Telling stories through film and conversation.
WSPodcast New Logo.png

WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

Posts in filmmaking
EP. 1579: Filmmaker/Musician Matt Cargill (Glistening Benevolence)

Glistening Benevolence, 6min., UK, Music Video

Directed by Matt Cargill

https://instagram.com/familydrone

Sly & The Family Drone Unleash ‘Glistening Benevolence’: Take the trip into slime-drenched folk horror and the cosmic unknown. . .

Neo-jazz wrecking-crew Sly & The Family Drone summon forth a new vision of terror and transcendence with the video premiere of ‘Glistening Benevolence’. Filmed at an undisclosed, shadowy music festival in the heart of Hampshire, the visual journey is a macabre ritual of psychedelic sludge, blending live performance footage with ominous vignettes of slime-coated landscapes, cosmic dread, and unholy rites under the moon.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1574: Gabriel Milessis Braga (THE FIRST NIGHT)

The First Night, 7min., Brazil

Directed by Gabriel Milessis Braga

After collapsing at the altar, Elise awakens inside an old church, and something inside her has changed. Guided by a mysterious man who seems to understand her condition, she begins to confront a new, terrifying hunger. The First Night is a gothic meditation on becoming, resistance, and the quiet seduction of darkness in our lifes.

https://www.instagram.com/thegabrielwars/

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1573: Filmmakers Ísak Magnússon, Óliver Sólberg (BELONG TO YOU)

BELONG TO YOU, 6min., Iceland
Directed by Ísak Magnússon, Óliver Sólberg
Belong to you follows a swimming pool employee who thinks about his relationship with his coworker on a quiet night.

Get to know the filmmakers:

1. What motivated you to make this film?

We had just graduated from high school, where me and Ísak had worked quite closely together, and we wanted to continue our partnership and continue creating. I had this idea that was originally a poem and from that we started production. The poem was originally just meant for me to vent out my feelings.

2. From the idea to the finished product, how long did it take for you to make this film?

The idea first came about when I wrote the poem in early 2024. From that there was the early drafts of the script, but that came to a halt until me and Ísak picked it up in august 2024. We started production but that also came to a short stop, because we couldn’t find the right actors. Then, by miracle, we found the two perfect ones. We shot the film in one day at a closed swimming pool on november 23rd and finished shooting after only eight hours of filming. Then came post production which took about two months and the film was finished in late february of 2025. So in total the film took about a year to complete, from idea to the big screen.

www.instagram.com/isak2814

www.instagram.com/olivertumi

BELONG TO YOU, 6min., Iceland
Directed by Ísak Magnússon, Óliver Sólberg
Belong to you follows a swimming pool employee who thinks about his relationship with his coworker on a quiet night.

Get to know the filmmakers:

What motivated you to make this film?

We had just graduated from high school, where me and Ísak had worked quite closely together, and we wanted to continue our partnership and continue creating. I had this idea that was originally a poem and from that we started production. The poem was originally just meant for me to vent out my feelings.

From the idea to the finished product, how long did it take for you to make this film?

The idea first came about when I wrote the poem in early 2024. From that there was the early drafts of the script, but that came to a halt until me and Ísak picked it up in august 2024. We started production but that also came to a short stop, because we couldn’t find the right actors. Then, by miracle, we found the two perfect ones. We shot the film in one day at a closed swimming pool on november 23rd and finished shooting after only eight hours of filming. Then came post production which took about two months and the film was finished in late february of 2025. So in total the film took about a year to complete, from idea to the big screen.

EP. 1572: Filmmaker Alice Ioana Nicolae (NOW IT'S BETTER)

Now it's better, 12min., Romania

Directed by Alice Ioana Nicolae

In a world where it is easier to tear down than to build, to blame rather than to take responsibility, there are still resources for a better life. Although very painful and seemingly unique to each couple, the stories of our protagonists are almost universally valid, or perhaps very relevant in our current social and political context.Will the protagonist couples save their relationships? We will see in the short film 'Now It's Better.'

www.instagram.com/alicenicolaehl

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1570: Filmmaker Louis Rémillard (Folie Glacée)

Folie Glacée, 11min., Canada

Directed by Louis Rémillard

Eli et Vincent se commandent une collation à la crèmerie locale sans s'attendre aux horreurs qui ruineront leurs rendez-vous en amoureux

www.instagram.com/shotbypoui

What motivated you to make this film?

It all started with me and my friend, who's the director of photography on the film, hanging out in Montreal. We both got ourselves ice cream cones and as we were eating them, walking around, the idea of the story kind of came to us as a joke at first. I thought about it for a moment, and I ended up telling myself it would make a fun screenplay. I came up with the idea of the ice cream vendor being ill intended and serving contaminated ice cream and he suggested the idea of the couple being on a date. So I owe it a lot to my friend's encouragement and believing in my story once the screenplay was finally done. We were excited to make something that would be wacky, fun and horror since it is a genre we both liked very much.


From the idea to the finished product, how long did it take for you to make this film?
 As it is for most passion projects, everyone was either working their full time job or started working on other projects. The crew was mostly composed of my newly graduated classmates so it was a dance of work-fun balance.I think it took about six months of production but since it was all done in free and voluntary time, those six months were spreaded throughout a whole year. 


How would you describe your film in two words!?
Wacky and bloody!

What was the biggest obstacle you faced in completing this film?
It was definitely having to shoot the film almost entirely at night. Scheduling became complicated because I wanted everyone on deck, comfortable and up to work. Having to rest throughout the day and having to shoot everything before sunrise became particularly challenging for the biological clock. We did everything possible to make the experience as fun as it could be and playing with fake blood, making scary scenes definitely contributed to the good ambiance on set. Although it was challenging, we have good laughs to look back to.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1568: Filmmaker Timothy Benjamin Slessor (FLESH WISH)

FLESH WISH, 4min., UK
Directed by Timothy Benjamin Slessor
An experimental horror inspired by H.P. Lovecraft, David Cronenberg and Clive Barker, this music video / short details in an abstract way the summoning of demons through a ritual performed behind the locked doors of a 1970s terraced house.

What motivated you to make this film?

Several factors! Firstly, I wanted to make something visual to accompany the release of my album. Secondly, I wanted to experiment with a lot of different ideas and techniques, but importantly have a finished piece of work to show for it, not just a bunch of tests. Thirdly I wanted to see how I could kind of corrupt and pervert generative ai platforms and work them into my editing and animation / vfx practise and finally I wanted to make something that would surprise and confound my friends and colleagues!

From the idea to the finished product, how long did it take for you to make this film?

It was about three to four months of laborious work, mostly in after effects and premiere. I had to create all of the images and heavily distort and rework them and the editing was done frame-by-frame. About 6 months after it was finished I considered going back and tweaking some things but one look at the edit sequence was enough to convince me to leave well alone!

How would you describe your film in two words!?

Quite fleshy.

What was the biggest obstacle you faced in completing this film?

The hardest thing was just getting it finished! It was so hard to create enough interesting images and scenes, especially given the extremely fast cut-rate. I kept trimming the track down (ultimately from around 5 mins to about 3'45 I think) just so I could get it done (I had to keep pushing the release of the album back too as a result). 

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1566: Filmmaker Ben Hamilton (Sitka's Hidden Wonders)

Sitka’s Hidden Wonders, 43min., USA
Directed by Ben Hamilton
Sitka’s Hidden Wonders is a 40-minute theatrical nature film that blends sweeping cinematography with a deeply personal story of return. Told by award–winning wildlife filmmaker Ben Hamilton, the film explores what it means to truly see a place—through the hidden layers of one of Alaska’s wildest coastal ecosystems.

https://www.wildsound.ca/videos/audience-feedback-sitkas-hidden

https://instagram.com/sitkawonders

What motivated you to make this film?

Every summer, over 600,000 people visit Sitka, but most just walk around town and never see the incredible natural wonders all around us. I wanted to create a film that connects them to this place—beyond the shops and the docks—into the wild heart of Sitka. After years of filming here for networks like BBC and National Geographic, this was my chance to make something for Sitka itself.

From the idea to the finished product, how long did it take for you to make this film?

The film took two years of full-time work, plus a year of planning and permits before that. And some shots were collected over the last decade—moments I'd been saving for the right project.

How would you describe your film in two words!?

Local. Connected.

What was the biggest obstacle you faced in completing this film?

The biggest obstacle was really time.  The focus and intensity it took to deliver a film like this while still being there for my small kids and wife. It meant weeks away in the field, long nights editing, and constantly trying to balance the work with family life.


Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1560: Rick E. Cutts (Stratagem The Movie)

Stratagem The Movie, 111min.,
Directed by Rick E. Cutts
Rellik and his girlfriend Nosaer witness a crime and are immediately on the run as they try and elude a killer who seems to always be one step ahead of them. Will they escape can they escape? Follow along as Rellik and Nosaer try and escape a killer and even more important who is behind all the carnage?

http://www.icikill.com/

Get to know the filmmaker:

What motivated you to make this film?

I was motivated to make this film after it seemed like all the doors kept closing on me when I tried to get someone to make it for me. John Schramm that I spoke to from Kinolime and he is the one who told me that I should direct the movie and after he put the bug in my ear I went forward with learning how to direct and produce a movie myself.

From the idea to the finished product, how long did it take for you to make this film?

I started the idea almost 5 years ago. Then I wrote the book next the screenplay. We finished filming March of 2025 and all the editing was completed by May of 2025

How would you describe your film in two words!?

Action / Thriller

What was the biggest obstacle you faced in completing this film?

The biggest obstacle I faced in completing the film was probably some of the people not showing up on time and having to navigate around missing actors and filling in with other parts.

What were your initial reactions when watching the audience talking about your film in the feedback video?

My initial reaction with the audience feed back was yes yes yes that’s exactly what I wanted them to say. They spoke on the volume to low which is what I wanted because I wanted people to lean in to really listen on purpose. I wanted the movie to mimic real life. We can’t make out all the words sometimes in real life but we know what’s going on.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1559: Filmmaker Robert J. Harden Jr. (DIMENSIONS: The Interrogation)

DIMENSIONS: The Interrogation, 8min., USA
Directed by Robert James Harden Jr.
During an interrogation for the murder of his mother, a man pleads for his release in fear of his life. Two special detectives grill him in order to solve their case. In the shadows of these men’s dimension, the answers to all their mysteries live.

https://instagram.com/dimensions_revealed

https://www.wildsound.ca/videos/audience-feedback-dimensions

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1558: Peter Gabriel Gagnon (Wukong Couriers)

Wukong Couriers, 15min., USA
Directed by Peter Gabriel Gagnon
An unwitting bicycle messenger is chosen as the mystical hero to save the city from an ancient horror.

www.instagram.com/wukong_couriers

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1557: Filmmakers Diana & Harlan Shield (THREE S3CONDS)

Three S3conds, 16min., USA
Directed by Diana Shield
Arlo, a 17 year old boy struggles to open up and express himself to his counselor. He is haunted by his past actions due to his inability to control his rage and anger issues.

https://www.instagram.com/galacticbutterflyfilms

Get to know the filmmaker:

What motivated you to make this film?

My husband and I enjoy going on walks, driving long distances and we noticed people’s lack of patience at a Stop sign or red light. We talked about three seconds waiting for an individual to cross the road. This is all it takes to cease all movement from a vehicle. So we noticed a growing trend of people not coming to a complete stop or taking a red light. And it happens across a lot of major cities. But one day two young men were crossing and the driver clipped one of them. They both began shouting at the driver of the vehicle who did not stop. Luckily the young man was not hurt, his backpack was struck with the vehicle.

