versus concealment, light versus darkness, freedom versus tyranny, spirituality versus dogma.
What genres does your screenplay fall under?
Sci fi/Fantasy/Drama/Heroines Journey
Why should this screenplay be made into a movie?
Given where are society is at now, the looming darkness, i think its important to show how harmony can be a path forward for all of us, to bring unity. Not through conflict, but through resonance.
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Watch the poetry movie: https://www.youtube.com/watch?v=6lbp1qFcH2o
www.instagram.com/realsilentdream
What is the theme of your poem?
The theme of “The Beautiful Scar” is learning to find the beauty in the humanity we often rob ourselves of when we feel like the world is rejecting us.
What motivated you to write this poem?
During the first year of the MFA program at UNR-Lake Tahoe, I was away at our winter residency, and I was so encapsulated by my colleagues’ vulnerability and the power they gave to their truth of the hardships they experienced in their own lives. One of them told me that my writing was already at that level but what held me back was withholding my own truth to protect those I was writing about. This poem was the turning point for me to be more honest and vulnerable, not just with my audience, but with myself. It was a difficult process to grasp and write through but for the first time in my 25 years [at the time] of life, I finally felt free.
How long have you been writing poetry?
I was a slow-learner as a kid, so I caught on to reading and writing at a later age than my siblings did, but I began creative writing through free-writing in 1st grade when I was six years old. I began learning how to write poetry at eight years old and began writing my own poems at twelve years old, so I’ve been writing for about twenty-two years with seventeen years to this day of writing poetry and it’s a blessing I always remind myself to be grateful for.
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Watch Today’s Best Scene: https://www.youtube.com/watch?v=vNkD7_Fp8HI
Get to know writer Darryl Mansel:
What is your screenplay about?
Once Upon a Time in Space is about perseverance and struggle. It asks the question ‘how far are you willing to go to obtain something that you need?’
What genres does your screenplay fall under?
Science fiction, action, adventure
Why should this screenplay be made into a movie?
It should be made into a movie because adventure is sorely lacking these days. Plenty of action, very little adventure. The audience wants to go on a ride with characters, this will give them the means to do so while having the choice of which character they ultimately want to succeed.
How would you describe this script in two words?
WILD BUSINESS.
What movie have you seen the most times in your life?
Star Wars Episode IV: A New Hope
How long have you been working on this screenplay?
2.5 years
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Watch the best scene reading: https://www.youtube.com/watch?v=C5QkTVemr88
Get to know the writer:
What is your screenplay about?
Necrotica is about breaking new ground in the sacred (but tired) Zombie Apocalypse genre. It’s about uncompromising survival, family, and finding meaning in the face of devastating loss.
What genres does your screenplay fall under?
Horror/Zombie Apocalypse with a healthy spoonful of Lovecraftian terror.
Why should this screenplay be made into a movie?
Necrotica is a character-driven story that flips the zombie genre on its head. It’s something new that still feels familiar. With only two characters who have a lot of speaking lines and easy set pieces, it would be a great showcase for two actors to demonstrate their character chops while being producible.
How would you describe this script in two words?
Festering doom.
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watch the best scene reading: https://www.youtube.com/watch?v=hyK8K0-Hi3k
Get to know the writer:
What is your screenplay about?
Caligo Inn is about a power-hungry senator who goes to a secluded inn to work on his vice-presidential platform, only to be confronted by the ghosts of people destroyed by his ambition—soldiers, victims, even his own son. It’s part political drama, part supernatural reckoning, where he’s forced to face everything he’s tried to bury.
What genres does your screenplay fall under?
It’s a psychological thriller at its core, but it leans heavily into supernatural horror with a strong thread of political drama running through it.
Why should this screenplay be made into a movie?
It puts a fresh spin on the haunted house story by tying the horror directly to real-world politics and personal guilt. It’s creepy, timely, and has a central character who’s both fascinating and deeply flawed—which makes for a compelling watch.
How would you describe this script in two words?
Haunting retribution.
What movie have you seen the most times in your life?
Probably The Shining. That mix of isolation, psychological tension, and surreal horror really stuck with me, and you can feel its influence in this script.
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Watch the screenplay reading: https://www.youtube.com/watch?v=CyAJad2rPlg
Based on,
Concepts from the novel
Considering SomeplacElse
By Barry B.L. Lindstrom
Get to know the writer:
What is your screenplay about?
