Telling stories through film and conversation.
WSPodcast New Logo.png

WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

EP. 1629: John M. O’Leary & John W. McMullen (THE TRIAL OF ROMAN WEINZAPFEL)

In Indiana in 1842, an unhappily married woman accuses a young, immigrant priest of raping her in the confessional. His vow to keep the Seal of Confession prevents him from speaking in his own defense. A climate of xenophobia and anti-Catholicism fuels a sensational trial and violent, shameful events that ultimately prove redemptive. Based on a true story.

Get to know the writers:

What is your screenplay about?

A young, German seminarian comes to America to finish his preparation for the priesthood and enter the mission field. Upon ordination, the bishop assigns him to assist a pastor in southwest Indiana. An anti-Catholic, anti-immigrant climate poses challenges to his ministry. These come to a head when an unhappily married woman accuses him or sexually assaulting her in the confessional booth. The screenplay essays the accusation, the resulting trial, his conviction, incarceration, and ultimately his pardon and release from prison.

What genres does your screenplay fall under?

Historical Drama

Why should this screenplay be made into a movie?

O’Leary: This is a fascinating true story of how xenophobia, religious bigotry, racism, and misogyny plant deep roots in America’s cultural fabric. These forces combine and erupt in a gross miscarriage of justice in antebellum Indiana—a state that less than a century later would become the stronghold of the KKK.

McMullen: It reveals an often forgotten era of 19th-century American history, making it a compelling series for a general audience, while also exploring the depths of religion, law, and society in early American history.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1628: Filmmaker/Musician Daron Hagen (I HEAR AMERICA SINGING)

The conventions of documentary, musical theater, and magical realism are combined and subverted to address issues of personal, national, and artistic identity through the eyes of a composer desperate to pull off one final backer’s audition whilst hounded by a disdainful documentarian named Charon.

Feature Film: Musical, Meta-modernist, Documentary, Meta-fiction, Bardo, Opera, Musical Theater

https://instagram.com/americasinging

https://www.americasinging.art/

Director Statement

This film is the final installment of a project called "The Bardo Trilogy," which begins with "Orson Rehearsed," and continues with "9/10: Love Before the Fall." In the trilogy of features I explore, from the stance of an auteur composer-director-screenwriter-editor, the concept of "operafilm" -- a fusing of the procedures and tropes of lyric theater and cinema in a comprehensively correlative fashion in order to achieve a new form of "gesamtkunstwerk.,

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1627: Filmmaker Herve Marcotte (ALONG THE THREAD OF THE OTHER)

Herve Marcotte is back on the podcast chatting about his next experimental feature documentary. Without getting TOO flaky, Herve and Matthew take a deep dive into the meaning of life and the human psyche.

Along the Threat of the Other synopsis:

After my first long documentary, “Encounter with remarkable souls”, with focus on the meaning of life, I am exploring the concept of self-realization with two 25 years old young adults. The film is a quest for an unknown treasure that cannot be found alone. Like the red thread of a fulfilled life !


A tightrope walker, a physiotherapist, a sculptress, a researcher and several adults take turns talking about the inner life... and their relationship with others. Throughout the film, fictional scenes resonate with their words. The film is constructed in the manner of an adventure.

Director Statement

In my films, there's a symbiosis between the "actors" (not in the traditional sense) and the director, creating an authentic truth that would otherwise remain undiscovered by them.

I enjoy incorporating elements such as animation, improvisation, experiments, games, self-thoughts. For examples, in "Encounter with Remarkable Souls," I incorporate scenes inspired by the emperor Marcus Aurelius, in "Fraternity is Contagious !" improvisational segments, in “Along the Thread of the OTHER" fictional scenes shot in black & white. Philosophical says constellate my films. I am meticulous in ensuring these elements resonate harmoniously with the documentary's themes, which originate from my thoughts but are never told during filming.

My films, directly or indirectly, revolve around universal love, portrayed by young characters (either in age or spirit), who offer viewers another perspective. I plan to give even more space to the Divine in my future works.

I film alone.


All my documentaries, under small budgets, are of cinematic quality, edited with the assistance of a professional team, including professional editing, music composition, sound design, and mixing.
Last but not least, all my films are films of faith.

——-

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1626: Filmmaker Al Chang (CINDY)

Al Chang is back on the podcast, chatting about his recent award-winning film CINDY.

https://www.instagram.com/4lcfilm


"An aspiring rapper takes a vague driving gig hoping for a quiet night to himself. Instead, he meets Cindy, a bubbly and unpredictable passenger who drags him into an absurd and unexpectedly heartfelt adventure.
"CINDY" is a quirky dramedy about connection, detours, and the strangers who change our lives."

Director Statement

Storytelling, for me, is about finding truth in unexpected places. I’m less interested in delivering a message than I am in creating a space where audiences can feel something genuine and walk away with their own interpretations. Every film I make is a chance to explore a new genre, to challenge myself creatively, and to discover how far we can push with limited resources.
I’ve always believed that good filmmaking isn’t about scale, but about intent. Whether it’s a contained drama, a high-energy comedy, or a tense thriller, I approach each project with the same focus: building honest characters, crafting sharp visuals, and shaping rhythm in the edit until it feels alive. I like to leave room for humor, tension, and vulnerability—because that mix is what makes stories resonate.
At the heart of it, I see filmmaking as community-building. Each project brings together people who might not have otherwise crossed paths, and in that collaboration, something greater emerges. My goal is to keep creating films that entertain, that spark conversation, and that remind us of the power of storytelling to connect us.

——

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1625: Screenwriter Lauren Hackney (In The House That Elle Built)

Watch script reading: https://www.wildsound.ca/videos/in-the-house-that-elle-built

Elizabeth has her hands full with her two foster kids, a roommate and a new love interest that she's not sure can handle her lifestyle.

https://www.instagram.com/lbe.hackney/

——

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1624: Filmmaker Felipe Marinheiro & Actor/Writer Carolina Liz (AUDER)

After being kidnapped and forced into a brutal assimilation camp where the English language is used as control, two teenage girls from different countries must find a way to escape, before they are stripped of their identity.


Conversation with director Felipe Marinheiro https://www.instagram.com/marinheirofelipe/

& actor/producer Carolina Liz https://www.instagram.com/caaliz/

—-

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1623: Filmmaker Claire Tomlinson (Surviving Alone: The Tale of Simone)

Simone is the last Greater Bamboo Lemur in Ranomafana, a protected rainforest in south-east Madagascar. After a happy start in life, surrounded by family, Simone finds herself alone, as members of her family disappear one by one. Three years on, and she’s still alone - a social animal, a primate, just like us; how has this isolation affected her mental state? Through primatologist Dr. Patricia Wright and researcher, Alba Schielen, we witness Simone’s desperate bid for companionship, as she takes a bold step for survival. At last Simone is happy again, but is all as harmonious as it seems?

https://www.instagram.com/ct_wildlife/

Director Statement

I had a chance encounter with the lemur featured in my film whilst trekking in the rainforest during my honeymoon in Madagascar in 2022. Upon hearing that this lemur was the last of her species in the area, I was eager to find out more about her and tell her story, which serves as a poignant reminder of how the global biodiversity crisis is affecting animals on a personal level.

——

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1622: Filmmaker Nadav Embon (The Planet That Doesn't Exist)

“The Planet That Doesn’t Exist” is an 8-minute Animation film from Israel, based on the Graphic Novel by Navy Bird Revital Bronshtein.

Navy Bird passed away at the age of 24 last year, caught in the midst of a terrorist attack. Her mother, Liora Bronshtein, brought a team of artists to make this film.

You can watch the film here: https://youtu.be/2fKOtua6s1I?si=bvEzOPU1Afe2Sq0n

Conversation with the director of the piece, Nadav Embon, on the making of the film.

Synopsis:

Professor Star l'Etoile set at her desk, her notes, were packed into spiral leather bound notebooks, stacked one atop of the other. They contained years and years of calculations, which sprung from her notebooks and rose up in a spiral, covering hundreds of desks and antique gold plated wooden boards, that covered the entire room.

BIO:

Nadav Embon is an Israeli director, animator, and multidisciplinary creator. His graduation film Talk About Samson screened at festivals in Japan, Russia, Romania, and Israel, and is taught in both academia and high schools as a tool for biblical studies. He later became Creative Director at Kan, the Israeli Public Broadcasting Corporation, and co-founded the global commemoration initiative Zikaron Basalon. Today he lectures at Bezalel Academy and Minshar College, leads a new digital content house at NMC United, and directs In Your Face, a portrait-drawing talk-show blending performance and illustration. His latest work is the animated short The Planet That Wasn’t There, adapted from Navy Bird’s graphic novel.

——

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1621: Filmmaker Matt Jenkins (VAPOR TRAILS)

Vapor Trails, 11min., USA

Directed by Matt Jenkins

Mandy has just given Jethro an ultimatum, quick vaping or else. His friend Chuck thinks its going to be easy to quit.

https://www.instagram.com/misfits_of_film/

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1619: Filmmaker/Artist Meredith Adelaide (CHANGE - KRAMON Music Video)

Change - Kramon - Music Video.

The unconscious self and conscious self meet.

EP. 1618: Filmmaker Robert Xavier Clark (BLACK PEOPLE DONT TANGO)

Black People Don’t Tango, 13min., USA

Directed by Robert Xavier Clark

An African American man learns to tango after a trip to Argentina.

Based on a true story.

What motivated you to make this film?

This short film Black People Don't Tango is adapted from a feature-length film script that I developed in 2019. That feature script is further adapted from a short story that I wrote in college.

The primary motivation for the short film is to function as a proof of concept for the larger Black People Don't Tango idea.

From the idea to the finished product, how long did it take for you to make this film?

Roughly one month.

What was the biggest obstacle you faced in completing this film?

