Telling stories through film and conversation.
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WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

Posts tagged screernwriter
EP. 1629: John M. O’Leary & John W. McMullen (THE TRIAL OF ROMAN WEINZAPFEL)

In Indiana in 1842, an unhappily married woman accuses a young, immigrant priest of raping her in the confessional. His vow to keep the Seal of Confession prevents him from speaking in his own defense. A climate of xenophobia and anti-Catholicism fuels a sensational trial and violent, shameful events that ultimately prove redemptive. Based on a true story.

Get to know the writers:

What is your screenplay about?

A young, German seminarian comes to America to finish his preparation for the priesthood and enter the mission field. Upon ordination, the bishop assigns him to assist a pastor in southwest Indiana. An anti-Catholic, anti-immigrant climate poses challenges to his ministry. These come to a head when an unhappily married woman accuses him or sexually assaulting her in the confessional booth. The screenplay essays the accusation, the resulting trial, his conviction, incarceration, and ultimately his pardon and release from prison.

What genres does your screenplay fall under?

Historical Drama

Why should this screenplay be made into a movie?

O’Leary: This is a fascinating true story of how xenophobia, religious bigotry, racism, and misogyny plant deep roots in America’s cultural fabric. These forces combine and erupt in a gross miscarriage of justice in antebellum Indiana—a state that less than a century later would become the stronghold of the KKK.

McMullen: It reveals an often forgotten era of 19th-century American history, making it a compelling series for a general audience, while also exploring the depths of religion, law, and society in early American history.

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EP. 1546: Interview with Screenwriter Bren Dahl (BLONDE IN THE CONGO)

Watch the script reading: https://www.youtube.com/watch?v=z8dO89qOZRk

An adventure seeking young girl comes of age, joins the Peace Corps, gets posted in the Congo and takes a wild ride through culture clashes and love affairs.

Get to know the writer:

1. What is your screenplay about?

My screenplay is about an adventure seeking young woman who joins the Peace Corps to advance her career, gets posted in the Congo, and ends up falling in love with two fellow volunteers.

2. What genres does your screenplay fall under?

The genre is Romantic Drama.

3. Why should this screenplay be made into a movie?

This movie needs to be made because there has never been a Peace Corps movie made before, and the Congo is the 4th world that Americans need to see.

4. How would you describe this script in two words?

In two words: compelling and original.

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EP. 1544: Screenwriter Ed Vela (THE MORTALITY GAME)

Watch the best scene reading: https://www.youtube.com/watch?v=DLrcCUBi10A

Facing death due to different illnesses, three patients find themselves playing a made up game called The Mortality Game to experience life one last time risking it all.

www.instagram.com/thevelamonster

Get to know the writer:

What is your screenplay about?
It’s about 116 pages! Sorry, I just had to get one “Dad Joke” in, even though I’m NOT a Dad (that I know of). “The Mortality Game’ is in essence a story of life as seen through the lens of impending death. It’s about how we as humans face the “final act” of the stage play of our lives. In the case of my three headed lead: Schubert, Halada and Tugger face it in their own differing, yet quirky ways. Ultimately deciding to take a final road trip across the country while playing a game where they do dangerous things to challenge and defy death, since they have nothing to lose.

What genres does your screenplay fall under?
Character Driven Dramedy for the most part, as it has elements of Comedy and Drama, with a bit of Coming of Age mixed in for good measure.

Why should this screenplay be made into a movie?
Because the characters are as diverse in age and attitude as they are strong in development and memorability. Because the story, about how we face death is an important one to tell, since that is a situation that none of us can avoid. Because it explores letting go as well as fighting back, finding the joy in the dreaded, and allowing yourself to feel what you feel facing the end, whether it’s understandable or not, expected or not, appropriate or not.

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EP. 1521: Screenwriter Alessandro Incalza (DIRE STREETS)

Watch the best scene reading: https://www.youtube.com/watch?v=EPh-ZxTT4GE

LOGLINE: In the 1940s, prisoners — including infamous mob boss Joe Blunda — were released to defend America from Nazi spy attacks. What happened to them remains a chilling mystery: none were ever seen alive again.

Get to know the writer:

What is your screenplay about?

My screenplay tells a story that was circulating at the time — it captures society during the World War era and highlights an undeniable truth: Power is often manipulated by ruthless agendas.

What genres does your screenplay fall under?

The genre is historical thriller.

How would you describe this script in two words?

Dire Straits

How long have you been working on this screenplay?

So many, but especially Superman (1978). When I was a kid, I watched it over and over again. Same with the Lord of the Rings. I would go through phases where I’d obsessively rewatch certain films — the ones that gave me a sense of hope deep inside.

How many stories have you written?

I worked on this script casually in my spare time over the past three years. Yes — I believe a draft needs to sit and “mature” a bit before you lock in the final version.

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EP. 1520: Screenwriter Alicia Petralia (DOORS OPEN)

Watch best scene reading: https://www.youtube.com/watch?v=8M-6es5qNVc

Get to know the writer:

What is your screenplay about?

A former Army lawyer, Gemma Lightwater battles troubled family and calculating investors to reopen her Missouri Ozarks ranch that pairs broken veterans with broken horses

GEMMA LIGHTWATER a mid-30s Army veteran struggles to reopen the Red Rock Ranch that serves female veterans wellness. That is until she receives a five million dollar offer from her former captain, ASTRID MITCHELL, but the money comes with a ticking clock and giving up decision-making control to her former JAG leader. As the new veteran arrivals, tensions run high as NORMA JONES, Gemma’s right hand at the ranch tries to help Gemma and Astrid understand what a deal means for them. After a few rounds of will they or will won’t they sign, Gemma and Astrid find common ground to finalize the deal. Then tragedy strikes leaving Gemma conflicted and suspicious at the exact time she is supposed to be opening a new chapter for the only real mission she has left, saving others to save herself.

What genres does your screenplay fall under?

Thriller, Drama, Suspense

Why should this screenplay be made into a movie?

As a female veteran, I look into the eyes of women in uniform and remind them that our service matters. They remind me to tell their stories. The doubts of if female veterans deserve a seat at the table of service will be removed. And in this show, we ARE the table. This pilot should do for women veterans what Orange is the New Black did for incarcerated women. And do for Missouri what Yellowstone did for Montana. What Band of Brothers did for male veterans. We have a long historic legacy that quickly being erased. Women have put their lives on the line since the beginning of time, when do we see them as the main characters.

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EP. 1472: Screenwriter Suzanne Birrell (PEARL FISHER)

Watch the best scene reading: https://www.youtube.com/watch?v=Bj2UD32BCgI

When a precocious mixed-race five-year-old wanders into a fire station with only a backpack and a cryptic note about her missing mother, she has no idea it will set off a chain of events that will reshape her life. The little girl, who refuses to give her name, is sent into foster care and given the name Mariah Foster. Despite her resilience, she often runs away, gravitating toward the fire station where Fire Chief Teresa Cortez becomes a steadfast mentor.

Get to know the writer:

What is your screenplay about?

Pearl Fisher” follows two parallel journeys of loss and ends in the same room.

A precocious 5-year-old girl, abandoned at a fire station by her pregnant mother fleeing abuse, enters foster care and is renamed Mariah Foster, though she continues awaiting her mother’s return.

In a parallel story, Kenny MacCayne, a newly-hired investigator, searches for a wealthy woman’s missing daughter who ran away years ago with Kenny’s previously unknown twin brother.

After Mariah survives an attack involving a cherished pendant, clues from a library volunteer and her distinctive swimming style reveal she might be the missing granddaughter. Skeptical at first, Mariah finally believes the truth when Kenny’s twin brother calls her by her birth name, “Pearl Fisher,” a secret known only to her mother.

. What genres does your screenplay fall under?

Drama, Mystery

. Why should this screenplay be made into a movie?

“Pearl Fisher” is a story of hope and miracles, heartbreak and devastation, and ultimately the reunion of family and new beginnings.

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EP. 1464: Screenwriter Chase Yancey (SALLIE)

Watch the best scene reading: https://www.youtube.com/watch?v=g_gq-ueaUbU

When the paths of the 11th Pennsylvania Civil War regiment and an American Staffordshire Terrier pup intertwine, the men of the 11th’s lives are changed in ways they never could’ve predicted.


Get to know the writer:

What is your screenplay about?

It is about a dog named Sallie who is the mascot of the 11th Pennsylvania Infantry Regiment of the Civil War. We follow her throughout the entire war and see the war through her eyes as she forms bonds and relationships with the men of the 11th. It is also based on a true story.

What genres does your screenplay fall under?

Drama, family and history.

Why should this screenplay be made into a movie?

This screenplay should be made into a film because it shows war from a unique perspective that not many others see very often, the point of view from a dog. It also demonstrates why dogs are man’s best friend, how they are willing to be there for us during our darkest moments.

EP. 1462: Screenwriter Nicole Sell (Echoes From The Veil)

Watch the best scene reading: https://www.youtube.com/watch?v=CWRdffz8UBM

Newly widowed father, Daniel Lambert, grapples with his skepticism of the supernatural as he moves into a charming old house with his four children, seeking a fresh start after the untimely passing of his wife. The family struggles to adapt to their new life, each of them finding their own way to cope with their grief. However, his teenage daughter, Leila, longing for a connection to her late mother, turns to a séance, hoping to bridge the gap between the living and the dead. Unbeknownst to her, the séance inadvertently opens a portal to a sinister realm, inviting a malevolent spirit into their home. As inexplicable events begin to unfold, David’s disbelief in the paranormal is tested, forcing him to confront his deepest fears to protect his children and reclaim their home.

http://www.instagram.com/echoesfromtheveilmovie

Get to know the writer;

What is your screenplay about?

My screenplay, “Echoes from the Veil” is about a newly single father, Daniel Lambert, who moves his 4 children into a new house after his wife dies suddenly and tragically while at work. His second oldest daughter, Leila, wants to try to connect to her mom one more time but she ends up opening a portal and causing havoc on her entire family. The bigger problem is Daniel is basically the definition of a skeptic, so there’s a logical explanation for everything, so everything that goes on not only tests his beliefs but it tests his relationship with his children.

What genres does your screenplay fall under?

It’s a drama/horror film.

Why should this screenplay be made into a movie?

It’s not your usual “bump in the night” scary story. It has heart, it deals with not just the paranormal aspect, but it goes through everyone’s way of coping with a sudden loss. You want to see this family succeed at staying together, but at the same time you’re terrified at what’s actually trying to tear them apart.

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EP. 1450: Screenwriter Aleks Lyons (LIFESOURCE)

Watch the best scene reading: https://www.youtube.com/watch?v=rrJ8KUPyDZ8

A young oceanographer discovers her gradfather’s plane – part of the Lost Patrol – and is thrust into an emotional journey with a rebellious reporter as the government tries to cover up what really happened that night in 1945. The duo uncovers an extraordinary truth of how water, our most precious resource, has a will and consciousness of its own and is an active, seemingly invisible, participant in its own survival from human destruction.

Get to know the writer:

What is your screenplay about?

In LIFESOURCE, well known historic events (the disappearance of 5 war planes we’ve come to call the lost patrol in 1945), a government cover-up, mysterious deaths and a romance, all come together when humanity’s killing of its life source (all of Earth’s water sources) reaches a tipping point and humanity and water are out of harmony.

Why should this screenplay be made into a movie?

It speaks to what humans are doing to the water sources on our planet and the value systems we’ve chosen to embrace and at the same time it stands on its own as a fun ride while creating awareness.

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EP. 1370 - Screenwriter A. E. Guaake (TRUST ME)

Watch the best scene reading: https://www.youtube.com/watch?v=pMJRNPKTfgY

Get to know the writer:

What is your screenplay about?

My screenplay is about the Hulder, a mystical human-like creature with a cow’s tail, famous from Norwegian folklore, who has to go to Earth on a dangerous mission to con an orphan teenage boy in order to save her young brother from dying.

What genres does your screenplay fall under?

Adventure/Fantasy (low fantasy)

Why should this screenplay be made into a movie?

Because it is an action-packed story centred on making impossible choices, woven into a layered mystery where nothing is as it seems.

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