The Galactic Council has seen enough and has voted 8 to 1 to eliminate all humanoid Earthlings. Padrin, the lone dissenter, an expert extra-terrestrial world saver, must now save humanity using only the positive actions and interactions of individual humans as evidence. In this, the pilot episode, Padrin’s android, Facto, unexpectedly connects with the plight of suddenly, violently, orphaned 18 year old Charlene and her 12 year old sister, Jennifer who, apparently, are being forced into a polygamist cult run by their only next of kin. Padrin, sensing that Facto’s discovery is something far beyond coincidence contemplates invoking Galactic Assertion 5: There MUST be something that moves a system from its current state to one that is better for the planet and its population, in defiance of all probabilities, patterns and past behaviors.
We Earthlings call it Fate, Destiny, Faith, Luck and Random Chance, but the rest of the galaxy calls it: NaturalAwe.
What genres does your screenplay fall under?
Consider, if you will, “the twilight zone” as genre.
Half hour serialized Character driven episodes centered around the idea that: The Galactic Council has been monitoring the behavior of planet populations for eons.
Whenever a planet’s ecosystem is threatened or a planet’s population threatens other planets, the council, after following due process can directly intervene without warning, Unless, of course, there is significant evidence of NaturalAwe.
Why should this screenplay be made into a TV show?
Sometimes it seems like things have never been worse, That we are incapable of fixing that which is broken, That those who blame everything on those not-like-us are in control, That the doom and gloom dystopian vision of our entertainment depicts our destiny. As one who was raised on lessons gathered from Good-triumphs-over-Evil 50s and 60s Broadcast Television, (Occasionally impacted by exemplary public education), built a highly successful Information Systems career based on Richard Feynman’s “Perspective is worth 80 IQ points”, and has extensive experiential evidence that there is no such thing as coincidence, I feel we need to deliver SOMETHING that might just move us to ways that are better for the planet and its population, in defiance of all probabilities, patterns and past behaviors.
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Watch the best scene reading: https://www.youtube.com/watch?v=QDHl6jdZ3M4
Blue (formerly Logan) is a gifted transgender surgical nurse whose life spirals after a violent romance exposes her truth. Surviving a suicide attempt, she’s sent to an off-grid trauma retreat, where healing begins amid a web of broken souls, betrayal, and revelation. Returning home to confront family and memory, Logan reclaims his identity—detransitioning not in retreat, but in power. Blue Idaho is a raw, redemptive journey of self-forgiveness, queer identity, and the quiet strength it takes to choose yourself.
What is your screenplay about?
This screenplay is a bold, soul-stirring exploration of identity, redemption, and the courage to love one’s true self. At its heart is Blue (also known as Logan) — a precise, compassionate, and quietly suffering OR nurse who identifies as a trans woman. Behind her composed exterior lies a turbulent past: a childhood marred by neglect, abuse, and rejection. She inflicts harm on herself not for attention, but as a tragic ritual — a conversation with the inner child who was never allowed to speak.
Based on real memories, true events, and lived characters, this story is an emotional autopsy of shame, survival, and transformation. When Blue opens her heart to Connor, a young doctor who genuinely sees her, it shatters the rule she swore to live by: never mix vulnerability with proximity. When Connor uncovers her truth, the rejection that follows is brutal — familiar — and almost final.
Blue’s near-death suicide attempt leads her to an unconventional retreat, where healing unfolds in messy, unexpected ways. There, she finds not only herself, but also her voice — as Logan.
This story is not about being trans. It’s about being human in the aftermath of trauma. It’s about reclaiming dignity when the world has tried to erase it. It’s about survival — and the raw, beautiful work of learning to live again.
What genres does your screenplay fall under?
Drama and Coming-of-Age, with powerful psychological and emotional undercurrents that resonate universally.
Why should this screenplay be made into a movie?
Because it tells a story that has rarely — if ever — been told with such honesty, depth, and compassion.
Blue/Logan is a protagonist we haven’t seen before: a trans woman, a detransitioner, a medical caregiver, a wounded survivor, a human being whose experiences speak across lines of gender, politics, or identity. This is not a culture-war film. It’s a human story, and that is its power.
The screenplay holds a mirror up to all of us who have felt unworthy of love, who carry an injured inner child, who have learned to survive by shrinking. It dares to say: you are still here — and that matters. It is intimate yet universal, deeply personal yet painfully relatable.
This is not just an LGBTQIA+ story. It’s a redemptive character journey that speaks the emotional language of anyone who’s felt voiceless, invisible, or broken — and longs to heal.