From the idea to the finished product, how long did it take for you to make this film?

I would say about three months. However once we got our DP, everything moved quickly.

How would you describe your film in two words!?

Intense, provoking.

What was the biggest obstacle you faced in completing this film?

Nothing, we were lucky enough to have it completed. We had great support and were surrounded by talented individuals.

What were your initial reactions when watching the audience talking about your film in the feedback video?

They said wonderful things about the film and the message got across clearly. I appreciate the feedback with sound, pacing, cinematography and acting. These were all elements we concentrated on and worked extensively. It makes one feel heard and seen. Stories are important and impactful, I want people to leave thinking about the story, I want it to resonate.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1556: Filmmaker B.T. Goldman (TEA TIME)

TEA TIME, 9min., USA
Directed by B.T. Goldman
A detective interrogates a strange elderly Englishman about a missing person in his neighborhood.

https://www.instagram.com/cybereggproductions/

https://www.instagram.com/b.t.goldman/

Get to know the filmmaker:

What motivated you to make this film?

I hadn’t directed a project of my own in over a year, and I was at a wrap party for a short film that I was an extra in (SPRINKLES, directed by the Andrew Korzenik, written by Riley Stockard, and produced by Sky Mattioli, all great talents). I tend to be off in my own world a bit at parties, and the image of a wild, tuxedo-laden man forcing tea on a guest at a table in an empty room came into my head. It was kind of out of nowhere, and seemed like a really simple, filmable idea for an unsettling story. It was an eerie, but also amusing to me since I grew up with an English father (who naturally was cast as the Englishman in this film).

From the idea to the finished product, how long did it take for you to make this film?

I initially had the idea around September 2023, we filmed in February 2024, and I had the final edit in December 2024, so it was a total of about 15 months from conception to completion.

How would you describe your film in two words!?

Uncomfortably funny.

What was the biggest obstacle you faced in completing this film?

It was probably the audio editing. It really felt like everything came together fairly easily, everyone who worked on the film is a close friend or relative. Eric Alcaraz, our incredible cinematographer, is well educated in audio engineering and really saved me with that when I was editing.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1554: WHAT IS A RED HERRING? (Film & TV Terms and Story Devices)

Watch the best of SHORT FILMS from around the world today. A library of over 500 award winning films: www.wildsound.ca (Plus, watch a new and original festival every single day.)

Submit your film or screenplay to the WILDsound Festival today: https://filmfreeway.com/WILDsoundFilmandWritingFestival

What is a Red Herring in storytelling?

A red herring is a device that is used to mislead or distract the viewer from the real answer or conclusion. Simply said - it's a false clue. And it takes people's attention away from the central point being considered.

A classic example is a detective or mystery series where the viewer tries to figure out who the murderer is. The attention is focused on an individual who could be the murderer. As we emotionally involve ourselves with that person and assume they are in fact the killer, we are distracted, and the real murderer is left alone.

Or, there is a "turncoat" or "rat" in a government building. Someone who is leaking information to the enemies. As everyone attempts to figure out who the "rat" is, we are introduced to a scenario where circumstantial evidence tells the audience that a certain individual is the rat! But they are not the rat, and while we are distracted, the real person keeps getting away with it.

Where did the term "red herring" come from?

False leads started to become known as “Red Herrings” in the early 1800s when an English journalist named William Cobbett used the term to compare the media’s premature reporting of Napoleon’s defeat to the practice of using smelly fish to distract hound dogs from chasing rabbits.

While Cobbett gets credit for the term, storytellers have been using false leads to surprise audiences since the beginning of time.

Famous red herring moments in film and TV.

Alfred Hitchcock was the master of using "red herrings" in most of his films. The best and most popular example is his 1960 horror/thriller film PSYCHO.

The entire first act of the film is about Marion Crane stealing money from her boss. The audience is wrapped into this heist for over 30 minutes. But that is an entire distraction from what is really the bigger question: What is really going on at the Bates Motel?

Hitchcock also uses music in his films as red herring devices. Screeches of violin noise, or intense bass instruments playing to emotionally put viewers on high alert. Only to have the situation be safe for the main character and distract the audience away from the real conflict.

-----

Red Herrings are even used in children's movies. A great example is the 2013 smash hit FROZEN.

The main plot is that the only way Anna can be stopped from turning into ice, is to have an "act of true love". Almost the entire audience assumes that Anna must get Prince Hans to kiss her - because, as we've learned in previous Disney films, true love's kiss solves everything!

But, Hans isn't Anna's true love at all. He's actually the VILLAIN of the film.

And, Red Herring #2 - it's not about a romantic true love. Anna thaws out because the real act of true love was her sacrificing herself to save her sister! Anna and Elsa's love was the actual TRUE LOVE of the film.

------

Other famous red herrings are"

- "THE USUAL SUSPECTS" (1995) (Verbal's testimony and the entire plot of the film.)

- "THE SIXTH SENSE" (1999) (the "dead people" problem)

- "CAPTAIN AMERICA: CIVIL WAR (2016) (The Winter Soldier)

- "GET OUT" (2017) (racism is the real enemy)

TV Series are loaded with red herrings:

The trend of viewing has definitely moved to the "binge watching TV series" experience. Most of us, if we're being honest with ourselves, have and can watch an entire season of a television show in one sitting. So to keep the viewers engaged, and to keep them moving to the next episode, red herrings are used time and time again no matter what the genre is.

BREAKING BAD is considered the most popular and well regarded series from the last 25 years. It had modest success on the AMC network with is first premiered, but when they put the show it on Netflix, the popularity of the show blew up. Why? Because people couldn't get enough of the plotting. This show is the masterclass of the red herring!

A few examples:

- Hank's investigation of Heisenberg

- The Ricin cigarette

- The Poisoning of Brock

- The Train Robbery

- The "Box Cutter" incident

- The Pink Teddy Bear

- The State Motto of New Hampshire

- Walt's bullet hole reflection

All moments and devices used to distract the audience from what is REALLY the going on!

And don't get me started on Better Call Saul! That's another video......

EP. 1552: Filmmaker Peter Schackl-Horn & Anthony Graf (sustAIn)

sustain, 5min., Austria
Directed by Peter Schakl
sustAIn is the Idea to combine sustainibility and artificial intelligence. Openess is to show generally ideas of sustainibility.

https://www.instagram.com/peter.shackl.horn

www.instagram.com/clementineclmtn

Get to know the filmmaker:

What motivated you to make this film?

First in 1994 I was awarded with this multifunctional furniture at a competition of 500 Architecture students named „Openess“ – called by the famous Architect and Designer Mark Mack from Los Angeles, USA!
In 2024 I was awarded by the jury of the Vienna Design Week and the furniture was presented at the exhibition! There occured the idea to show the multifunctionality and the idea of „Openess“ also as open minded, cradle to cradle, upcycling, so sustainability in general… with a short movie!

And then all together to show a senseful usage of AI!

From the idea to the finished product, how long did it take for you to make this film?

It took from the first Design in 1994, the exhibition at the VIENNA DESIGN WEEK in 2024 finally to the realized Short Film, the finished product, in 2025.

How would you describe your film in two words!?

Sustainability & AI

What was the biggest obstacle you faced in completing this film?

There haven`t been any obstacles at all!

What were your initial reactions when watching the audience talking about your film in the feedback video?

Completely overwhelming and really touching!

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1551: Filmmaker/Musician Justin Gray (IMMERSED – A Cinematic Immersive Album by Justin Gray)

Immersed – A Cinematic Immersive Album by Justin Gray, 60min,. Canada

Directed by Justin Gray, Michael Fisher

Justin Gray’s Immersed is a groundbreaking cinematic album that transforms how audiences experience music. Composed, recorded, and produced as an immersive audio experience, the album features 38 artists from Toronto and around the globe, placing listeners at the center of a three-dimensional global orchestra.

https://www.instagram.com/justingraysound/

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1549: Actor/Writer/Filmmaker Madison Hubler (A PRINCESS’S PLEA)

A Princess’s Plea, 8min., USA
Directed by Brooke Thornton, Madison Hubler
Princess Circe awaits in her tower when Vince Davenport, crown prince of a rich kingdom, comes to claim her as his wife. But with the beast left unslain and the princess left unimpressed, Vince’s quest takes a dark and unexpected turn.

https://www.instagram.com/aprincesssplea

Get to know filmmaker Madison Hubler:

What motivated you to make this film?

I have always loved dragons since I was a little girl. That is what originally drew me to the realm of fantasy, and when I discovered Daenerys Targaryen from Game of Thrones, my world shifted. It was the equivalent of a comic book kid seeing his favorite superhero come to life on screen. I had an epiphany: That is the kind of character I want to play. Being a ‘dragon queen’ became a self-proclaimed part of my identity, and it shifted the way I moved through the world. It gave me confidence and strength- to put myself out there and claim my place. I felt this creative fire inside me, pushing me to write a story that would bring that dream to life. When the idea came to flip a well-known trope on its head, nothing could stop me. All this to say, the story came from deep within my soul. I created it for myself, and everything that comes after is just the cherry on top to one of the best things I’ve done in my life.

From the idea to the finished product, how long did it take for you to make this film?

The film took about one year to make. The writing and filming process went by pretty quickly. I had a very clear vision going in and knew exactly what story I wanted to tell. The bulk of the time was spent with the editor, watching over his shoulder, nit-picking each second, and then working up the courage to actually show it to people when it was finished.

How would you describe your film in two words!?

Fun and unexpected!

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundp

EP. 1543: Filmmaker Ally May (THE ABIDING)

The Abiding, 11min., USA
Directed by Ally May
A lonely woman reminieces about the three great loves of her life while she decides if trying again is a risk worth taking.

https://writerdirectorallymay.com/

https://www.instagram.com/allymay/?hl=en

Get to know the filmmaker:

1. What motivated you to make this film?
Honestly, my motivation was/is to take every opportunity to develop as a director. I was at a festival, I had a room, a crew and actors, so I put it together really fast and shot it.

2. From the idea to the finished product, how long did it take for you to make this film?
I wrote the script several years ago and had it sitting in my computer. Then I got the bright idea to shoot in about a month before we did. So, realistically, about a month.

3. How would you describe your film in two words!?
Intimate, mature.

4. What was the biggest obstacle you faced in completing this film?
The biggest obstacle was blocking the scenes. We did not have access to the hotel room until the day we shot, so had no time to plan out blocking.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?
The first woman was very sterile, it seemed like she hadn’t watched it and was just reading text. The other two that gave feedback seemed very genuine and thoughtful.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundp

EP. 1541: Producer Jay Stinnett (Bill W Conscious Contact)

Bill W Conscious Contact, 58min, USA

Directed by Kevin Hanlon

Conscious Contact explores the personal spiritual quest of Bill W and his thirst for transcendence.

www.instagram.com/billwconsciouscontent

http://www.billwconsciouscontact.com/

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundp

EP. 1540: Filmmaker Emmitt Thrower (DANCING WITH WAVES)

Dancing With Waves, 29min., USA

Directed by Emmitt Thrower

Tammi Judge, the founder of a transformative dance program, leads young dancers on a journey of self-discovery and personal growth, using the power of movement to heal, inspire, and change their lives forever.

Watch Emmitt’s other short film, DISABLED ARTIST SHOWCASE: https://www.wildsound.ca/videos/watch-disabled-artist-showcase

https://www.instagram.com/truth_thrower

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod