Watch the best scene reading: https://www.youtube.com/watch?v=EPh-ZxTT4GE

LOGLINE: In the 1940s, prisoners — including infamous mob boss Joe Blunda — were released to defend America from Nazi spy attacks. What happened to them remains a chilling mystery: none were ever seen alive again.

Get to know the writer:

What is your screenplay about?

My screenplay tells a story that was circulating at the time — it captures society during the World War era and highlights an undeniable truth: Power is often manipulated by ruthless agendas.

What genres does your screenplay fall under?

The genre is historical thriller.

How would you describe this script in two words?

Dire Straits

How long have you been working on this screenplay?

So many, but especially Superman (1978). When I was a kid, I watched it over and over again. Same with the Lord of the Rings. I would go through phases where I’d obsessively rewatch certain films — the ones that gave me a sense of hope deep inside.

How many stories have you written?

I worked on this script casually in my spare time over the past three years. Yes — I believe a draft needs to sit and “mature” a bit before you lock in the final version.

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Watch best scene reading: https://www.youtube.com/watch?v=8M-6es5qNVc

Get to know the writer:

What is your screenplay about?

A former Army lawyer, Gemma Lightwater battles troubled family and calculating investors to reopen her Missouri Ozarks ranch that pairs broken veterans with broken horses

GEMMA LIGHTWATER a mid-30s Army veteran struggles to reopen the Red Rock Ranch that serves female veterans wellness. That is until she receives a five million dollar offer from her former captain, ASTRID MITCHELL, but the money comes with a ticking clock and giving up decision-making control to her former JAG leader. As the new veteran arrivals, tensions run high as NORMA JONES, Gemma’s right hand at the ranch tries to help Gemma and Astrid understand what a deal means for them. After a few rounds of will they or will won’t they sign, Gemma and Astrid find common ground to finalize the deal. Then tragedy strikes leaving Gemma conflicted and suspicious at the exact time she is supposed to be opening a new chapter for the only real mission she has left, saving others to save herself.

What genres does your screenplay fall under?

Thriller, Drama, Suspense

Why should this screenplay be made into a movie?

As a female veteran, I look into the eyes of women in uniform and remind them that our service matters. They remind me to tell their stories. The doubts of if female veterans deserve a seat at the table of service will be removed. And in this show, we ARE the table. This pilot should do for women veterans what Orange is the New Black did for incarcerated women. And do for Missouri what Yellowstone did for Montana. What Band of Brothers did for male veterans. We have a long historic legacy that quickly being erased. Women have put their lives on the line since the beginning of time, when do we see them as the main characters.

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What is a Screwball Comedy?

A comedy that is characterized by fast-paced, witty dialogue, farcical situations, and romantic storylines that often involve a battle of the sexes. They emerged in the 1930s and became popular in the 1940s.

How is it different than a straight up romantic comedy?

Screwball is a genre that focuses less the romantic courtship between two people, and more on the battle of the sexes. It always has a strong female protagonist, and usually a male protagonist trying to keep up with her.

It puts the emphasis on the spoofing of love, rather than the "will they get together" plot.

Where did the term "screwball" come from?

It gets its name from the baseball pitch "the screwball". For those unfamiliar with baseball, it's a pitch a pitcher throws to a batter that moves in the opposite direction than a typical baseball pitch like a fastball, curveball, or slider.

A screwball is an oddball pitch, like the female leads in the 1930s comedy films where they played the "opposite" of your typical female stereotype that were back in the day.

Instead of wanting to find a husband, birth a few babies and be a homemaker - the female leads in the "screwball comedy" are strong, independent from men, and want to focus their life on their passions.

They are attracted to men, but will only begin a courtship of any kind if it was on their terms - not the mans.

Famous screwball comedy films?

It Happened One Night (1934)

Directed by Frank Capra. Starred Clark Gable & Claudette Colbert

Bringing Up Baby (1938)

Directed by Howard Hawks. Starred Katharine Hepburn & Cary Grant

The Philadelphia Story (1940).

Directed by George Cukor. Also Starred Katharine Hepburn, Cary Grant. With James Stewart added to the mix.

The brand declined in popularity through the years, but it still shows up in its style. The Coen Brothers have made a few with "Intolerable Cruelty", "The Hudsucker Proxy", and "Hail Caeser"

Bridesmaids (2011), written and starring Kristen Wiig is considered a screwball comedy.

Is any one a fan of Amy Sherman-Palladino TV shows?: Gilmore Girls. The Marvelous Mr. Maisel. Étoile.

