Simone is the last Greater Bamboo Lemur in Ranomafana, a protected rainforest in south-east Madagascar. After a happy start in life, surrounded by family, Simone finds herself alone, as members of her family disappear one by one. Three years on, and she’s still alone - a social animal, a primate, just like us; how has this isolation affected her mental state? Through primatologist Dr. Patricia Wright and researcher, Alba Schielen, we witness Simone’s desperate bid for companionship, as she takes a bold step for survival. At last Simone is happy again, but is all as harmonious as it seems?

https://www.instagram.com/ct_wildlife/

Director Statement

I had a chance encounter with the lemur featured in my film whilst trekking in the rainforest during my honeymoon in Madagascar in 2022. Upon hearing that this lemur was the last of her species in the area, I was eager to find out more about her and tell her story, which serves as a poignant reminder of how the global biodiversity crisis is affecting animals on a personal level.

——

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Black People Don’t Tango, 13min., USA

Directed by Robert Xavier Clark

An African American man learns to tango after a trip to Argentina.

Based on a true story.

What motivated you to make this film?

This short film Black People Don't Tango is adapted from a feature-length film script that I developed in 2019. That feature script is further adapted from a short story that I wrote in college.

The primary motivation for the short film is to function as a proof of concept for the larger Black People Don't Tango idea.

From the idea to the finished product, how long did it take for you to make this film?

Roughly one month.

What was the biggest obstacle you faced in completing this film?

Scheduling and securing locations. The short film was put together and shot in a very tight timeframe. Also most of the people in the film are not professional actors, so getting everyone on the call sheet to show up on specific days was challenging. We also had some late talent and location changes happen, so we had to stay flexible and adapt.

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Versipellis, 26min., UK
Directed by James Rigby
In this spine-chilling horror film, a young girl, Sophia, faces the dilemma of choosing whom to trust when an imposter infiltrates her home.

https://www.instagram.com/versipellis_film

Get to know the filmmaker:

What motivated you to make this film?

I wanted to challenge myself by making my first horror film. I was curious about how to approach the story, its themes, and the craft of building fear in an audience. I researched the genre, studied other films, and asked myself: what do I personally find scary, and why do I react that way? That exploration shaped the direction of the film.

From the idea to the finished product, how long did it take for you to make this film?

The script was originally written and pitched during my time at Arts University Bournemouth. After taking a short break from it, I came back with fresh eyes, refined the concept, and pushed it forward. With the support of people around the world, we successfully crowdfunded £1,500, which allowed us to bring the project to life.

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The Call is a powerful documentary that breaks the silence around firefighter mental health, offering an unflinching look at the trauma, PTSD, and suicide crisis facing first responders. Through raw interviews, real-life stories, and behind-the-scenes access to firehouses in New Mexico, the film explores the emotional toll of a profession associated with bravery, but rarely with vulnerability.

http://thecalldocumentary.com/

Conversation with directors Laura Boyd Owen, Charles Edwin English.

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Tale & Bones – Dark Princess, 3min., USA
Directed by Daniella Meggoe, Benson Jackson
Dark Princess is a psychological short highlighting the unique relationship between a grandmother and her grandchild. The innocent yet menacing ques are overlooked as something mysteriously dark is brewing.

http://www.sistastalk.org/talebones
https://instagram.com/Nellamovieproduction

Get to know filmmaker Daniella Meggoe:

What motivated you to make this film?
I love horror and creating. I enjoy being challenged, after creating my first short film in 2021 I decided to a horror film.

From the idea to the finished product, how long did it take for you to make this film?
2 years

How would you describe your film in two words!?
Thriller Suspenseful

What was the biggest obstacle you faced in completing this film?
Understanding angles and finding the right filming crew

What were your initial reactions when watching the audience talking about your film in the feedback video?
Excitement and joy, it’s interesting to see different perspectives on the film.

When did you realize that you wanted to make films?
Since I was 8 years old, my vision and creativity is pretty broad. I grew up watching movies from various genres and wondered “how did they do that” how did they make that look so real? I’m an avid story teller so I’m developing my creative side.

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Interview with the filmmaking team of the feature documentary.

Director: Daniel Matmor. Producer: Jody Glover. Historian: Tom White.

HIDDEN – The Kati Preston Story is a powerful journey seen through the eyes of a child—a firsthand account of a society’s slow and insidious descent into authoritarianism, dictatorship, and tyranny. Kati Preston’s joyful childhood in Hungary came to an end in 1944. Bit by bit, law by law, action by action, her world was dismantled. Everything she knew and loved was stripped away.

https://www.hiddenkatiprestonstory.com/

https://www.instagram.com/freespiritprods

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TEA TIME, 9min., USA
Directed by B.T. Goldman
A detective interrogates a strange elderly Englishman about a missing person in his neighborhood.

https://www.instagram.com/cybereggproductions/

https://www.instagram.com/b.t.goldman/

Get to know the filmmaker:

What motivated you to make this film?

I hadn’t directed a project of my own in over a year, and I was at a wrap party for a short film that I was an extra in (SPRINKLES, directed by the Andrew Korzenik, written by Riley Stockard, and produced by Sky Mattioli, all great talents). I tend to be off in my own world a bit at parties, and the image of a wild, tuxedo-laden man forcing tea on a guest at a table in an empty room came into my head. It was kind of out of nowhere, and seemed like a really simple, filmable idea for an unsettling story. It was an eerie, but also amusing to me since I grew up with an English father (who naturally was cast as the Englishman in this film).

From the idea to the finished product, how long did it take for you to make this film?

I initially had the idea around September 2023, we filmed in February 2024, and I had the final edit in December 2024, so it was a total of about 15 months from conception to completion.

How would you describe your film in two words!?

Uncomfortably funny.

What was the biggest obstacle you faced in completing this film?

It was probably the audio editing. It really felt like everything came together fairly easily, everyone who worked on the film is a close friend or relative. Eric Alcaraz, our incredible cinematographer, is well educated in audio engineering and really saved me with that when I was editing.

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Tendon, 13min,. USA
Directed by Jannik Ehret
Recovering addict Rene sees a creature poison the city’s water supply and has to convince his skeptical sister and her no-nonsense boyfriend to stay away from the tap water.

Get to know the filmmaker:

What motivated you to make this film?

I grew up in Germany from where Los Angeles always felt like a mythical place in another world. Through a street racing video game I was first introduced to the LA river; a concrete channel that splits Los Angeles in such a crude and inorganic way. At the time I thought it was an invention of the game designers. Why else would there be a perfect drag racing track going right through the city. Ten years later, when I first saw the LA river in person, I became enchanted by its otherworldly existence.

My parents are spiritual teachers. Witnessing their clashes with “the regular world” has forced me to contemplate the role of “the real” in our emotional lives. To an extent, the “real” is irrelevant if its effect is tangible. The fear we feel from the monster under the bed is happening regardless of the presence of the monster. With that in mind, people should treat the fears of others, no matter how otherworldly, with empathy. Tendon is the merging of my love of sci-fi, the LA river, the homelessness epidemic and my take on the deep seeded fear of not being believed.

From the idea to the finished product, how long did it take for you to make this film?

I played around with the script for about five years. Once I landed on something I liked it only took about a month to get the project to the editing stage. Sound designing and composing was tricky since the film lives between genres but after another 4 months the project was done.

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Beat Keepers: The Next Chapter, 43min., Canada
Directed by Cindy Goldberg
A powerful and inspiring documentary that follows a group of talented female drummers as they unite for a life-changing three-day retreat in Dallas, Texas. Through the raw energy of rhythm, unwavering mutual support, and a shared passion for music, these women forge deep, lasting connections and celebrate the transformative power of music to heal, empower, and unite.

https://beat-keepers.com/

https://www.instagram.com/cindygoldbergdrummer

https://www.wildsound.ca/videos/audience-feedback-beat-keepers

Get to know the filmmaker;

What motivated you to make this film?
I wanted to spotlight female drummers—many of whom are breast cancer survivors—who lift each other up through rhythm and resilience. Their stories deserved a stage, and I wanted to give them one.

From the idea to the finished product, how long did it take for you to make this film?
Just under a year. It’s a sequel to my 2019 film, building on that foundation with a new chapter, new faces, and a deeper focus on community.

How would you describe your film in two words!?
Bold. Uplifting.

4. What was the biggest obstacle you faced in completing this film?
Staying true to a tight indie budget.

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serpentine, 19min., USA
Directed by Annie Young, Madeline Mack
After leaving an abusive relationship, a woman seeks refuge with a trauma treatment facility that promises healing. But as she learns more about their treatment methods, she starts to realize that the organization’s motivations may be far more sinister than they seem.

Get to know the filmmaker Annie Young:

What motivated you to make this film?

In my 20s, I was in a deeply toxic relationship with someone who spent most of his childhood in a cult. After I managed to leave the relationship, I started to see the parallels between the way I was treated and the ways in which cult leaders attract and keep their followers. I started to take a deep dive into learning about various different cults, consuming as much information I could find. The film was made as an attempt to understand my own experiences, and how easy it is for a vulnerable person to find themself in a situation not dissimilar to this one. There’s much judgment placed on those who experience emotional abuse and psychological manipulation, as if it’s easy to identify in real time, so I was curious how I could portray that feeling to an audience and perhaps elicit some of those emotions in themselves.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Feedback can always be intimidating to receive, but is so essential for creative growth. I was pleased to hear the feedback received, and I look forward to applying it to the feature-length version.

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HOME SWISS HOME, 72min., Switzerland
Directed by Geert Smets
Mike, a defiant New Yorker, is left by his girlfriend Julie, who argues that he doesn't have the necessary means to provide for the future family she so desperately wants. Determined to win her back, he sets out to secure his long-awaited promotion.

Interview with the producer/cinematographer Sandeep Abraham

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DOWN IN FLAMES: THE TRUE STORY OF TONY ‘VOLANCO’ VALENCI, 29min., USA
Directed by William Joseph Stribling
Meet Tony Valenci and his bona fide sideshow of eccentric colleagues. Tony has spent his life dreaming of setting a world record. Despite numerous failures, Tony has never stopped believing in himself. Now, Tony has devised his most ambitious world record attempt yet: to be the first man to blow fire while skydiving.

https://www.facebook.com/downinflamesfilm

Get to know co-producer/co-writer Robert Joseph Lewis:
My director and co-writer William J. Stribling and I had recently won awards for our short film: Beyond Belief, and I was interested in a new project. I saw a documentary about a man becoming an old-time strong man called Bending Steel. I wanted to make something similar only move it to a Mockumentary by good into the strangest thing I could think of. The next day, the opening lines of the film came to me in my morning shower, and I contacted William. He said, I”I have two weeks in August that are open.” We then started to write the script.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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BURTON ROCKS CALLING, 30min., USA
Directed by Burton Rocks
Burton Rocks’ health left him isolated. So, he started calling some of America’s biggest stars.
They answered.
Forty years later, Burton shares his fascinating collection of interviews for the first time.

Get to know the filmmaker:
Burton Rocks: I wanted to thank my parents for giving me the freedom of expression when I was so ill in my youth in hospitals. Today I am hoping this film inspires others.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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WHERE THE ROPE ENDS, 70min., USA
Directed by Baylee Sinner
In her relentless pursuit of happiness, Nichole found herself drawn to the exhilarating realm of canyoneering. Little did she know that this new daring interest would lead to a life-altering 60-foot fall, during which she would catch a glimpse of the happiness she was chasing.

http://www.wheretheropeends.com/
http://www.facebook.com/wheretheropeends
http://www.twitter.com/wtredocumentary
https://instagram.com/wheretheropeends

Get to know the filmmaker:

I met Nichole in a 6-month yoga teacher training program. At the time, I was destressing from my commercial advertising job and she had just got in the accident and was in a wheelchair, and looking for a way to get outside of her body and connect with others. I learned more about her story and was fascinated with her as a person. Within 10 minutes of our first conversation, we started talking about making a film.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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OCD, 1min,. Canada
Directed by Madonna Gonzalez
“Amanda, a girl with a debilitating “tick” fights to survive the war raging within her terrifying psyche – all while stuck sitting in a Psych 101 lecture.

https://www.imdb.me/micahkelpin
https://www.instagram.com/iammicahkelpin/

Get to know Kallie Hu Writer & Story Creator:

The film is based on a true story that is very close to me and my family. It’s meant to be a raw look at the reality of its namesake, attempting to demystify the disorder and sharing what success could mean for those living with it.

It was originally written as a submission to Vancouver’s Mighty Asian Movie Making Marathon (MAMM), hosted by the Vancouver Asian Film Festival, which required me to infuse my own heritage into the story while streamlining it into a 1-minute film. I wanted to build empathy by showing how every minute living with OCD can be an intense and terrifying struggle. This struggle is only compounded by the habits of ignoring, misunderstanding, and dismissing mental health issues which are so prevalent amongst Eastern cultural groups. OCD rips back the curtain for those seeking to understand anxiety disorders within the larger context of cultural stigma, while lending a life preserver to those who already know.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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SPARK IN THE MEADOW, 17min.,

Directed by Bernardita Llanos

Spark in the Prairie (La Chispa en la Pradera) focuses on law student Sofía Brito and her experience of sexual harassment by her professor, a renown attorney and member of the Supreme Tribunal of Chile. Sofia was his research assistant and was working with him on the three exceptions to legalize abortion in the country. Sofa was at a crossroad between women's reproductive rights and her own experience of gender and sexual discrimination by the very man who could move forward the decriminalization of abortion.

https://www.facebook.com/bernardita.llanos.52

https://www.instagram.com/talita1958

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SPARROW STREET, 93min,. USA
Directed by Billy Jack
A typical suburban neighborhood is plunged into a nightmare as an invisible, monstrous force begins picking the neighbors off, one by one. The terror outside the house is no match to the terror that forms inside the house where survival, isolation, and hunger all play tricks of the mind for a man, an expectant wife, and their unborn child. The film begs the big question and the great reveal – What is eating the neighbors?

https://sparrowstreetfilms.com/
https://instagram.com/sparrow_street_movie?igshid=MzRIODBiNWFIZA=

Get to know the director Billy Jack & writer Justin Cole:

BILLY – We wanted to create a product (Sparrow Street) that entertains people, and we achieved this based on the data from our test screen and feedback from audience members. Very exciting for us and for those who get the chance to experience this story.

JUSTIN: We wanted to scare the heck out of audiences by fusing environmentalism and horror in a completely ridiculous and unseemly way. We think we did that with Sparrow Street. It is a film like none other ever made. Think about the idea of an environmental horror – the time is rife for this kind of emerging idea. That’s the story we are telling. Mankind vs. Nature in a completely original, unique, and distinctive point-of-view. Our hope…blow the minds of our audiences. Leave them reeling with thought and meaning. That’s ultimately why we made this film.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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ECHO, 15min., UK, Family/Fantasy
Directed by Jo Southwell
Echo, tells the story of Alice, a young woman so traumatized by the loss of her baby that she shuts herself off emotionally from her partner and retreats into a fantasy world where she is able to connect with the essence of the child she lost, who we call Echo. After an elaborate underwater game of hide and seek, which clearly fills her with joy, Alice comes to the realization that she must make a choice; sink down into the dark water with Echo, or come up for air where Tom is desperately searching for her.

https://www.astonmgt.com/aston-productions/
http://twitter.com/josouthwell
https://www.instagram.com/jo_southwell1

Get to know the filmmaker:

Echo is the story of loss. My journey began after I had a miscarriage..many years later when I was writing, the story of Alice appeared on the page! I have written Echo in many different versions – originally as a short story but from the moment Sara at Troy TV agreed to produce the screenplay – about a year until we were in production. Post production then took place over an additional four months. Creating Echo was no easy task and we had so many super talented people on board who all wanted to be part of the journey but it took time.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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MANUFACTURING THE THREAT, 82min., Canada
Directed by Amy Miller
For the first time ever, a feature-length documentary is examining the issue of agent provocateurs and entrapment in Canada’s national security apparatus. Manufacturing the Threat is a thrilling and emotional film, which examines a deeply disturbing episode in Canadian history, when an impoverished couple was coerced by undercover law enforcement agents into carrying out a terrorist bombing. Further, viewers learn that this case is far from unique in the context of Canadian intelligence.

Get to know the filmmaker:

It’s an extremely important topic that has not been covered in a feature documentary to date so I felt a sense of responsibility to ensure there was at least one film that took on the subjects.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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BAGS, 29min,. Canada
Directed by Mitch Ray
Jamie Gascoigne’s daily routine is disrupted one morning by his roommate Korey in their living room, still up from the night before with his musician friend Brody. Despite his displeasure with this development, his passive aggressive nature prevents him from confronting the issue in any meaningful way. What starts as a minor annoyance descends into a nightmarish daily reality as the events around him trigger things within him that he’s tried to repress and unlock things within him that he never realized were there in the first place.

https://www.instagram.com/bags.short.film/

Get to know the filmmaker:

The first time I met Mark McGee a few years ago he was staying at Kevin’s apartment – the same one in the film – and he emerged from his sleep and immediately cut into this deadpan bit as the passive aggressive roommate. Essentially the first scene in the film but with the roles reversed. That bit eventually served as the catalyst for the premise and the simple comedic premise of an untenable living arrangement lends itself effectively and authentically to a myriad of scenarios and social dynamics that confront uncomfortable and relatable issues, such as addiction, sexuality and repression.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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