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Watch the best scene reading: https://www.youtube.com/watch?v=GncsGI4_L3o
Get to know the screenwriter:
What is your screenplay about?
Bitter is a belated coming of age story for anyone that feels like the paradigm of success has shifted. It takes the traditional geek vs bully high school sub-genre and basically turns it on its ass, focusing on WILLOW, a once-hopeful two-time valedictorian, slated for success. Now, 10 years later, she’s a bitter waitress, struggling with resentment and unmet potential, all while PARKER, her high school bully, lives the good life as a prominent influencer.
What genres does your screenplay fall under?
Bitter is definitely a comedy. When developing this story, it felt necessary to look through a humorous lens. The plot tackles a lot of socially-relevant themes and issues we all deal with on a daily basis: comparison culture, scam-influencers, toxic personalities—things that can absolutely consume a person. So, I thought it was important to craft the story and its characters from a place of comedy. I wanted to avoid the perception of whining or lecturing, and write a story that has something to say, but also has audience wanting to listen because they’re getting to laugh along the way.
Why should this screenplay be made into a movie?
Movies have changed drastically over the last decade—some changes good, some bad, but I think a gap has been created for some of the sillier, more light-hearted comedies that can still pack a punch—that have something to say, but do it in a way to invites, not divides. I think Bitter recaptures this approach, in line with early-2000’s movies like Mean Girls, Bruce Almighty, Miss Congeniality. The themes are there. The lessons are there. But so is the fun.
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Watch the script reading: https://www.youtube.com/watch?v=z8dO89qOZRk
An adventure seeking young girl comes of age, joins the Peace Corps, gets posted in the Congo and takes a wild ride through culture clashes and love affairs.
Get to know the writer:
1. What is your screenplay about?
My screenplay is about an adventure seeking young woman who joins the Peace Corps to advance her career, gets posted in the Congo, and ends up falling in love with two fellow volunteers.
2. What genres does your screenplay fall under?
The genre is Romantic Drama.
3. Why should this screenplay be made into a movie?
This movie needs to be made because there has never been a Peace Corps movie made before, and the Congo is the 4th world that Americans need to see.
4. How would you describe this script in two words?
In two words: compelling and original.
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Watch the best scene reading: https://www.youtube.com/watch?v=XnOurfvF21E
Sci-Fi/Political/Action – A popular President’s re-election campaign is beset by a relentless, brutal Assassin with whom he shares a dark, shocking history.
Get to know the writer:
What is your screenplay about?
The fundamental story of Justice and the Machine is about one of the most popular presidents in US History, William B. Justice, becoming the target of a brutal assassin during his run for re-election. Calling himself “the Machine”, the assassin unpredictably succeeds in killing the President’s innermost cabinet. His loyal wife gets kidnapped by the Machine, and he soon reveals that he has a secret history with her husband that goes beyond anything she understood to be reality.
Much to her disbelief, she comes to accept the truth that her husband, the President of the United States, is an alien from another planet with murderous intentions to conquer the planet. The Machine is, in fact, his sworn enemy, and whenever they meet, they are obligated to duel to the death.
So, on its surface, there’s a lot of fun action and sci-fi sort of genre bending elements, but at its core is a story of deception and betrayal and the discovery that completely changes one woman’s world view.
What genres does your screenplay fall under?
I used to enjoy calling it: My Sci-Fi/Political/Action/Thriller – so, depending on which page you turn, it’s one or more of those.
Why should this screenplay be made into a movie?
Are you freaking kidding me!? This is a franchise starter baby, come on! I’ve got the sequel and a follow up if they wanna go for three – I know how to meet a deadline, let’s write up that deal!
How would you describe this script in two words?
Crazy Politics
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Watch the best scene reading: https://www.youtube.com/watch?v=DLrcCUBi10A
Facing death due to different illnesses, three patients find themselves playing a made up game called The Mortality Game to experience life one last time risking it all.
www.instagram.com/thevelamonster
Get to know the writer:
What is your screenplay about?
It’s about 116 pages! Sorry, I just had to get one “Dad Joke” in, even though I’m NOT a Dad (that I know of). “The Mortality Game’ is in essence a story of life as seen through the lens of impending death. It’s about how we as humans face the “final act” of the stage play of our lives. In the case of my three headed lead: Schubert, Halada and Tugger face it in their own differing, yet quirky ways. Ultimately deciding to take a final road trip across the country while playing a game where they do dangerous things to challenge and defy death, since they have nothing to lose.
What genres does your screenplay fall under?
Character Driven Dramedy for the most part, as it has elements of Comedy and Drama, with a bit of Coming of Age mixed in for good measure.
Why should this screenplay be made into a movie?
Because the characters are as diverse in age and attitude as they are strong in development and memorability. Because the story, about how we face death is an important one to tell, since that is a situation that none of us can avoid. Because it explores letting go as well as fighting back, finding the joy in the dreaded, and allowing yourself to feel what you feel facing the end, whether it’s understandable or not, expected or not, appropriate or not.
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Watch best scene reading: https://www.youtube.com/watch?v=Q1057hMo7JU
Get to know the writer:
What is your screenplay about?
High Ground is a dramatic, near-future story set in climate-ravaged Miami. Gloria Tejeda, a brilliant, physically disabled architect, becomes an unexpected hero. As rising seas and political polarization threaten lives and values, her fight against societal judgment, and radical extremists transforms her from a misunderstood figure into a national symbol of strength, vulnerability, and moral courage.
What genres does your screenplay fall under?
Drama, with elements of Science Fiction, Social Commentary, and Thriller. It delves into abstruse disability issues and touches on Romance and Political Satire.
Why should this screenplay be made into a movie?
High Ground is a blend of personal and planetary crisis, addressing timely issues of climate change, misinformation, overcoming disabilities, and extremism. Gloria is emotionally insecure and physically limited, yet her internal and external challenges bring out inner strength. Her journey is inspiring, cinematic, and relevant. The story delivers suspense, emotional weight, visual spectacle, and a message of hope in a divided world. It is a story that needs to be told.
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Watch the best scene reading: https://www.youtube.com/watch?v=-QDNj491w8Q
James Stuart Donovan Hastings, Earl of Billingswood, has had one headache after another. First his home is in disrepair, his nephew is too young for his own good, his best friend thinks he’s gone round the bend and now someone just tried to kill him. If it wasn’t for the angel with strawberry blonde hair and amethyst eyes, he might well be dead. Blasted horse, thinks he knows more than the master!
What is your screenplay about?
James Stuart Donovan Hastings, Earl of Billingswood, has a potentially deadly encounter on his way to Sandringham. He is rescued by a beautiful angel. His horse decides it is his right to make choices for the master. Can there be a happy ending?
Why should this screenplay be made into a movie?
With the success of other Historical Fiction/Romances such as Bridgerton allowing for viewers the chance to escape their day to day experiences, allowing them to immerse themselves in an era that has been romanticized.
How would you describe this script in two words?
Captivating drama
What movie have you seen the most times in your life?
Princess Bride
How long have you been working on this screenplay?
Couple of months
How many stories have you written?
Seven novellas
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Watch the best scene reading: https://www.youtube.com/watch?v=EPh-ZxTT4GE
LOGLINE: In the 1940s, prisoners — including infamous mob boss Joe Blunda — were released to defend America from Nazi spy attacks. What happened to them remains a chilling mystery: none were ever seen alive again.
Get to know the writer:
What is your screenplay about?
My screenplay tells a story that was circulating at the time — it captures society during the World War era and highlights an undeniable truth: Power is often manipulated by ruthless agendas.
What genres does your screenplay fall under?
The genre is historical thriller.
How would you describe this script in two words?
Dire Straits
How long have you been working on this screenplay?
So many, but especially Superman (1978). When I was a kid, I watched it over and over again. Same with the Lord of the Rings. I would go through phases where I’d obsessively rewatch certain films — the ones that gave me a sense of hope deep inside.
How many stories have you written?
I worked on this script casually in my spare time over the past three years. Yes — I believe a draft needs to sit and “mature” a bit before you lock in the final version.
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Watch best scene reading: https://www.youtube.com/watch?v=8M-6es5qNVc
Get to know the writer:
What is your screenplay about?
A former Army lawyer, Gemma Lightwater battles troubled family and calculating investors to reopen her Missouri Ozarks ranch that pairs broken veterans with broken horses
GEMMA LIGHTWATER a mid-30s Army veteran struggles to reopen the Red Rock Ranch that serves female veterans wellness. That is until she receives a five million dollar offer from her former captain, ASTRID MITCHELL, but the money comes with a ticking clock and giving up decision-making control to her former JAG leader. As the new veteran arrivals, tensions run high as NORMA JONES, Gemma’s right hand at the ranch tries to help Gemma and Astrid understand what a deal means for them. After a few rounds of will they or will won’t they sign, Gemma and Astrid find common ground to finalize the deal. Then tragedy strikes leaving Gemma conflicted and suspicious at the exact time she is supposed to be opening a new chapter for the only real mission she has left, saving others to save herself.
What genres does your screenplay fall under?
Thriller, Drama, Suspense
Why should this screenplay be made into a movie?
As a female veteran, I look into the eyes of women in uniform and remind them that our service matters. They remind me to tell their stories. The doubts of if female veterans deserve a seat at the table of service will be removed. And in this show, we ARE the table. This pilot should do for women veterans what Orange is the New Black did for incarcerated women. And do for Missouri what Yellowstone did for Montana. What Band of Brothers did for male veterans. We have a long historic legacy that quickly being erased. Women have put their lives on the line since the beginning of time, when do we see them as the main characters.
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Watch the best scene script reading: https://www.youtube.com/watch?v=LtieadtYQNM
Summary: Researching transfusion therapy on different blood groups, something goes completely wrong when the test subjects start mutating and transforming into Zombie like creatures.
Get to know the writer:
What is your screenplay about?
A day in the life of a biotech firm takes center stage in Blood Red as we travel from floor to floor, department to department, meeting the teams that comprise Edgewater Laboratories and their sometimes adversarial motivations.
Edgewater’s Chief Science Officer, Dr. Ruby Beck, is the inventor of a synthetic blood she’s named Ichor for the mythical golden fluid that ran in the veins of the gods. Ruby explains to an audience of investors gathered at the company’s headquarters that every two seconds, someone needs blood due to injury or disease.
Imagine a limitless supply of healthy blood in every hospital, school, military unit, and remote location. No more relying on donations. No more chance of contamination. No more delays in supply or delivery.
Three floors below, eight patients are halfway through the final trials of Ichor in the aftermath of a violent protest against the ethics of artificial blood that has put the entire company on edge. But today, something is different. Sabotage of the Ichor infusion is affecting each patient differently with horrifying results.
The day begins with routine patient observation and nerves around hosting the company’s first investor conference before spiraling out of control as we root for Ruby, fighting for her life from floor to floor while trying to unwind the conspiracy threatening her creation.
Ruby must reconcile if her creation is the pinnacle of healthcare or a threat to humanity.
What genres does your screenplay fall under?
Horror / Thriller
Why should this screenplay be made into a movie?
Horror remains one of the few genres that’s arguably still best experienced in the theater with a crowd to share in the frights, jump scares, and wild reactions to what’s on the screen. Safety in numbers!
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Watch the best scene reading: https://www.youtube.com/watch?v=Di-SUrGZcgI
https://www.instagram.com/joaomacongo_/
https://www.joaomacongo.com/about
Get to know the writer:
What is your novel about?
The Origin of Humanity: A Real Dream is a deeply spiritual and philosophical novel inspired by a vivid dream I had. It explores the mysterious beginnings of humanity through a cosmic journey of creation, identity, mortality, and divine purpose. The story is both mystical and grounded, merging poetic storytelling with existential questions that challenge the reader to reflect on the meaning of life and the courage to awaken.
What genres would you say this story is in?
Spiritual Fiction, Metaphysical Fantasy, Philosophical Sci-Fi, Visionary Fiction.
How would you describe this story in two words?
Divine Awakening
What movie have you seen the most in your life?
The Matrix — for its blend of philosophy, reality-bending concepts, and spiritual undertones.
What is your favorite song? (Or, what song have you listened to the most times in your life?)
“Dreams” by Fleetwood Mac — it’s timeless, haunting, and resonates with the journey of vision and destiny.
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Watch the best scene reading: https://www.youtube.com/watch?v=b0mBY_JoZVo
When a young, broke librarian buys an abandoned house on the outskirts of a British Columbian town, he starts to uncover the house’s secrets as unexplained incidents occur.
Get to know the writer:
What is your screenplay about?
The script follows a young programmer who moves into a haunted house in the Interior of British Columbia due to (widespread) financial difficulties.
What genres does your screenplay fall under?
It is a horror picture.
Why should this screenplay be made into a movie?
The story derives it’s chills n’ thrills from mood more so than sudden frights, which an audience will resonate with. The origin of the evil spectre which haunts the house and surrounding area is also relevant to issues of concern today.
How would you describe this script in two words?
‘Definite Appeal’.
What movie have you seen the most times in your life?
By my recollection, either ‘Jaws’ or ‘The Maltese Falcon’.
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