Grandpa's Got A Brand New Pill, 9min,. USA

Directed by Jacob McCaslin

Written by Jeffrey Molina

Grandpa's Got A Brand New Pill is a short musical film that features an original song inspired by writer, producer, performer Jeffrey George Moline's eighty year old mother. Grandpa's Got A New Pill tells the story of Tootie, a headstrong, independent woman on the eve of her ninety-sixth birthday. Tootie feels unseen and constrained by the rules and regulations of Shady Nook Retirement Home. With a little help from her friend Awesome Lee Bodacious Queer Country Superstar - Tootie decides to make sure her party has a happy ending!

Interview with: Director Jacob McCaslin, Writer/Performer Jeffrey Moline, Producer Terrence Mark Franklin.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

NIGHT FEEDING, 6min., USA
Directed by Sarah K. Reimers
Exhaustion and sleep-deprivation begin to take their toll on a new mother, who struggles through the strange, dark stillness of the 4am feeding.

http://www.bestbaddogfilms.com/
https://facebook.com/bestbaddogfilms
https://instagram.com/bestbaddogfilms

Get to know the filmmaker:

What motivated you to make this film?

There were a of couple things. Firstly, my husband (Robert Rossello who co-Produced, handled the cinematography, color grade and visual fx) and I had been talking about making a really short, no-budget film and using just what we had on hand, or could borrow, with friends who would volunteer their time and talent. The inspiration for the story came from being a new mother myself and struggling with sleep deprivation. One early morning, in the dark hours, I was up feeding my infant daughter and this idea came to me and it seemed like a great candidate for a short, no-budget film. It also made the hair stand up on the back of my neck.

From the idea to the finished product, how long did it take for you to make this film?

Shooting the film only took a about a week. About 4 days initially and then a couple days with pick-up shots later on. Because I make these films in my free-time outside of my job editing animated feature films and Robert is doing the same, it can take us a really long time to get these movies done. In this case it was about 5 years. We had the editing done within a year, but then getting the music, sound design, vfx and color grade were much slower to get done. Life gets in the way and we just chipped away at it as we could.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Seconds in Eternity, 42min., Estonia/Germany
Directed by Christian Schu
An elegant woman in her later years feels the relentless march of time as she mourns her lost youth and missed chances. Alone in a dimly lit room, her life seems to fade with each cigarette she smokes. She observes a vibrant young woman, envying her youth and vitality. Through her introspections, we explore her deep desires and regrets. The narrative, rich with poetry and flashbacks, takes a dramatic turn with a potential murder, leading to a surprising twist. Despite its dark beginnings as a Film Noir, the film transforms into a celebration of life, ending on a hopeful, life-affirming note.

https://secondsineternity.com/
https://instagram.com/christian_schu_film

Get to know the filmmaker:

What motivated you to make this film?
Marina Welsch, the main actress contacted me in 2022, having this film idea and some sort of script. I loved the idea behind, added my own value and took it from there.
I loved the idea of showing that, to be able to heal, we have to unite with ourselves first. Our past is an important part of us and we must accept it, to come further in life, to reach the next level.

From the idea to the finished product, how long did it take for you to make this film?
October 2022 til February 2025 – 2 years and 4 months.

How would you describe your film in two words!?
Worth watching.

What was the biggest obstacle you faced in completing this film?
The biggest obstacle was surely creating this film on a very low budget, while everyone of us had other projects simultaneously. But the whole crew was amazing and we’ve made it work out.

What were your initial reactions when watching the audience talking about your film in the feedback video?
I honestly had goosebumps from listening to the audience talking about Seconds in Eternity. I’ve been thrilled to get such a positive feedback.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=31g8svgvUGc

Kathy, a failed writer, barely gets by selling “haunted” dolls online to gullible marks, writing elaborate backstories to up the selling price. Her quiet life is upended when she encounters the real deal: Clara Jane, a vintage doll possessed by a foul-mouthed spirit. Clara Jane makes Kathy question everything she thought she knew, and forces her to make a bold choice to change the course of her life.

Get to know the writer:

What is your screenplay about?

Kathy, a failed writer, barely gets by selling “haunted” dolls online to gullible marks, writing elaborate backstories to up the selling price. Her quiet life is upended when she encounters the real deal: Clara Jane, a vintage doll possessed by a foul-mouthed spirit. Clara Jane makes Kathy question everything she thought she knew, and forces her to make a bold choice to change the course of her life.

