In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.
Vapor Trails, 11min., USA
Directed by Matt Jenkins
Mandy has just given Jethro an ultimatum, quick vaping or else. His friend Chuck thinks its going to be easy to quit.
https://www.instagram.com/misfits_of_film/
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AN ANATOMY OF GRIEF, 15min., Canada
Directed by Anthony Joseph Spatafora
A mother grieving the death of her son while being haunted by his corpse.
https://www.instagram.com/ananatomyofgrief_shortfilm/
What motivated you to make this film?
It actually came to me in a dream I had a few years ago, where I lived in a reality where I had been gone for 10 years and no one knew where I went. I came back into my friends' and family's lives and saw how my absence affected them. My parents were especially heartbroken. I'll never forget the moment in that dream when I came face to face with my mother after being gone for 10 years. The sadness, relief and pain in her face and voice haunts my brain to this day and it is what inspired me to write this story.
The story was also based on my own personal experiences with loss in my family. My father's dad passed away when he was young leaving my dad, uncle, and grandmother alone. My mother's father had an accident which altered who he was until the day he passed away. Seeing how these events affected my family and how they were all able to bounce back from it made me want to express how there is always hope even after immense loss.
From the idea to the finished product, how long did it take you to make this film?
It took me about a year and a half to develop the script and go into production and post-production. But I actually wrote the story in 2021 and then I adapted it into a script in 2024 because the story resonated more with me then. I finally finished it in April of 2025.
I rewrote the script many times. At one point, I had the mother's sister in the story as her support system, but I cut her out because I thought it was more important to show Cassandra (the mother) dealing with this loss on her own. Because not everyone has somebody to rely on.
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A young woman waits for her lover for a secret trip. However, he does not show up and does not respond to her messages. That’s when strange and inexplicable events begin to happen in her house. She asks for help from her lover, who ignores her. Realizing that she is hopelessly alone, she gives up waiting for salvation and surrenders to her own shadow.
https://www.instagram.com/cardosohelo/?hl=en
Director Statement
"Submerged" is my graduation film from Academia Internacional de Cinema. This short film is an extension of the research I’ve been developing in theatre and literature, proposing a reflection on the tendency to wait, something encouraged in girls from a very young age. The wait for a great love, a hope for something external that will give life meaning. The horror surrounding this waiting evokes the idea of a monstrous femininity: when left alone, the protagonist of "Submerged" unconsciously materializes her shadow, which ultimately consumes her and breaks the cycle of passivity.
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Dancing With Waves, 29min., USA
Directed by Emmitt Thrower
Tammi Judge, the founder of a transformative dance program, leads young dancers on a journey of self-discovery and personal growth, using the power of movement to heal, inspire, and change their lives forever.
Watch Emmitt’s other short film, DISABLED ARTIST SHOWCASE: https://www.wildsound.ca/videos/watch-disabled-artist-showcase
https://www.instagram.com/truth_thrower
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New York Times Co. v Sullivan, 10min,. Canada
Directed by Yanjia Yang
In the heat of the Civil Rights Movement, a full-page ad in The New York Times sparked a legal battle that would redefine freedom of the press in America. Through archival footage, this short film explores how the case reinforced First Amendment protections and shaped journalism as we know it today. A must-watch for anyone interested in media, law, and the enduring power of free speech.
Get to know the filmmaker:
What motivated you to make this film?
I was driven by a desire to revisit the New York Times Co. v. Sullivan case not just as a historical legal milestone, but as a powerful reminder of how fragile our freedoms truly are. In an era where misinformation, polarization, and censorship continue to challenge democratic ideals, I felt a strong responsibility to explore the balance between rights and responsibilities. I wanted my generation to understand that free speech is not abstract; it is something we must actively reflect upon.
From the idea to the finished product, how long did it take for you to make this film?
This was my very first documentary, and as an 11th-grade student, it was a steep learning curve. From research to editing, the process took about three months. There were moments of doubt, technical setbacks, and challenges in simplifying complex legal ideas. Though it required a lot of effort and time commitment, I pushed through and was able to find the true meaning of creating this film.
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serpentine, 19min., USA
Directed by Annie Young, Madeline Mack
After leaving an abusive relationship, a woman seeks refuge with a trauma treatment facility that promises healing. But as she learns more about their treatment methods, she starts to realize that the organization’s motivations may be far more sinister than they seem.
Get to know the filmmaker Annie Young:
What motivated you to make this film?
In my 20s, I was in a deeply toxic relationship with someone who spent most of his childhood in a cult. After I managed to leave the relationship, I started to see the parallels between the way I was treated and the ways in which cult leaders attract and keep their followers. I started to take a deep dive into learning about various different cults, consuming as much information I could find. The film was made as an attempt to understand my own experiences, and how easy it is for a vulnerable person to find themself in a situation not dissimilar to this one. There’s much judgment placed on those who experience emotional abuse and psychological manipulation, as if it’s easy to identify in real time, so I was curious how I could portray that feeling to an audience and perhaps elicit some of those emotions in themselves.
What were your initial reactions when watching the audience talking about your film in the feedback video?
Feedback can always be intimidating to receive, but is so essential for creative growth. I was pleased to hear the feedback received, and I look forward to applying it to the feature-length version.
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Parents in the Wild – Mating Games and Birth Days, 52min., Germany
Directed by Moritz Mayerle, Annette Scheurich
In this film, directors Annette Scheurich and Moritz Mayerle offer a captivating glimpse into the love lives of Parents in the Wild worldwide. Highlighting the universal goal of providing offspring a strong start, the film explores the diverse mating and nesting rituals of mammals, insects, and birds, celebrating the intricate dance of love in the heart of the wilderness. Spectacular images showcase also the birth of squirrels, a grey seal pup and a flying fox fighting gravity in its upside-down world. “Parents in the Wild” is an entertaining visual feast that invites audiences to connect with the profound moments of wild parents in their quest for species conservation.
Get to know filmmaker Annette Scheurich:
What motivated you to make this film?
In my career as a filmmaker of documentaries about wildlife and nature I often marveled at the many strategies animals developed to make sure the species survive. Some invest in an enormous amount of progeny in the hope that some survive. Like toads, snails, spiders, etc. Others, like elephants, seals, deer, squirrels, flying foxes, weaver birds or penguins only have very few young and put all their effort in preparing for a safe place before birth and/or in protecting them for a longer time after birth, until they are ready to fend for themselves. My intention was to show all this from the perspective of the parents, pointing out to which lengths parents go to make sure their offspring get a good start. Any similarities to human behaviour are unintentional or purely coincidental 😉
What was the biggest obstacle you faced in completing this film?
The biggest obstacle was to create a storyline out of the many different stories round about parents’ care for their young. There is so much fascinating behaviour we wanted to have in the film, but only had time for so much episodes. Choosing which parents get a window and balancing the variety of the different strategies was a real struggle. And then is also was a matter of capturing this behaviour. The camera teams out die themselves in delivering the footage that made our storytelling possible.
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Watch the best scene reading: https://www.youtube.com/watch?v=ISexQ4GgQCo
In the heart of Bangkok, Detective Aran Chen, a defiant inspector haunted by his past, pursues the elusive “Shadow Killer,” a ruthless serial murderer. Armed with his sharp instincts and lethal martial arts skills, Aran battles through the city’s underworld, uncovering a chilling link between the killer’s motives and his own scars. As the lines between justice and revenge blur, Aran faces a deadly confrontation that will test his resolve and redefine his destiny.
Get to know the writer:
What is your screenplay about?
Shadow Killer is a grounded crime thriller set in Bangkok, following a police investigator haunted by his past as he hunts down a mysterious serial killer. As the body count rises, he relentlessly pursues the murderer, relying on sharp detective work and his martial arts skills. His past looms over him, threatening to cloud his judgment, but he pushes forward, determined to stop the killer. The chase builds to a brutal final confrontation, where his skills and resilience are put to the ultimate test.
Why should this screenplay be made into a movie?
Shadow Killer is a bold, high-impact reinvention of the action genre, fusing a gripping crime investigation with bone-crunching martial arts combat. In a world where thrillers often fall into predictable formulas, this film keeps audiences on edge with relentless action, shocking twists, and a hero who fights both a deadly killer and his own past.
With one or two game-changing twists leading to a high-stakes, brutal finale, Shadow Killer delivers exactly what modern audiences crave—an electrifying, no-nonsense action experience that’s as smart as it is thrilling. It’s a ride that never lets up, never holds back, and most importantly, never forgets to entertain.
This isn’t just another action movie, it’s the one that will leave audiences breathless.
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THE FARMHOUSE, 15min,. Australia
Directed by Luke Creely
A young woman, living alone in an isolated rural farmhouse, is haunted one night by a mysterious entity which forces her to confront her inner demons and traumatic past.
https://instagram.com/_lcfilms
Get to know the filmmaker:
What motivated you to make this film?
I have always been drawn to slow-burn horror cinema in the mould of Michael Haneke from Austria. His early films are fascinating explorations of the human psyche. This has inspired me from the beginning of my career. I am also very interested in pain and trauma as key themes in my films. So, my aim was to make a Haneke-style horror film that immerses the viewer and makes them uncomfortable as they observe a character who is alone and grappling with PTSD from a past traumatic event.
What were your initial reactions when watching the audience talking about your film in the feedback video?
The audience feedback video was excellent because the members who spoke understood the film and my intentions as director. They “got it”. And this means that I did what I needed to do as director. Their interpretations were interesting to listen to as well.
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RISING TIDES, 103min,. USA
Directed by Charlie Spickler
Rising Tides is the story of how climate change is affecting the fishing communities on the East Coast, the Coral in the Keys and the domino effect it has on the various regions. We are looking at the Science of Climate change and the politics of what is and what is not being done in Congress.
http://www.risingtidesfilm.com/
Get to know the filmmaker:
What motivated you to make this film?
I read an article in the New York Times about the Peconic Bay Scallops dying before they could be harvested. I grew up out on Long Island, so this became personal for me. That led me to looking at the Blue Crabs down in Maryland and the bleaching coral down in Miami and the Keys and next thing you know, – Climate Change doc.
What were your initial reactions when watching the audience talking about your film in the feedback video?
I was overwhelmed. Especially some of the comments that were made that literally mimicked my reasons for making the film, I wanted this film to be accessible and understandable for people with no experience with climate change and or the science of global warming. I wanted to present this information in a way that was understandable, Based on the comments I think I succeeded in doing that.
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11 BLOCKS TO GO: THE BET, 10min., USA
Directed by Nathaniel P. Claridad
Samantha, a free-spirited hapless romantic, discovers her 30-something-year-old BFF Drew, a gay high-functioning drug-addled sex addict, hosting an orgy in lieu of honoring his personal commitments.
https://www.instagram.com/11blockstogo/
Conversation wth the screenwriter & stars of the film Jack Utrata & Ashley Alexander.
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FLY AWAY, FROGGY BOY, 8min., Canada
Directed by Mia Lobo
Fly Detective Francis McFly loses his partner to the infamous ‘Croaks’, a frog gang at the centre of his most recent investigation. Stricken by grief, he decides to get revenge, and go head to head with their ravenous leader, The Frogfather.
https://mialobo.com/home
Get to know the filmmaker:
What motivated you to make this film?
Fly Away, Froggy Boy was my final year thesis film. Everyone in their final year at my animation program was required to pitch a film idea, present it to our final year classmates, and the film ideas were chosen based on popular vote. The idea came from a joke between me and my partner (the co-creator, foley artist and voice of McFly), quite literally “Imagine if you pitched a film about a fly getting revenge on frogs”. I decided to pitch it to my class to see if anyone would be drawn to the idea as much as we were. We ended up one of the four films chosen to be made that year! People really love the idea.
What were your initial reactions when watching the audience talking about your film in the feedback video?
It was a great feedback video!I found it really interesting to see what aspects of the film jump out at people. The whole project is a lot less surprising and fresh for me because I worked on it for so long. Being able to hear people talk about the specific elements of the film that they found really unique, fresh and fun, reminds me of how great the project is, and how I felt the exact same way during the process.
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RED, 5min., Canada
Directed by Marlea van Grinsven
Red depicts the story of a romance gone wrong, where paint is used to show the side revenge and how it slowly passes through everyone until revenge has taken over. It follows our couple as they work through their budding romance slowly getting more and more torn on the outcome as they go, until at the end, revenge wins and takes over.
http://www.movementwithmarlea.com/
https://instagram.com/_movementwithmarlea
Get to know the filmmaker:
What motivated you to make this film?
They always say that the best art comes from the worst trauma, and I was hoping it was right. I went through a very traumatic breakup and I wanted to turn a dark time in my life into something beautiful. Dance has always been how I’ve expressed myself and creating this film allowed me to process my trauma in a beautiful and creative way.
What were your initial reactions when watching the audience talking about your film in the feedback video?
I was overjoyed with emotion. It was an amazing experience to hear people talking about my film and loving it. I always fear that the audience won’t get my story but to hear that they understood the story behind it and appreciated the difficulty of execution to create this film was delightful.
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WEASEL, 2min., Mexico
Directed by Hisham Iyad Hajir
Get to know the filmmaker:
What motivated you to make this film?
I would like to get rid of a lot of the clutter in my house, but I don’t know how. The film peers into an alternate reality where technology provides a solution to this problem.
What were your initial reactions when watching the audience talking about your film in the feedback video?
I liked how they understood the film. Since it’s an extremely short film about an inexistent technological gadget, then the film didn’t only need to tell the story in its short runtime, but also establish and explain what the device is and how it works. I was happy that the audience wasn’t confused by the film.
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OTHERS, 19min., USA
Directed by Chris Durr
In a midwest suburb, an aging radio enthusiast becomes suspicious that a lonely hispanic teenager is a response to his interstellar transmissions. As misunderstanding and coincidence collide, Mateo perceives Frank as a potential threat, while Frank becomes convinced Mateo is a response to his message that he transmits to the skies. Their misperceptions are flipped over when they are interrupted by a close encounter with an unexpected guest.
https://www.instagram.com/others.film
Get to know the filmmaker:
The polarization I’ve been experiencing in my country over the past decade has had me pondering what on Earth could drive humanity together…not saying “Others” is the answer, but I wanted to tell a story about two very different people misperceiving one another while experiencing the same isolation or loneliness. The sci fi alien stuff came from an experience I had in 2009 that left me very open minded, so I thought that might be a fun way to get us there in the film.
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DAKINI, 43min., Nepal
Directed by Arniko Kumar Singh
When darkness holds the light, the thin line between good and evil becomes an illusion. Unravel the captivating journey between perception and reality.
Get to know the filmmaker:
– I always wanted to make a movie based on folklore and bring originality to the screen. Hence, this movie was the best way for me to showcase my ideas and interests.
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THREE AM, 22min., Canada
Directed by Jeff Wolverton
Sometimes when you pray, it isn’t God who answers.
http://threeamfilm.com/
https://www.facebook.com/profile.php?id=61556319635264
https://instagram.com/threeamfilm
Get to know the filmmaker:
I’m always fascinated with the motivations of the bad guys, as their actions usually set things in motion. Nobody really “wants to be evil” or “wants to take over the world” and in real life? All of history’s REALLY bad bad guys thought they were the hero of the story.
So I wanted to find a way to investigate the motivations of the ultimate bad guy. In reading the various mythologies of the devil, was struck by how they all agreed on some basics: that the Devil was God’s son, he was born in Heaven as one of the first archangels God created and was for a while the best of all the archangels. Originally named “Samael” he became so good at bringing God’s light out into the universe that he was renamed the “light bringer”, or ‘Lucifer’ in ancient latin. He then gets cast out for the sin of Pride, for thinking he should be more than just God’s right hand man, but should be God’s equal, maybe even take over when the old man retires (the mythologies differ here a bit; in some he leads a war in Heaven against God, in other he’s just cast out.)
So I had this idea that if archangels bask in the love of God, for an archangel to suddenly lose that and not be able to feel God’s lover anymore must have driven Lucifer nuts. Then you’ve got this character that just wants the love of his Father and to go back home where he grew up, something we can all identify with. (Then we can literally have “Sympathy for the Devil”, which I kind of reference in the short; The Man in the Hat says “how about some sympathy, like the song? You know nobody’s rooting for ME to win.” Wanted to use the song over the credits but I can’t afford to pay the Rolling Stones.)
And for Lucifer to later God create humankind hear things like “For God so loved mankind that He gave his one and only Son”? I figure that must have REALLY driven him nuts (“…They break His commandments on a daily basis yet still get His love? And “one and only” son? WTF? My & my fellow archangels don’t even count?”)
But then I figure Lucifer hatches a plan: if he can show God that his beloved humanity is actually WORSE than Lucifer? That they will – by their own choices – make the truly unholy choice? In Lucifer’s twisted logic that means if God still loves humanity (once proved worse than Lucifer) then God have to admit He was wrong and love Lucifer again, invite him back home. Every time that doesn’t happen Lucifer gets angry but figures if he keeps upping the game, next time it’ll work.
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DISMISSAL TIME, 29min,. USA
Directed by Andre Joseph
When a black high school student in a reputable prep school becomes the victim of a vicious form of cyberbullying, his history teacher makes it her mission to bring those responsible to task when the administration fails to act. Inspired by true events
Get to know the filmmaker:
I experienced racially-motivated bullying as a high school freshman where I was one of the few black students in my class. For years, I tried to suppress the trauma privately even though there were times I was uncomfortable in my skin. When the murder of George Floyd in 2020 sparked a national reckoning on race relations in America, I felt motivated to speak about my experience through film and I began to write Dismissal Time that summer inspired by my history.
You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.
OSING FAITH, 19min., USA
Directed by Allan Wasserman
Gil, the detective who helped capture Richard Ramirez, now in his 70s, reflects on the events from the 80’s to his priest as he now questions his faith. “How could God let this happen?”. Michael J. Gonzales plays both Richard the Killer and Gil the detective.
Get to know Michael J. Gonzales
The director Allan Wasserman had reached out to me about writing and acting in a short about the Night Stalker case. The twist was that he wanted me to play both the Killer and also the detective that helped bring him to justice.
You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.
LOOP (It’s a matter of time), 15min., USA
Directed by Alejandro Pedemonte
Fausto wakes up in the middle of the night, with the news about his father dying. However, he refuses to go to him. Overtaken by his own rage, his decision causes a time loop that will eventually give him the opportunity to face his own forgiveness, loss, and life itself.
https://www.instagram.com/loopshort.film/
Get to know the filmmaker:
My motivation for making this film was the need to acquire experience while writing my feature film. Understanding the language of cinema from the conception of the idea to every step of the process to reach the final product was crucial. Additionally, it was very important for me to understand the artistic direction of actors in a film production, after having worked for many years as a director and producer in theater.
You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.