Those television shows are more definitely classic Screwball Comedies. From the characters. plot points. fast paced dialogue. Even the way the shows are directed - are classic screwball!

Enjoy the past, present, and future of the Screwball Comedy!

Watch the best scene script reading: https://www.youtube.com/watch?v=LtieadtYQNM

Summary: Researching transfusion therapy on different blood groups, something goes completely wrong when the test subjects start mutating and transforming into Zombie like creatures.

Get to know the writer:

What is your screenplay about?

A day in the life of a biotech firm takes center stage in Blood Red as we travel from floor to floor, department to department, meeting the teams that comprise Edgewater Laboratories and their sometimes adversarial motivations.

Edgewater’s Chief Science Officer, Dr. Ruby Beck, is the inventor of a synthetic blood she’s named Ichor for the mythical golden fluid that ran in the veins of the gods. Ruby explains to an audience of investors gathered at the company’s headquarters that every two seconds, someone needs blood due to injury or disease.

Imagine a limitless supply of healthy blood in every hospital, school, military unit, and remote location. No more relying on donations. No more chance of contamination. No more delays in supply or delivery.

Three floors below, eight patients are halfway through the final trials of Ichor in the aftermath of a violent protest against the ethics of artificial blood that has put the entire company on edge. But today, something is different. Sabotage of the Ichor infusion is affecting each patient differently with horrifying results.

The day begins with routine patient observation and nerves around hosting the company’s first investor conference before spiraling out of control as we root for Ruby, fighting for her life from floor to floor while trying to unwind the conspiracy threatening her creation.

Ruby must reconcile if her creation is the pinnacle of healthcare or a threat to humanity.

What genres does your screenplay fall under?

Horror / Thriller

Why should this screenplay be made into a movie?

Horror remains one of the few genres that’s arguably still best experienced in the theater with a crowd to share in the frights, jump scares, and wild reactions to what’s on the screen. Safety in numbers!

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New York Times Co. v Sullivan, 10min,. Canada
Directed by Yanjia Yang
In the heat of the Civil Rights Movement, a full-page ad in The New York Times sparked a legal battle that would redefine freedom of the press in America. Through archival footage, this short film explores how the case reinforced First Amendment protections and shaped journalism as we know it today. A must-watch for anyone interested in media, law, and the enduring power of free speech.

Get to know the filmmaker:

What motivated you to make this film?
I was driven by a desire to revisit the New York Times Co. v. Sullivan case not just as a historical legal milestone, but as a powerful reminder of how fragile our freedoms truly are. In an era where misinformation, polarization, and censorship continue to challenge democratic ideals, I felt a strong responsibility to explore the balance between rights and responsibilities. I wanted my generation to understand that free speech is not abstract; it is something we must actively reflect upon.

From the idea to the finished product, how long did it take for you to make this film?
This was my very first documentary, and as an 11th-grade student, it was a steep learning curve. From research to editing, the process took about three months. There were moments of doubt, technical setbacks, and challenges in simplifying complex legal ideas. Though it required a lot of effort and time commitment, I pushed through and was able to find the true meaning of creating this film.

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Watch the best scene reading: https://www.youtube.com/watch?v=Di-SUrGZcgI

https://www.instagram.com/joaomacongo_/

https://www.joaomacongo.com/about

Get to know the writer:

What is your novel about?
The Origin of Humanity: A Real Dream is a deeply spiritual and philosophical novel inspired by a vivid dream I had. It explores the mysterious beginnings of humanity through a cosmic journey of creation, identity, mortality, and divine purpose. The story is both mystical and grounded, merging poetic storytelling with existential questions that challenge the reader to reflect on the meaning of life and the courage to awaken.

What genres would you say this story is in?
Spiritual Fiction, Metaphysical Fantasy, Philosophical Sci-Fi, Visionary Fiction.

How would you describe this story in two words?
Divine Awakening

What movie have you seen the most in your life?
The Matrix — for its blend of philosophy, reality-bending concepts, and spiritual undertones.

What is your favorite song? (Or, what song have you listened to the most times in your life?)
“Dreams” by Fleetwood Mac — it’s timeless, haunting, and resonates with the journey of vision and destiny.

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Watch the best scene reading: https://www.youtube.com/watch?v=b0mBY_JoZVo

When a young, broke librarian buys an abandoned house on the outskirts of a British Columbian town, he starts to uncover the house’s secrets as unexplained incidents occur.

Get to know the writer:

What is your screenplay about?

The script follows a young programmer who moves into a haunted house in the Interior of British Columbia due to (widespread) financial difficulties.

What genres does your screenplay fall under?

It is a horror picture.

Why should this screenplay be made into a movie?

The story derives it’s chills n’ thrills from mood more so than sudden frights, which an audience will resonate with. The origin of the evil spectre which haunts the house and surrounding area is also relevant to issues of concern today.

How would you describe this script in two words?

‘Definite Appeal’.

What movie have you seen the most times in your life?

By my recollection, either ‘Jaws’ or ‘The Maltese Falcon’.

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Watch the best scene reading: https://www.youtube.com/watch?v=YuCjP6YZsKU

A writer tasked with writing a true event is taken by the CIA to cover their tracks. However, his smart mind out smarts them when his characters learn their role in his book and save him

Get to know the writer:

What is your screenplay about?

“John Burgess is all about writing for the high technology industry, until his life takes an interesting turn. He wakes early one morning with a new story in his head that he just has to write. Compelled to write each morning, the lines between fact and fiction are blurred, as John becomes a pivotal character in his own novel. Explosions, false identities, terrorists, international intrigue, high tech surveillance techniques, the U.S. government and kidnapping, all conspire to put John’s life in serious danger until the main characters in his book rescues him.”

What genres does your screenplay fall under?

Action/Adventure/Mystery/Spy Thriller

Why should this screenplay be made into a movie?

ENTANGLED explores the relationship between consciousness, time as perceived by humans, and our quantum reality. The film will keep the audience guessing. What is real? What is fantasy? The audience will be guessing throughout especially when the last scene plays out.

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THE COMMUTER, 11min., USA
Directed by Joseph Sauchelli
A protagonist struggles to cope with a rough commute in the only way she knows how.

https://www.instagram.com/jsauch/

Get to know the filmmaker:

What motivated you to make this film?
Really the urge to make something, particularly for cheap. When you know you are going to go down that route, you begin looking around at what you can use for free. Hoboken has this old fashioned train station I always admired and found cinematic, so I began to build a story around it. With college and my job I have commuted for quite some time, so I tried to bring that experience to this film – which immediately turned into a stressful thriller.

From the idea to the finished product, how long did it take for you to make this film?
The idea for “The Commuter” is several years old, however it took some time to feel ready and finally take the step towards making the movie myself. As I reflect on the finished product a lesson I have taken away is that no one is ever really ready to make a film, and it is a risky mindset to subscribe to. On one hand you want to make sure your script and pre-production planning is to the best it could be, however you must be careful not to lean on the excuse that “it’s not ready” like a crutch.

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Watch the best scene reading: https://www.youtube.com/watch?v=UJaOxm5dyWk

Mark Tyler gets out of prison after twelve years for a robbery gone awry. The loot is still out there. A corrupt cop, a local grifter, a femme fatale and the partner he left for dead all come marching out of his past to come for it.

Get to know the writers:

What is your screenplay about?
Jeremy Hogan: To me it’s about time. Lost time, how we spend our time, the futility of trying to catch up or outrun it.

Aaron Krygier… Lost people looking for something to fulfill that emptiness. Whether it’s something tangible or not. Love, revenge, greed.

What genres does your screenplay fall under?
JH: Neo-noir or crime thriller
AK the same

Why should this screenplay be made into a movie?
JH: I’m biased, but I think it’s well written. Meaty characters that actors might relish playing, and it’s true to its genre, while subverting conventions and expectations in interesting or surprising ways.

AK it wears its influences on its sleeve and its simplicity offers a ton of options for outlandish Ness.

How would you describe this script in two words?
JH: uncertain redemption
AK… Evoking humanity.

What movie have you seen the most times in your life?
JH: Probably a tie between “The Good, the Bad, and the Ugly” or “Miller’s Crossing,” though “Adaptation” is catching up.

AK… Heat, Blade Runner, Alien, Se7en are all contenders.

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COOP, 19min., USA
Directed by Moriah Doepken
After sustaining a bad injury, a stubborn retired sheriff must learn to talk with his estranged son as they build a fence together, or risk losing the relationship.

Hannah Ehman chats with the lead actor of the award winning short film COOP

——

Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/

Watch Hannah’s commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman

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Watch the best scene reading: https://www.youtube.com/watch?v=fFCutMoedMI

www.rightpurdy.com

Harry loves Sandy and has planned “the big date” to propose, but between his twin, her twin, the guys from the Bobcat rugby team, Roxie, Linda, and One Eye’d Jacks, the world seems against it. Comedy.

Get to know the writer:

What is your screenplay about?

Physical therapist Harry Goodman meticulously plans a romantic evening to propose to his intelligent and vivacious girlfriend Sandy. But what should be a seamless night of fine dining and heartfelt commitment rapidly unravels into chaos as meddling rugby teammates, flirtatious coworkers, a jealous bouncer, and an unexpected armed robbery sidetrack every effort. With the engagement ring left behind and a police chase unfolding,

Harry and Sandy must navigate misunderstandings, mistaken identities, and family dysfunction—all while questioning how well they truly know each other. A raucous romantic comedy that careens through slapstick, screwball, and sincere emotional beats,

The Big Date asks whether true love can survive a night gone completely off the rails.

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Rock Island Prison 1864, 7min,. USA

Directed by Joy Shannon

Guarding Confederate POWS in a Civil War prison, a runaway slave now Union soldier, desperately fights for power, or faces returning to slavery.

https://www.rockislandprison.com/

Hannah Ehman chats with the lead actor of the award winning short film ROCK ISLAND PRISON 1864)

Instagram page: https://www.instagram.com/omiette/

——

Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/

Watch Hannah’s commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman

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JIWA KORUP. 15min., Malaysia
Directed by MOHD HISHAM SALEH
A low-ranking officer’s corrupt leadership is scrutinised, compelling him to confront the repercussions of his unethical behaviour. This raw AI short film delves into themes of power and loyalty, illustrating how even the most reliable individuals can become lost to corruption.

Get to know the filmmaker:

What motivated you to make this film?
I wrote the screenplay in 2020 amidst Malaysia’s COVID lockdown, motivated by daily news of sacrifices made by frontline police and the 1MDB scandal revealing pervasive corruption. My aim was to explore what truly compels someone to betray their oath—whether it’s power, love, or lust. By incorporating an LGBT relationship, I wanted to illustrate that love can remain untainted even amid profound corruption, and that true affection transcends legal and social boundaries.

From the idea to the finished product, how long did it take to make this film?
Remarkably, the whole film was created in only 20 days, driven by nearly 20,000 AI prompts. I had written the entire screenplay years beforehand but commenced AI production in early 2025. A close friend assisted with color grading—harmonising rain-drenched blues, earthy browns, and refreshing highlights—and another collaborator crafted the sound design, incorporating industrial percussion, menacing drones, and eerie water-drip effects.

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HOMEPLANET, 26min., USA
Directed by Andrew Pritzker
Barefoot on a country highway, a Disoriented Man is picked up by Two Local Cops who suspect he may be a space alien.

http://qikfingerfilms.com/
https://www.instagram.com/qikfingerfilmsllc/

Hannah Ehman chats with the lead actor of the award winning short film HOMEPLANET

Instagram page: https://www.instagram.com/danielrdaly/

——

Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/

Watch Hannah’s commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman

Subscribe to the podcast:

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Seconds in Eternity, 42min., Estonia/Germany
Directed by Christian Schu
An elegant woman in her later years feels the relentless march of time as she mourns her lost youth and missed chances. Alone in a dimly lit room, her life seems to fade with each cigarette she smokes. She observes a vibrant young woman, envying her youth and vitality. Through her introspections, we explore her deep desires and regrets. The narrative, rich with poetry and flashbacks, takes a dramatic turn with a potential murder, leading to a surprising twist. Despite its dark beginnings as a Film Noir, the film transforms into a celebration of life, ending on a hopeful, life-affirming note.

Hannah Ehman chats with the lead actress of the award winning film “Seconds in Eternity”.

Marina Welsch Instagram: https://www.instagram.com/iammarinawelsch/

https://secondsineternity.com/
https://instagram.com/christian_schu_film

——-

Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/

Watch Hannah’s commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman

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Med Selkies, 11min., UK
Directed by Kelly Ann Buckley
Med Selkies is a poetic film exploring a near-future climate crisis where land is ravaged, and a lone human drifts at sea. Succumbing to the depths, the human encounters an ancestral, aquatic force – beings who once diverged from humanity to adapt to life beneath the waves.

https://www.instagram.com/k_a_b_art_n_sound

Get to know the filmmaker:

What motivated you to make this film?

~ This was an expansion of a project I did for Focal Point Gallery – a wonderful contemporary arts gallery in SouthendonSea, UK. I was lucky enough to be commissioned to create an exhibition for their FPG Sounds programme. My project – Echoes in the Fossils – was a sound-led audiovisual 5 part piece – focused on rising sea levels and lost past & imagined future soundscapes, ranging from Mesolithic to Anthropocene epochs, which touched upon futuristic polymer-human hybrids. Med Selkies was a continuation of that exploration, after Echoes in the Fossils had finished. I am interested in the Aquatic Ape theory and the idea that there may be some human cousin out there in parts of the ocean we don’t know about. Med Selkies evolved from my thinking about that, and what may happen if we are forced to return to the ocean, living with them, because of climate change. This was combined with the thinking about humans carrying micro plastics in their bodies vs the plastic eating microbes scientists are now working with. What if these grow huge, and we become the food? It’s all very mixed up thinking and dreamlike and I suppose this vibe was carried through to the film

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STAYCATION, 93min,. USA
Directed by Russell Emanuel
How is the world affected by a catastrophic event? Everyday people live through a government mandated quarantine during a global pandemic while desperate scientists race to find a cure before it’s too late.

https://russem.com/
https://www.instagram.com/russem31/

Get to know the filmmaker:

What motivated you to make this film?

It was the Covid Pandemic. Everything was shut down so my late filmmaking partner Emile Haris (who unfortunately passed away during post-production in July 2023) and I went about to create a film about a pandemic against what seemed insurmountable odds (nothing was open).

From the idea to the finished product, how long did it take for you to make this film?

Emile Haris and I started with a short film called “Routine” which we filmed in April 2020 at the start of the pandemic when even SAG-AFTRA was shut down and we couldn’t go outside. So he and I took it upon ourselves to film a 5-minute proof of concept prequel called “Routine” at my condo with a non-SAG-AFTRA actress Paige Laree Poucel and we hired an amazing DC/Marvel Comics Artist Dave Beaty to “draw” the third act which took place outside and hired two amazing voice actors Bill Victor Arucan and Alan Courtright. Due to the success of this film, along with head executive producer Bill Victor Arucan (who reprised his role of ‘Rob Peterson’ from “Routine” and the Peterson name itself is a running gag in all my 6 feature films), we successfully raised the money to do “Staycation” and started filming in November 2024 when SAG-AFTRA was re-opened but with severe Covid restrictions. We then filmed piecemeal over 2 years, finally completing shooting in November 2022.

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Home, 11min., Belgium
Directed by Hanne Schillemans, Ralph Timmermans
Home is a short film about the fragility of life and the virtue of solitude. A faceless figure attempting not to resist the endless waves of pointlessness.

Get to know the filmmaker:

What motivated you to make this film?

Home grew out of a shared fascination with the fragile, often uncomfortable terrain of solitude. We were both navigating a kind of existential tension: the absurdity of life, and the strange peace that can arise when one stops resisting it. The idea that everything is ultimately out of one’s control and perhaps even pointless and the realization that this, paradoxically, can be liberating. That thought, oddly enough, gave us comfort. The film became a way to give form to that feeling.

From the idea to the finished product, how long did it take for you to make this film?

It’s hard to say exactly when the idea began. We think Home found us during a hike through desolate nature, when we unexpectedly came upon an empty house. It felt like stumbling into the middle of a concept. We didn’t plan it, we just recognized it. From that moment to the final cut, the process took about 18 months. Much of that time was spent letting the idea unfold, allowing it to simmer before taking shape.

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La Ghostification, USA, Musical
Directed by Lena Glikson
A surreal and symbolic journey through the inner world of a girl processing abandonment and emotional distress. Through haunting imagery — from mirrored selves red to threads like tears and disturbed dancing — the video explores the psychological aftermath of being ghosted. Set to a dark, emotionally charged track, the visuals blur the line between dream and nightmare, revealing a desperate attempt to communicate with someone who has vanished without a trace.

https://www.instagram.com/lena_glikson_mx/

Get to know the filmmaker:

What motivated you to make this film?

I was going through a very dark and isolating period in my life, where I felt completely abandoned. As a musician, creating music has always been a natural form of healing for me. I wrote, produced, and recorded the song as a way to process those emotions—but it didn’t feel complete. Since I spend most of my professional life shaping music for films as a film and TV music editor, it felt instinctive to add a visual layer to the storytelling. That’s how the music video for La Ghostification was born.

From the idea to the finished product, how long did it take for you to make this film?

It took around two and a half months to complete the project, with most of that time spent in pre-production. I initially planned for just one shoot day in a photo studio, but during the editing process I realized we needed more footage to fully support the visual story—so we went back and shot additional material.
Since I normally edit music to picture, it was exciting (and intense) to work the other way around—editing picture to music. I’m incredibly grateful to my editor and cinematographer, Eduard Asaturov, who trusted me and gave me the space to be as detailed and specific as I needed to be.

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