The conventions of documentary, musical theater, and magical realism are combined and subverted to address issues of personal, national, and artistic identity through the eyes of a composer desperate to pull off one final backer’s audition whilst hounded by a disdainful documentarian named Charon.

Feature Film: Musical, Meta-modernist, Documentary, Meta-fiction, Bardo, Opera, Musical Theater

https://instagram.com/americasinging

https://www.americasinging.art/

Director Statement

This film is the final installment of a project called "The Bardo Trilogy," which begins with "Orson Rehearsed," and continues with "9/10: Love Before the Fall." In the trilogy of features I explore, from the stance of an auteur composer-director-screenwriter-editor, the concept of "operafilm" -- a fusing of the procedures and tropes of lyric theater and cinema in a comprehensively correlative fashion in order to achieve a new form of "gesamtkunstwerk.,

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Simone is the last Greater Bamboo Lemur in Ranomafana, a protected rainforest in south-east Madagascar. After a happy start in life, surrounded by family, Simone finds herself alone, as members of her family disappear one by one. Three years on, and she’s still alone - a social animal, a primate, just like us; how has this isolation affected her mental state? Through primatologist Dr. Patricia Wright and researcher, Alba Schielen, we witness Simone’s desperate bid for companionship, as she takes a bold step for survival. At last Simone is happy again, but is all as harmonious as it seems?

https://www.instagram.com/ct_wildlife/

Director Statement

I had a chance encounter with the lemur featured in my film whilst trekking in the rainforest during my honeymoon in Madagascar in 2022. Upon hearing that this lemur was the last of her species in the area, I was eager to find out more about her and tell her story, which serves as a poignant reminder of how the global biodiversity crisis is affecting animals on a personal level.

——

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Versipellis, 26min., UK
Directed by James Rigby
In this spine-chilling horror film, a young girl, Sophia, faces the dilemma of choosing whom to trust when an imposter infiltrates her home.

https://www.instagram.com/versipellis_film

Get to know the filmmaker:

What motivated you to make this film?

I wanted to challenge myself by making my first horror film. I was curious about how to approach the story, its themes, and the craft of building fear in an audience. I researched the genre, studied other films, and asked myself: what do I personally find scary, and why do I react that way? That exploration shaped the direction of the film.

From the idea to the finished product, how long did it take for you to make this film?

The script was originally written and pitched during my time at Arts University Bournemouth. After taking a short break from it, I came back with fresh eyes, refined the concept, and pushed it forward. With the support of people around the world, we successfully crowdfunded £1,500, which allowed us to bring the project to life.

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Cast & Brew, 10min., Spain/USA

Directed by Priscilla Zanni Bertran

Cast & Brew is a comedy about an AD trying to manage a film set where coffee has been delayed, and the lead actor, Bruce, refuses to do any takes without his coffee first. Chaos erupts when Craft Services informs the AD and Producer about a worldwide collapse in the coffee supply chain. On the meantime, Bruce demands his detailed coffee order while the director pushes for rehearsals. The scene inside the film happens in a Western field where Bruce proposes to his girlfriend, Sara. He is grabbing her in his arms and as soon as she accepts his proposal, he lets her fall to the ground claiming he lacks the muscle strength without his coffee. The Producer then reveals the truth about the coffee crisis, leading to Bruce quitting the film. This sparks a huge chaotic montage ensues with crazy physical altercations.

https://www.instagram.com/priszanni/

Get to know the filmmaker:

What motivated you to make this film?

"Cast & Brew" came to me in a New York coffee shop. From my window seat, watched people hurrying by, each holding a giant cup of coffeeIt struck me: not a soul without one, just a whirlwind of rush and stress.And I thought to myself "how attached are we to that coffee and why?".

"What would happen if coffee would completely vanish?" 

My hope is that audiences recognize how fast-paced our society has become, where every minute not spent being productive feels like you have committed a crime. We're constantly rushing, and when we add caffeine into that mix, we only accelerate the loss of ourselves. 

We lose the purpose of why we do things. I find this concept of obsession and lost of reality very interesting and I have discovered that I actually love to explore that in my films.

From the idea to the finished product, how long did it take for you to make this film?

It took a year. Script took me a week to make 1st draft as a visualised it all in that coffee shop in New York. I knew exactly what I wanted the film to be from beginning , middle and end. 

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FLESH WISH, 4min., UK
Directed by Timothy Benjamin Slessor
An experimental horror inspired by H.P. Lovecraft, David Cronenberg and Clive Barker, this music video / short details in an abstract way the summoning of demons through a ritual performed behind the locked doors of a 1970s terraced house.

What motivated you to make this film?

Several factors! Firstly, I wanted to make something visual to accompany the release of my album. Secondly, I wanted to experiment with a lot of different ideas and techniques, but importantly have a finished piece of work to show for it, not just a bunch of tests. Thirdly I wanted to see how I could kind of corrupt and pervert generative ai platforms and work them into my editing and animation / vfx practise and finally I wanted to make something that would surprise and confound my friends and colleagues!

From the idea to the finished product, how long did it take for you to make this film?

It was about three to four months of laborious work, mostly in after effects and premiere. I had to create all of the images and heavily distort and rework them and the editing was done frame-by-frame. About 6 months after it was finished I considered going back and tweaking some things but one look at the edit sequence was enough to convince me to leave well alone!

How would you describe your film in two words!?

Quite fleshy.

What was the biggest obstacle you faced in completing this film?

The hardest thing was just getting it finished! It was so hard to create enough interesting images and scenes, especially given the extremely fast cut-rate. I kept trimming the track down (ultimately from around 5 mins to about 3'45 I think) just so I could get it done (I had to keep pushing the release of the album back too as a result). 

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Sauvetage, 5min., Australia
Directed by Jackson Bentley, John Stokes
When a special forces operative is held captive by a sadistic crime boss is interrogated, the only way to save him is through the element of surprise.

https://instagram.com/sauvetage_short_film

https://www.instagram.com/jacksonbentleyvisuals/

https://www.instagram.com/drastic_stokesy/

Get to know the filmmakers:

What motivated you to make this film?

John – We were motivated to make this film as we were given the opportunity to work with the legendary Richard Norton. It was originally supposed to just be a short scene to be used as a pitch but Jackson and I wanted to go all out and produce a short film in a very short amount of time.

Jackson – Originally it was meant as a sizzler reel to show some producers, Richard Damien and I were pushing quite hard to have a feature film made starring Richard, however John is a very quick writer and everything just started aligning for us to turn this into a short.

From the idea to the finished product, how long did it take for you to make this film?

John – I believe it was a Thursday where the producer Damien told us that he had somehow convinced Richard Norton to join us for a shoot the following Sunday. I quickly wrote together the script which never went past version 1. We organised the location, crew and cast – all entirely for free as everyone wanted to work with Richard Norton. We filmed in 6 hours on the Sunday and I edited the film within a day after the shoot.

How would you describe your film in two words!?

John – Bitter Sweet. Bitter due to the lead actor Richard Norton recently passing away, but sweet since we now have an award to honor his memory. We are forever in debt to Richard for being involved in this film and he has been a great mentor and friend to us.

Jackson – I think John nailed it, it still feels very surreal that Richard has passed, I think we are still in a little bit of shock and grief but I’m so grateful for receiving his knowledge and just being able to call someone I admired so much a friend plus being able to direct him was even cooler.

What was the biggest obstacle you faced in completing this film?

John – The only obstacle was time, as we only had 6 hours to film. If we were being honest, there are some things we’d do differently if we had more time but we are proud of what we did with what we had! Other than that I remember Jackson became ill and went to hospital the day before! Luckily he was still able to make the shoot to co-direct with me.

Jackson – Haha yes directing a script you read only 12 hours before and on the back end of strong pain killers was definitely interesting. Having only 6 hours booked to shoot the short was definitely stressful, but I am so proud and honestly cannot believe our whole crew pulled that off.

What were your initial reactions when watching the audience talking about your film in the feedback video?

John – I actually didn’t realise that we would get audience reactions so it was a great surprise! It’s such an honour to hear feedback like this from half way across the world!

Jackson – I thought it was really cool! I’m just a guy from a very small town in Australia who 8 years ago was a drug addict with no direction in life, so this was very special to me.

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Stratagem The Movie, 111min.,
Directed by Rick E. Cutts
Rellik and his girlfriend Nosaer witness a crime and are immediately on the run as they try and elude a killer who seems to always be one step ahead of them. Will they escape can they escape? Follow along as Rellik and Nosaer try and escape a killer and even more important who is behind all the carnage?

http://www.icikill.com/

Get to know the filmmaker:

What motivated you to make this film?

I was motivated to make this film after it seemed like all the doors kept closing on me when I tried to get someone to make it for me. John Schramm that I spoke to from Kinolime and he is the one who told me that I should direct the movie and after he put the bug in my ear I went forward with learning how to direct and produce a movie myself.

From the idea to the finished product, how long did it take for you to make this film?

I started the idea almost 5 years ago. Then I wrote the book next the screenplay. We finished filming March of 2025 and all the editing was completed by May of 2025

How would you describe your film in two words!?

Action / Thriller

What was the biggest obstacle you faced in completing this film?

The biggest obstacle I faced in completing the film was probably some of the people not showing up on time and having to navigate around missing actors and filling in with other parts.

What were your initial reactions when watching the audience talking about your film in the feedback video?

My initial reaction with the audience feed back was yes yes yes that’s exactly what I wanted them to say. They spoke on the volume to low which is what I wanted because I wanted people to lean in to really listen on purpose. I wanted the movie to mimic real life. We can’t make out all the words sometimes in real life but we know what’s going on.

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DIMENSIONS: The Interrogation, 8min., USA
Directed by Robert James Harden Jr.
During an interrogation for the murder of his mother, a man pleads for his release in fear of his life. Two special detectives grill him in order to solve their case. In the shadows of these men’s dimension, the answers to all their mysteries live.

https://instagram.com/dimensions_revealed

https://www.wildsound.ca/videos/audience-feedback-dimensions

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Tendon, 13min,. USA
Directed by Jannik Ehret
Recovering addict Rene sees a creature poison the city’s water supply and has to convince his skeptical sister and her no-nonsense boyfriend to stay away from the tap water.

Get to know the filmmaker:

What motivated you to make this film?

I grew up in Germany from where Los Angeles always felt like a mythical place in another world. Through a street racing video game I was first introduced to the LA river; a concrete channel that splits Los Angeles in such a crude and inorganic way. At the time I thought it was an invention of the game designers. Why else would there be a perfect drag racing track going right through the city. Ten years later, when I first saw the LA river in person, I became enchanted by its otherworldly existence.

My parents are spiritual teachers. Witnessing their clashes with “the regular world” has forced me to contemplate the role of “the real” in our emotional lives. To an extent, the “real” is irrelevant if its effect is tangible. The fear we feel from the monster under the bed is happening regardless of the presence of the monster. With that in mind, people should treat the fears of others, no matter how otherworldly, with empathy. Tendon is the merging of my love of sci-fi, the LA river, the homelessness epidemic and my take on the deep seeded fear of not being believed.

From the idea to the finished product, how long did it take for you to make this film?

I played around with the script for about five years. Once I landed on something I liked it only took about a month to get the project to the editing stage. Sound designing and composing was tricky since the film lives between genres but after another 4 months the project was done.

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Bad Chemistry, 20min., USA
Directed by Michael Rognlie, EE Tallent
In Bad Chemistry, a traumatized young woman goes to stay with her deceased boyfriend’s parents, only to discover chilling truths lurking beneath their kindness. This horror short explores grief, psychological torment, and the dark side of family.

https://www.badchemistrymovie.com/

https://www.instagram.com/miromakesmovies/

Get to know the filmmaker:

What motivated you to make this film?

Bad Chemistry was inspired by a fleeting thought that entered my mind, driving home late one night through a wooded area. An image of a crazed madman running out of the trees with a baseball bat was the catalyst and I built the story around that.

From the idea to the finished product, how long did it take for you to make this film?

There were around seven days of production on this film, with about a month of post production.

How would you describe your film in two words!?

Psychological thriller

What was the biggest obstacle you faced in completing this film?

Finding a car to ruin with fake blood.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

It’s always insightful to hear what an audience thinks of your film. Makes you smile when they like it.

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FAN LETTER, 15min., Belgium
Directed by Zeb Daemen
Set in the glamorous 1950s, Fan Letter follows Ricky, a renowned singer at the height of his fame. One evening, before another sold-out show, Ricky receives a letter from someone he thought was lost to time—his first love, whom he hasn’t heard from in years. Attached to the letter is a phone number.

Get to know the filmmaker:

What motivated you to make this film?

The idea for Fan Letter started when I came across old images of Elvis reading fan mail. There was something captivating about those moments. This massive star, adored by millions, yet sitting alone with handwritten letters, connecting with fans in such a personal yet distant way. That led me down a rabbit hole, researching actual fan letters from the time, and what struck me was how deeply emotional and devoted they were. These young women poured their hearts into these letters, idolizing someone they’d never truly know.

At the same time, I’ve always been fascinated by the 1950s. The music, the culture, and especially how it was marketed almost exclusively to a young female audience. But beneath that glossy, dreamy surface, there was a much harsher reality, especially for artists. Around this time, I also watched the documentary on Tab Hunter, and his story really stuck with me, the pressures of fame, the sacrifices, and the hidden truths behind these carefully curated public images.

Once this idea took hold, it became my passion project. I kept thinking about what it would be like for an artist to look back at a life built on a bargain they couldn’t fully understand at the time, what they gained, but more importantly, what they lost. Ricky’s story grew from that, and I knew I had to tell it.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Really sweet! Nice to hear that people have a good reaction to the film.

Also a little strange.

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Pongo Labyrinth [VTuber KawaiiMermaid120’s Final Livestream], 11min., USA
Directed by Nathan William Frost
An eerie glitchy stop-motion video made by Nathan Frost about a Virtual YouTuber’s final livestream.

Get to know the filmmaker:

What motivated you to make this film?:

I was inspired to make Pongo Labyrinth from growing up on the internet and seeing it evolve and devolve in real time. Mostly devolve, through online parasocial relationships of creators and Silicon Valley algorithms used to suppressed people In actual need of help. This new era of the internet has led to creators having to bend a knee to algorithms and be someone they’re not. Creators are forced to make quick and sanitized art to keep up with the algorithm. It leads to burnout and kills creativity. It also leads to creators getting addicted to likes and followers as a source of dopamine. Due to the abusive algorithm, some creators lean into their audience/viewers’ support for their own benefit. They become obsessed with power. Only then will viewers see the creators’ true colors as the persona starts to slip, one way or another. I made Pongo Labyrinth to express that mind-numbing horror of losing one’s true self on the internet.

From the idea to the finished product, how long did it take for you to make this film?:

Pongo Labyrinth took a year to make from the idea stage to the ten minute and 30 second finished work. The idea of an orangutan in a fleshy landscape came to me while at college in biology class for some reason.

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CHAIN, 5min., USA
Directed by Ling Han
“Chain,” directed by Ling Han, is a 3D animated short film featuring charming characters and a sophisticated environment. It uniquely tells the story of the mantis catching the cicada, unaware of the oriole behind.

https://www.chainanimationofficial.com/
https://www.facebook.com/profile.php?id=61559900085971
https://www.instagram.com/chain_animation_official/

Get to know filmmaker Ling Han:

What motivated you to make this film?
On my journey to becoming a professional animator, I’m always seeking opportunities to grow and improve my artistic skills. In 2021, I started wondering how I could challenge myself further. Directing seemed like the perfect way to step outside my comfort zone and push my creative boundaries. That’s why I decided to make this film.

. From the idea to the finished product, how long did it take for you to make this film?
Creating this film took us over two and a half years. We continuously faced numerous challenges, including a limited budget and technical issues. These challenges significantly influenced the schedule of the project.

How would you describe your film in two words!?
I would describe my film as ‘challenging and rewarding.’ It was challenging because completing the entire project was difficult. It was rewarding because our teammates all grew as better artists throughout the process.

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WHEN I’M WITH YOU, 4min., Canada
Directed by Kanja Chen
An emotional tale of how the enduring love between a young boy and his grandfather bridges the gap between generations.

https://www.instagram.com/kanjachen/

Kanja has directed several award-winning short films that have been showcased at numerous film festivals. This animated short marks his directorial debut in the genre, allowing him to focus on a deeply personal story.

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THE GIFT OF MAGPIE, 11min,. USA
Directed by Anita George
It’s carpe diem for a couple of small time grifters on Christmas Eve 1934.

Get to know the filmmaker:
I love the genre and thought it might be interesting to tell a story about expectation and balance of power. I wrote the screenplay a few years before filming actually started. Once that was completed it was about 11 months until the film’s first public screening.

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A DIFFERENTLY – CURATED WORLD, 2min., USA
Directed by Kiersten White
In this age of Black nostalgia, as we see the remake of classic Black sitcoms and the reimagining of Black excellence using the tools, fashion, entertainment, and mediums of yesteryear– we find that one particular community of Blacks is missing from the mainstream conversation, the LGBTQ+ community. Reimagine, with us, a Black and Queer utopia– through the eyes of Black America’s most famous coming-of-age sitcom.

Get to know the filmmaker:

It is truly a passion project with the intent of highlighting the images and subjects who have helped shape our Black queer experience and honor those who we look to for guidance in their literature, work, and art. We hope to shed light on our queer predecessors who lived and loved openly in a time of less understanding. We aspire to give them their due diligence while pushing for a reemergence of interest in Black queer culture, outside of tokenization and fetishism.

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Watch the Screenplay Reading: https://www.wildsound.ca/videos/wrath

Get to know the writer:
The best way I can summarize my screenplay is: "The Seven Deadly Sins invade Heaven. One goes rogue and fights against the other six." While I don't really like to think in terms of genre when I write, I'd say that the best genre to classify this as would be action. I think it could also fall under fantasy as well.

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FLAWLESS, 7min., France

Directed by Lévy CLAUDE

A young man is going on a first date with a young lady, but things will take an unexpected turn because of a new mobile app

https://www.facebook.com/100defauts/

Interview with the lead actress Zoe Corraface.

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THE BEF, 9min., USA
Directed by Eric Burleson
While being pursued by a police officer, a young boy struggles with his decisions for the baby in his care and how to help his sick mother.

https://instagram.com/burlesoneric

Get to know the filmmaker:

The motivation for the bef started because I wanted to do one more short film on the east coast before I moved to Los Angeles. Time was definitely not on our side. I had planned to do my cross country road trip at the end of July 2018 and it was May. Once the script was completed we hit the ground running on pre-production. Luckily when writing the script I already had the actors in mind for Sammy and Baby but I knew that if I could not get the families on board, then the film would not have happened. Thankfully, after talking with both sets of parents and children, they all were interested and agreed to be in the film. I had worked with Jacob Shapiro (Sammy) and Michael Harrington (Baby) before this so I knew they were the perfect choices. Jacob was the lead in a narrative music video I directed and Michael was in a commercial I directed earlier that year.

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AGENTS OF CHANGE, Project: Polymer, 15min., USA, Action
Directed by Jett Garrison
“AGENTS OF CHANGE, Project: Polymer” is a spy-genre film that centers a fully a queer and transgender cast while bringing issues facing the environment to the forefront. Rookie secret agent Guy Longani is on a take-along mission to expose the ringleader of an illegal plastic dumping scheme, but when the operation goes awry, he must earn the trust of his more experienced partner if they’re going to bring an evil mastermind to justice.

https://agentsofchangemovie.com/
https://www.instagram.com/agentsofchangemovie

Conversation with screenplay writer, producer, and star Shaan Dasani.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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