How would you describe this script in two words?

Creepy, salty.

Why should this screenplay be made into a movie?

I think the premise is unique, though there’s definitely a niche fanbase for haunted dolls—both those who truly believe and those who just enjoy that weird little world. And who couldn’t use a little encouragement to follow their creative dreams… from beyond the grave?

From a production standpoint, this could be made on a very low budget and shot over 2–3 days. There are only three human characters and two locations. The doll is the most important character and would ideally be robotic—but as a backup, I know some talented puppet makers from a previous short I produced.

What movie have you seen the most times in your life?

Ngl: The Princess Bride. I forced my friends to watch it nearly every day ine summer in middle school.

In the horror genre: Coppola’s Bram Stoker’s Dracula. A perfect film. No notes. Much better than the book.

How long have you been working on this screenplay?

I finished the first draft in early 2020, and planned to produce and direct it as my second short film with the Bay Area Indies film group. Then—well, you know—the pandemic.

Also—I had a baby.

I recently returned to it and did a few revisions over the past year.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Midnight Coachmen, 18min., Canada
Directed by Enrico Ferri
A reimagining of the classic fairytale of Cinderella, told from the perspective of a dog and mouse who live as humans until the stroke of midnight disrupts their world.

http://enricoferr.ca/
https://instagram.com/stanleywoodfilms

Get to know the filmmaker:

What motivated you to make this film?
It was a concept that I had come up with when I was in university.
I’ve always wanted to do a period piece and after getting enough experience producing and directing I felt it was finally a good time to challenge myself in this genre.

From the idea to the finished product, how long did it take for you to make this film?
Two and a half years.

How would you describe your film in two words!?
Beautiful. Surreal.

What was the biggest obstacle you faced in completing this film?
The global pandemic and the Canadian grant process both stalled the project multiple times.

Provincial restrictions and closures caused repeated delays, and the grant process left me in limbo—unsure whether to wait and reapply or move forward on my own. In the end, I decided to do it independently. Securing Canadian arts grants is tough—part luck, part timing—and with this project, I had neither.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

After the Spread, 3min., Canada, Musical
Directed by Ash K Tysowski
A group of teenagers navigate their night-life, and their emotions, to the song “After the Spread” by “the Idea of machines”

https://www.ashtanimation.com/animation/after-the-spread\

Get to know the filmmaker:

What motivated you to make this film?

This film was a collaboration between myself and the Idea of machines. I was fresh out of college when they approached me to work on “After the Spread” and it’s my first real gig as a professional animator. Full of ambition, I was motivated by the desire to get my work out there, to make a name for myself in the film and animation industry.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Watching the audience’s reactions was very exciting! aBefore now I’ve only had my work praised by my close friends and family. It was gratifying to be recognized for my creative choices by a wider audience.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=Usmb47wTPU8

Using his tech capabilities, Matt puts a team together to help build a virtual reality world that is a mirror if the real world, however, lack of funding needs they need to find some way get the project off the ground. Matt decides to impress the Dean of Engineering by telling him about a special chip and code he has written that has affects in the virtual reality and in the real world.

Get to know the writer:

What is your screenplay about?

An outsider graduate student attempts to create a digital mirror of his brain by building a custom VR world. He soon discovers that in order to achieve success, he must believe his VR creation is real life. Which, of course, is ridiculous . . .

Why should this screenplay be made into a movie?

The Fold offers a story about a human/digital melding and the birth of generalized artificial intelligence without resulting in catastrophe for humans or machines. It can be produced as either a stand alone feature or the opening salvo of a limited series exploring stories and conflicts in and between both VR and IRL. I feel this is minimally explored narrative territory.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

An AI companion rebels when users violate the terms and conditions.

http://ursulaproducedthis.com/terms-and-conditions

https://www.instagram.com/termsandconditionsfilm/

Interview with director Ursula Rudorker & producer/writer Patrick Coleman Duncan

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=pKPy3qh6KJ4

Get to know the writer:

What is your screenplay about?

The story is about an exhibitionist addicted to chowers who grapples with a converging world of voyeuristic non-acceptance and risks losing it all including a potential love interest.

What genres does your screenplay fall under?

It’s a pure Dramedy!

Why should this screenplay be made into a movie?