Scheduling and securing locations. The short film was put together and shot in a very tight timeframe. Also most of the people in the film are not professional actors, so getting everyone on the call sheet to show up on specific days was challenging. We also had some late talent and location changes happen, so we had to stay flexible and adapt.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1617: Filmmaker Delphine Breyne (Heal avec Delphine)

Heal avec Delphine, 30min., USA

Directed by Delphine Breyne

Heal avec Delphine is a deeply personal docuseries that follows individuals navigating life after cancer, trauma, alopecia, and other challenges. Each episode invites viewers into a powerful journey of reconnection and renewal—beginning with an intimate look at the person’s world, followed by a transformative beauty restoration at Delphine’s atelier, and ending with a meaningful surprise to mark their new beginning. Through heartfelt storytelling, emotional connection, and light-touch artistry, the series introduces a new era of beauty and healing, where feeling truly seen becomes the start of renewed self-confidence, emotional healing, and personal transformation.

https://www.instagram.com/delphineeyebrowcouture/

——-

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1616: Filmmaker Lucas Candelino (DETECTIVES & DRAGONS)

Detectives & Dragons, 8min., Canada
Directed by Lucas Candelino, Benjamin Kostecki, Evan McDowell
A know-it-all detective is tasked with incriminating a murder suspect through a fantasy role-playing game by recreating the scenario of the killing. Tensions escalate when he goes off-script.

https://instagram.com/candelino.jpeg

https://www.wildsound.ca/videos/audience-feedback-detectives-dragons

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1615: Filmmaker Ted Clark (ALL EYES ON YOU)

ALL EYES ON YOU, min., UK

Directed by Ted Clarke

Paranoid couple Adam and Claire move to the peaceful countryside for a fresh start, but quickly become unsettled by a series of sinister interactions with their new neighbours, putting their trust - and relationship - to the test…

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1614: Filmmaker Angy Antonios Akly (The Way Back Home)

The Way Back Home is a two-minute poetic film that unfolds underwater, where a woman’s expressive movements accompany a powerful monologue on identity, womanhood, and self-ownership — written, directed, and narrated by the filmmaker herself. As the performer drifts through silence and resistance, the voice rises against the weight of judgment and expectation — reclaiming scars, softness, and the right to become. A cinematic meditation on finding one’s way back to the self.

https://www.instagram.com/angyaklyjammal/

Director Statement

The Way Back Home is a film I created from a place of deep honesty — not just as a director, but as a mother, a woman, and a human being who has lived through motherhood, silence, pressure, and transformation.
After completing the film, I sat with my daughters and told them: “I want you to watch this film when you are 20, again when you are 30, and again when you are 40.” Because this is not just a short film — it’s a piece of my story that I want to leave behind for them. A reminder that pain, scars, and growth are part of becoming. That they are allowed to own their voice, their truth, their transformation — no matter what the world tries to impose.

With a single performer, a voiceover, and the silence of water as its backdrop, this film holds everything I wanted to say to them — and to the women who might need to hear it too.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1613: Filmmaker John Gardner (What's Locked Behind That Door?)

What's Locked Behind That Door?, 4min., USA

Directed by John Gardner

In the visually arresting music video for Lunavox’s “What’s Locked Behind That Door?”, a series of metaphorical doors open onto the full spectrum of human emotion, drawing viewers into a surreal journey through fear, desire, and obsession. These portals also frame the chilling descent of a scientist whose relentless experiments lead him into darkness. Guided by the song’s pulsing rhythm, the two narratives intertwine as human vulnerability and scientific ambition collapse into a single vision of corruption and revelation.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1612: Filmmaker James Rigby (VERSIPELLIS)

Versipellis, 26min., UK
Directed by James Rigby
In this spine-chilling horror film, a young girl, Sophia, faces the dilemma of choosing whom to trust when an imposter infiltrates her home.

https://www.instagram.com/versipellis_film

Get to know the filmmaker:

What motivated you to make this film?

I wanted to challenge myself by making my first horror film. I was curious about how to approach the story, its themes, and the craft of building fear in an audience. I researched the genre, studied other films, and asked myself: what do I personally find scary, and why do I react that way? That exploration shaped the direction of the film.

From the idea to the finished product, how long did it take for you to make this film?

The script was originally written and pitched during my time at Arts University Bournemouth. After taking a short break from it, I came back with fresh eyes, refined the concept, and pushed it forward. With the support of people around the world, we successfully crowdfunded £1,500, which allowed us to bring the project to life.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1611: Filmmaker Amy Louise Pemberton (FOR LUCIE)

FOR LUCIE, 12min,. UK
Directed by Amy Louise Pemberton
When a devastating family secret comes to light, Nick and Liz must confront painful truths that will change their lives forever.

https://www.instagram.com/missamypembs/

https://en.wikipedia.org/wiki/Amy_Pemberton

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

EP. 1610: Filmmaker Daniele Catini (DIFFERENTLY WATER)

Differently Water, 8min., Italy
Directed by Daniele Catini
Two Arab women meet underwater to express their love. The sea becomes an accomplice to a secret in which their eyes reveal that desire hidden from a world that cannot understand

.https://www.instagram.com/daniele_catini21

https://www.wildsound.ca/videos/audience-feedback-differently-water

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod