THE USELESS GLASSBLOWER, 15min., Germany
Directed by Holger E. Metzger
A fascinating short documentary on a traditional glassmaker deep in the southern German Black Forest, and his thoughts and feelings about what this 7000-year-old craft has taught him about life.
Get to know the filmmaker and doc subject Dirk Bürklin
l HOLGER: I spent 30 years in China (that is, my whole adult life so far) and only returned to live in Germany again (my home country which I left during my youth) a year ago. Apart from a plethora of culture-shock-inducing elements, I find today’s Germany to be hopelessly behind a much more future-oriented Asia, and with the speed and depth of digitalization representing only one issue among many. I also observed a sort of ideological clash between a “preservation” mindset, with people on the one side of the divide wanting to preserve (or return to) those “golden times” of yesterday, a rose-tinted “Made in Germany” heritage in thought, craft and economic might. Those times are long gone, of course, and thus on the other side you have another set of (younger) people who reject the past, who are eager to think differently and actively create a different tomorrow, a future that is digital, futuristic and completely different from yesterday or even today. I have known Dirk for a while and admired his craft, he operates a glass furnace close to where I live now, somewhere deep in the southern part of Germany’s black forest. He’s a guy who doesn’t see the need for owning a smart phone (imagine that, in 2023…), who has been engaging in traditional glassmaking for all his adult life, who uses a glassmaking recipe that is 7000 years old (the epitome of “yesterday”) and who, in a profession that hardly anyone would see as a “future vocation” in our increasingly automated, perfectionist and AI-supported modern times, has some very interesting and inspiring thoughts to share with a world that seems increasingly paralyzed by a sense of uncertainty. That’s why I approached him about doing this documentary, to start with exploring his thoughts and feelings and experience, to then allow a narrative to take its natural shape while at the same time visually exploring his unique glassmaking process.
l DIRK: When Holger asked me to do a film project about me and my glassmaking, I thought it would be a funny and interesting experience, and I was expectant as to what would happen. I never imagined that anyone would want to hear what I had to say, but apparently, I was wrong.
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