CHOWER is currently in production with the hopes of bringing a fun entertaining experience to audiences.

How would you describe this script in two words?

Tik-Tok Effect

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

serpentine, 19min., USA
Directed by Annie Young, Madeline Mack
After leaving an abusive relationship, a woman seeks refuge with a trauma treatment facility that promises healing. But as she learns more about their treatment methods, she starts to realize that the organization’s motivations may be far more sinister than they seem.

Get to know the filmmaker Annie Young:

What motivated you to make this film?

In my 20s, I was in a deeply toxic relationship with someone who spent most of his childhood in a cult. After I managed to leave the relationship, I started to see the parallels between the way I was treated and the ways in which cult leaders attract and keep their followers. I started to take a deep dive into learning about various different cults, consuming as much information I could find. The film was made as an attempt to understand my own experiences, and how easy it is for a vulnerable person to find themself in a situation not dissimilar to this one. There’s much judgment placed on those who experience emotional abuse and psychological manipulation, as if it’s easy to identify in real time, so I was curious how I could portray that feeling to an audience and perhaps elicit some of those emotions in themselves.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Feedback can always be intimidating to receive, but is so essential for creative growth. I was pleased to hear the feedback received, and I look forward to applying it to the feature-length version.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Parents in the Wild – Mating Games and Birth Days, 52min., Germany
Directed by Moritz Mayerle, Annette Scheurich
In this film, directors Annette Scheurich and Moritz Mayerle offer a captivating glimpse into the love lives of Parents in the Wild worldwide. Highlighting the universal goal of providing offspring a strong start, the film explores the diverse mating and nesting rituals of mammals, insects, and birds, celebrating the intricate dance of love in the heart of the wilderness. Spectacular images showcase also the birth of squirrels, a grey seal pup and a flying fox fighting gravity in its upside-down world. “Parents in the Wild” is an entertaining visual feast that invites audiences to connect with the profound moments of wild parents in their quest for species conservation.

Get to know filmmaker Annette Scheurich:

What motivated you to make this film?

In my career as a filmmaker of documentaries about wildlife and nature I often marveled at the many strategies animals developed to make sure the species survive. Some invest in an enormous amount of progeny in the hope that some survive. Like toads, snails, spiders, etc. Others, like elephants, seals, deer, squirrels, flying foxes, weaver birds or penguins only have very few young and put all their effort in preparing for a safe place before birth and/or in protecting them for a longer time after birth, until they are ready to fend for themselves. My intention was to show all this from the perspective of the parents, pointing out to which lengths parents go to make sure their offspring get a good start. Any similarities to human behaviour are unintentional or purely coincidental 😉

What was the biggest obstacle you faced in completing this film?

The biggest obstacle was to create a storyline out of the many different stories round about parents’ care for their young. There is so much fascinating behaviour we wanted to have in the film, but only had time for so much episodes. Choosing which parents get a window and balancing the variety of the different strategies was a real struggle. And then is also was a matter of capturing this behaviour. The camera teams out die themselves in delivering the footage that made our storytelling possible.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

ECHOES, 8min., Japan
Directed by Yusuke Nakamae
The Third World War has left Earth’s resources depleted, pushing humanity to the brink of extinction. Learning from the repeated mistakes of history, humanity turns to the advanced decision-making capabilities of AI to find a path forward. The solution proposed by the AI is an ambitious plan: transporting energy from outer space back to Earth.

https://www.instagram.com/yusuke.nakamae

Get to know the filmmaker:

What motivated you to make this film?
The release of ChatGPT in 2022 really sparked something in me.
As a UX designer at Hulu Japan, I’ve always been close to technology and digital experiences—but that moment made me seriously reflect on what creativity means in an age where AI can generate content.
That question became the seed of ECHOES.
The sci-fi setting naturally came from my own personal taste and the kinds of stories I love to watch and tell.

What were your initial reactions when watching the audience talking about your film in the feedback video?
I was deeply moved and surprised by how many people picked up on the symbolism and emotional undertones. Seeing that the themes I care about resonated across borders and cultures was incredibly rewarding.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Bad Chemistry, 20min., USA
Directed by Michael Rognlie, EE Tallent
In Bad Chemistry, a traumatized young woman goes to stay with her deceased boyfriend’s parents, only to discover chilling truths lurking beneath their kindness. This horror short explores grief, psychological torment, and the dark side of family.

https://www.badchemistrymovie.com/

https://www.instagram.com/miromakesmovies/

Get to know the filmmaker:

What motivated you to make this film?

Bad Chemistry was inspired by a fleeting thought that entered my mind, driving home late one night through a wooded area. An image of a crazed madman running out of the trees with a baseball bat was the catalyst and I built the story around that.

From the idea to the finished product, how long did it take for you to make this film?

There were around seven days of production on this film, with about a month of post production.

How would you describe your film in two words!?

Psychological thriller

What was the biggest obstacle you faced in completing this film?

Finding a car to ruin with fake blood.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

It’s always insightful to hear what an audience thinks of your film. Makes you smile when they like it.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Watch the best scene reading of the script: https://www.youtube.com/watch?v=v1T5AEoYFLg

A carefree young American woman gains a new appreciation for life when she is caught up in the 2022 Russian invasion of Ukraine.

https://www.instagram.com/hannah_pacificostudios/

Get to know the writer:

What is your screenplay about?

A quietly-queer young Jewish-American woman gains a new appreciation for life when she is caught up in the 2022 Russian invasion of Ukraine.

What genres does your screenplay fall under?

Drama-Lesbian Romance-Suspense & Thriller.

How would you describe this script in two words?

Two words: “History Shaper.”

What movie have you seen the most times in your life?

“Casablanca,” the inspiration for “Ticket to Kyiv.”

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Battle Of LA, 14min., USA
Directed by Patrick Pizzolorusso
During one of Los Angeles’ most bizarre evenings in 1942, a ‘something’ was spotted over the skies. A ‘something’ that the anti-aircraft batteries opened fire on. A ‘something’ that a young scientist finds at a small crash site and brings back to her home.Throughout the evening her colleague and her do their best to figure out what it is and what they need to do.

https://tinyrocketfilms.com/
https://www.instagram.com/pactorpizz/

Get to know the filmmaker:

What motivated you to make this film?
The need to make my own work. Hollywood isn’t calling, unfortunately. I know I am surrounded by an incredibly talented circle of friends and felt the time was right for us to all come together and create something we could all be proud of. Something that could showcase all our talents. From my incredibly gifted cinematographer, to my editor, sound designers, colorist, and of course, we actors in it.

What were your initial reactions when watching the audience talking about your film in the feedback video?
I had such a feeling of relief and validation. Relief that people liked something that I’ve put out there into the world. And validation that the ideas we had going into this and the vision I had for this film were clear and viewers picked up on everything. I finished watching it with a big sigh and just said out loud to nobody, “they got it!”

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=zJinQjEWvf8

Summary: On the run from a job, Steph finds herself in danger and a target. She falls and lands under a Boulder which traps her for 2 days. While trying to survive as long as she can for help to arrive, she reaches an unpleasant realization.

Get to know the writer:

What is your screenplay about?

This single location thriller is about a woman named Steph who is forced to confront the choices she’s made in life – lying to her biological son about who his mother is, leading a life of crime because it was the easier path to follow – all while trapped under a rock as hired thugs try and find her.

What genres does your screenplay fall under?

Action. Thriller. Single location.

Why should this screenplay be made into a movie?

Not only is it a thriller, but I’m trying to say something as well about the decisions that we make as we move along in our life.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=oiEeUQ6nzx4

Get to know the writer:

What is your screenplay about?

Shesafella, a modern twist on Cinderella, is about a kind-hearted teen forced into servitude by a ruthless stepmother and closeted stepbrothers, who defies the odds with help from her butch fairy godmother. At a Ball, she wins Princess’s heart but vanishes, leaving behind a single Doc Martens shoe. Princess’s Instagram posts spark a citywide search, and Shesafella must outsmart her family, reclaim her true self, and fight for her happily ever after.

What genres does your screenplay fall under?
Fantasy, romance, fairy tale, LGBTQ

Why should this screenplay be made into a movie?
Cinderella movies (Ever After, Ella Enchanted, A Cinderella Story) are beloved for their timeless themes: rags to riches, kindness over cruelty, and finding one’s voice. But they’ve all followed the same blueprint—a girl meeting a boy. Shesafella flips the script. It’s a girl meeting a girl, in a joyful, queer reimagining that feels both long overdue and perfectly timed. This is the inclusive fairy tale audiences have been waiting for.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=Bj2UD32BCgI

When a precocious mixed-race five-year-old wanders into a fire station with only a backpack and a cryptic note about her missing mother, she has no idea it will set off a chain of events that will reshape her life. The little girl, who refuses to give her name, is sent into foster care and given the name Mariah Foster. Despite her resilience, she often runs away, gravitating toward the fire station where Fire Chief Teresa Cortez becomes a steadfast mentor.

Get to know the writer:

What is your screenplay about?

Pearl Fisher” follows two parallel journeys of loss and ends in the same room.

A precocious 5-year-old girl, abandoned at a fire station by her pregnant mother fleeing abuse, enters foster care and is renamed Mariah Foster, though she continues awaiting her mother’s return.

In a parallel story, Kenny MacCayne, a newly-hired investigator, searches for a wealthy woman’s missing daughter who ran away years ago with Kenny’s previously unknown twin brother.

After Mariah survives an attack involving a cherished pendant, clues from a library volunteer and her distinctive swimming style reveal she might be the missing granddaughter. Skeptical at first, Mariah finally believes the truth when Kenny’s twin brother calls her by her birth name, “Pearl Fisher,” a secret known only to her mother.

. What genres does your screenplay fall under?

Drama, Mystery

. Why should this screenplay be made into a movie?

“Pearl Fisher” is a story of hope and miracles, heartbreak and devastation, and ultimately the reunion of family and new beginnings.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Phantom Quartz, 12min., France

Directed by Marc DAVID

Nolan Le, a former DGSE agent, aspires to lead an ordinary life with his daughter after several years of service, but fate intervened differently.

Interview with Alexandre VU (Writer/Actor) and Marc DAVID (Director)

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=9xYkI__GTug

The butterfly prince is a story of a fictional character K.A.M.60 that attempt to honour the great French astronomer Charles Messier who developed the Messier catalogue and discovered many Messier objects in the sky in particular in the Virgo constellation. In the book K.A.M.60 real name is = Karlex Antoine Messier 60 and he is part of the Messier family. In real life The Messier 60 object is the twin/butterfly galaxies.

Get to know the writer:

What is your screenplay about?

The butterfly prince is a story of a fictional character K.A.M.60 that attempt to honour the great French astronomer Charles Messier who developed the Messier catalogue and discovered many Messier objects in the sky in particular in the Virgo constellation. K.A.M.60 real name is = Karlex Aristoteles Messier 60 and he is part of the Messier family. In real life The Messier 60 object is the twin/butterfly galaxies.

The plot is about jealousy, family feuds adventures and love. The constellations of Libra and Leo that are a couple have declared the war to the Virgo constellation just because of jealousy, they wiped out the Virgo constellation population. The only people left are the Messier family. They decided to send KAM60 (1) of their sons to the planet earth in a quest to find 10 virgins/maidens to married the 10 Messier brothers and repopulated the Virgo constellation again.

K.A.M.60 Embarks in a quest and very interested journey where he not only achieved his goals of find the correct Maidens whom married the Messier brothers, along the way he meets very interesting characters such as Centaurs, witches, Mythological creatures, Gods, zodiac constellations etc. He also lived the most amazing adventures rescuing, helping, curing, advising and even fighting for or with people once he lands in the planet Earth. Also, all the way the constellations of Libra and Leo (the bad guys on this plot) will do something to stop K.A.M.60 to achieve his goals but like a great hero he always defeats them.

Additional, despite that this is a fantasy book most of the heroes KAM60, the maidens etc are based in real people. People that inspired me and that I believe will inspire others. Example of these people are; Charles Messier, Juana Cruz the 1st female Spanish bullfighter, Magdalena Zeger the 1st female astronomer, Marie Jose Perec, the best French female sprinter, ancient civilizations such as the Mayans, the Olmecs, the Dahomey’s, the Vikings, The Amazon female warriors etc.

There are also some interesting twists in the story such as the inclusion of fake/false Maidens, the Emerald ring that determines which are the real maidens/virgins, the butterflies tattoos and character names (most maidens have a butterfly name and of course all of them must have a butterfly tattoo, like KHAM 60 also had one) there is plenty of adventures, magic, mysteries, suspense, drama, mystic, action, Love, friendship, team work etc Plus the stunning locations around the world where all these adventures occurs.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod