Telling stories through film and conversation.
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WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

Posts in Writing
EP. 1512: Screenwriters Jeremy Hogan & Aaron Krygier (GANG AGLEY)

Watch the best scene reading: https://www.youtube.com/watch?v=UJaOxm5dyWk

Mark Tyler gets out of prison after twelve years for a robbery gone awry. The loot is still out there. A corrupt cop, a local grifter, a femme fatale and the partner he left for dead all come marching out of his past to come for it.


Get to know the writers:

What is your screenplay about?
Jeremy Hogan: To me it’s about time. Lost time, how we spend our time, the futility of trying to catch up or outrun it.

Aaron Krygier… Lost people looking for something to fulfill that emptiness. Whether it’s something tangible or not. Love, revenge, greed.

What genres does your screenplay fall under?
JH: Neo-noir or crime thriller
AK the same

Why should this screenplay be made into a movie?
JH: I’m biased, but I think it’s well written. Meaty characters that actors might relish playing, and it’s true to its genre, while subverting conventions and expectations in interesting or surprising ways.

AK it wears its influences on its sleeve and its simplicity offers a ton of options for outlandish Ness.

How would you describe this script in two words?
JH: uncertain redemption
AK… Evoking humanity.

What movie have you seen the most times in your life?
JH: Probably a tie between “The Good, the Bad, and the Ugly” or “Miller’s Crossing,” though “Adaptation” is catching up.

AK… Heat, Blade Runner, Alien, Se7en are all contenders.

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EP. 1510: Screenwriter Paul Huenemann (THE BIG DATE)

Watch the best scene reading: https://www.youtube.com/watch?v=fFCutMoedMI

www.rightpurdy.com

Harry loves Sandy and has planned “the big date” to propose, but between his twin, her twin, the guys from the Bobcat rugby team, Roxie, Linda, and One Eye’d Jacks, the world seems against it. Comedy.

Get to know the writer:

What is your screenplay about?

Physical therapist Harry Goodman meticulously plans a romantic evening to propose to his intelligent and vivacious girlfriend Sandy. But what should be a seamless night of fine dining and heartfelt commitment rapidly unravels into chaos as meddling rugby teammates, flirtatious coworkers, a jealous bouncer, and an unexpected armed robbery sidetrack every effort. With the engagement ring left behind and a police chase unfolding,

Harry and Sandy must navigate misunderstandings, mistaken identities, and family dysfunction—all while questioning how well they truly know each other. A raucous romantic comedy that careens through slapstick, screwball, and sincere emotional beats,

The Big Date asks whether true love can survive a night gone completely off the rails.

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EP. 1486: Screenwriter Jennifer LeBeau (LITTLE STEPS)

Watch the best scene reading: https://www.youtube.com/watch?v=31g8svgvUGc

Kathy, a failed writer, barely gets by selling “haunted” dolls online to gullible marks, writing elaborate backstories to up the selling price. Her quiet life is upended when she encounters the real deal: Clara Jane, a vintage doll possessed by a foul-mouthed spirit. Clara Jane makes Kathy question everything she thought she knew, and forces her to make a bold choice to change the course of her life.

Get to know the writer:

What is your screenplay about?

Kathy, a failed writer, barely gets by selling “haunted” dolls online to gullible marks, writing elaborate backstories to up the selling price. Her quiet life is upended when she encounters the real deal: Clara Jane, a vintage doll possessed by a foul-mouthed spirit. Clara Jane makes Kathy question everything she thought she knew, and forces her to make a bold choice to change the course of her life.

How would you describe this script in two words?


Creepy, salty.

Why should this screenplay be made into a movie?

I think the premise is unique, though there’s definitely a niche fanbase for haunted dolls—both those who truly believe and those who just enjoy that weird little world. And who couldn’t use a little encouragement to follow their creative dreams… from beyond the grave?

From a production standpoint, this could be made on a very low budget and shot over 2–3 days. There are only three human characters and two locations. The doll is the most important character and would ideally be robotic—but as a backup, I know some talented puppet makers from a previous short I produced.

What movie have you seen the most times in your life?

Ngl: The Princess Bride. I forced my friends to watch it nearly every day ine summer in middle school.

In the horror genre: Coppola’s Bram Stoker’s Dracula. A perfect film. No notes. Much better than the book.

How long have you been working on this screenplay?

I finished the first draft in early 2020, and planned to produce and direct it as my second short film with the Bay Area Indies film group. Then—well, you know—the pandemic.

Also—I had a baby.

I recently returned to it and did a few revisions over the past year.

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EP. 1483: Screenwriter Robert Cooke (THE FOLD)

Watch the best scene reading: https://www.youtube.com/watch?v=Usmb47wTPU8

Using his tech capabilities, Matt puts a team together to help build a virtual reality world that is a mirror if the real world, however, lack of funding needs they need to find some way get the project off the ground. Matt decides to impress the Dean of Engineering by telling him about a special chip and code he has written that has affects in the virtual reality and in the real world.

Get to know the writer:

What is your screenplay about?

An outsider graduate student attempts to create a digital mirror of his brain by building a custom VR world. He soon discovers that in order to achieve success, he must believe his VR creation is real life. Which, of course, is ridiculous . . .

Why should this screenplay be made into a movie?

The Fold offers a story about a human/digital melding and the birth of generalized artificial intelligence without resulting in catastrophe for humans or machines. It can be produced as either a stand alone feature or the opening salvo of a limited series exploring stories and conflicts in and between both VR and IRL. I feel this is minimally explored narrative territory.

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EP. 1476: Screenwriter Hannah Miyamoto (TICKET TO KYIV)

Watch the best scene reading of the script: https://www.youtube.com/watch?v=v1T5AEoYFLg

A carefree young American woman gains a new appreciation for life when she is caught up in the 2022 Russian invasion of Ukraine.

https://www.instagram.com/hannah_pacificostudios/

Get to know the writer:

What is your screenplay about?

A quietly-queer young Jewish-American woman gains a new appreciation for life when she is caught up in the 2022 Russian invasion of Ukraine.

What genres does your screenplay fall under?

Drama-Lesbian Romance-Suspense & Thriller.

How would you describe this script in two words?

Two words: “History Shaper.”

What movie have you seen the most times in your life?

“Casablanca,” the inspiration for “Ticket to Kyiv.”

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EP. 1474: Screenwriter Kevin Barney (ROCK BOTTOM)

Watch the best scene reading: https://www.youtube.com/watch?v=zJinQjEWvf8

Summary: On the run from a job, Steph finds herself in danger and a target. She falls and lands under a Boulder which traps her for 2 days. While trying to survive as long as she can for help to arrive, she reaches an unpleasant realization.

Get to know the writer:

What is your screenplay about?

This single location thriller is about a woman named Steph who is forced to confront the choices she’s made in life – lying to her biological son about who his mother is, leading a life of crime because it was the easier path to follow – all while trapped under a rock as hired thugs try and find her.

What genres does your screenplay fall under?

Action. Thriller. Single location.

Why should this screenplay be made into a movie?

Not only is it a thriller, but I’m trying to say something as well about the decisions that we make as we move along in our life.

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EP. 1473: Screenwriter Felice Cohen (SHESAFELLA)

Watch the best scene reading: https://www.youtube.com/watch?v=oiEeUQ6nzx4

Get to know the writer:

What is your screenplay about?

Shesafella, a modern twist on Cinderella, is about a kind-hearted teen forced into servitude by a ruthless stepmother and closeted stepbrothers, who defies the odds with help from her butch fairy godmother. At a Ball, she wins Princess’s heart but vanishes, leaving behind a single Doc Martens shoe. Princess’s Instagram posts spark a citywide search, and Shesafella must outsmart her family, reclaim her true self, and fight for her happily ever after.

What genres does your screenplay fall under?
Fantasy, romance, fairy tale, LGBTQ

Why should this screenplay be made into a movie?
Cinderella movies (Ever After, Ella Enchanted, A Cinderella Story) are beloved for their timeless themes: rags to riches, kindness over cruelty, and finding one’s voice. But they’ve all followed the same blueprint—a girl meeting a boy. Shesafella flips the script. It’s a girl meeting a girl, in a joyful, queer reimagining that feels both long overdue and perfectly timed. This is the inclusive fairy tale audiences have been waiting for.

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EP. 1472: Screenwriter Suzanne Birrell (PEARL FISHER)

Watch the best scene reading: https://www.youtube.com/watch?v=Bj2UD32BCgI

When a precocious mixed-race five-year-old wanders into a fire station with only a backpack and a cryptic note about her missing mother, she has no idea it will set off a chain of events that will reshape her life. The little girl, who refuses to give her name, is sent into foster care and given the name Mariah Foster. Despite her resilience, she often runs away, gravitating toward the fire station where Fire Chief Teresa Cortez becomes a steadfast mentor.

Get to know the writer:

What is your screenplay about?

Pearl Fisher” follows two parallel journeys of loss and ends in the same room.

A precocious 5-year-old girl, abandoned at a fire station by her pregnant mother fleeing abuse, enters foster care and is renamed Mariah Foster, though she continues awaiting her mother’s return.

In a parallel story, Kenny MacCayne, a newly-hired investigator, searches for a wealthy woman’s missing daughter who ran away years ago with Kenny’s previously unknown twin brother.

After Mariah survives an attack involving a cherished pendant, clues from a library volunteer and her distinctive swimming style reveal she might be the missing granddaughter. Skeptical at first, Mariah finally believes the truth when Kenny’s twin brother calls her by her birth name, “Pearl Fisher,” a secret known only to her mother.

. What genres does your screenplay fall under?

Drama, Mystery

. Why should this screenplay be made into a movie?

“Pearl Fisher” is a story of hope and miracles, heartbreak and devastation, and ultimately the reunion of family and new beginnings.

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EP. 1470: Screenwriter Maria Pearce (KAM60 The Butterfly Prince)

Watch the best scene reading: https://www.youtube.com/watch?v=9xYkI__GTug

The butterfly prince is a story of a fictional character K.A.M.60 that attempt to honour the great French astronomer Charles Messier who developed the Messier catalogue and discovered many Messier objects in the sky in particular in the Virgo constellation. In the book K.A.M.60 real name is = Karlex Antoine Messier 60 and he is part of the Messier family. In real life The Messier 60 object is the twin/butterfly galaxies.

Get to know the writer:

What is your screenplay about?

The butterfly prince is a story of a fictional character K.A.M.60 that attempt to honour the great French astronomer Charles Messier who developed the Messier catalogue and discovered many Messier objects in the sky in particular in the Virgo constellation. K.A.M.60 real name is = Karlex Aristoteles Messier 60 and he is part of the Messier family. In real life The Messier 60 object is the twin/butterfly galaxies.

The plot is about jealousy, family feuds adventures and love. The constellations of Libra and Leo that are a couple have declared the war to the Virgo constellation just because of jealousy, they wiped out the Virgo constellation population. The only people left are the Messier family. They decided to send KAM60 (1) of their sons to the planet earth in a quest to find 10 virgins/maidens to married the 10 Messier brothers and repopulated the Virgo constellation again.

K.A.M.60 Embarks in a quest and very interested journey where he not only achieved his goals of find the correct Maidens whom married the Messier brothers, along the way he meets very interesting characters such as Centaurs, witches, Mythological creatures, Gods, zodiac constellations etc. He also lived the most amazing adventures rescuing, helping, curing, advising and even fighting for or with people once he lands in the planet Earth. Also, all the way the constellations of Libra and Leo (the bad guys on this plot) will do something to stop K.A.M.60 to achieve his goals but like a great hero he always defeats them.


Additional, despite that this is a fantasy book most of the heroes KAM60, the maidens etc are based in real people. People that inspired me and that I believe will inspire others. Example of these people are; Charles Messier, Juana Cruz the 1st female Spanish bullfighter, Magdalena Zeger the 1st female astronomer, Marie Jose Perec, the best French female sprinter, ancient civilizations such as the Mayans, the Olmecs, the Dahomey’s, the Vikings, The Amazon female warriors etc.

There are also some interesting twists in the story such as the inclusion of fake/false Maidens, the Emerald ring that determines which are the real maidens/virgins, the butterflies tattoos and character names (most maidens have a butterfly name and of course all of them must have a butterfly tattoo, like KHAM 60 also had one) there is plenty of adventures, magic, mysteries, suspense, drama, mystic, action, Love, friendship, team work etc Plus the stunning locations around the world where all these adventures occurs.

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EP. 1468: Screenwriter Aaron Huckleberry (THE TREE WITH NO HEART)

In war-torn Syria, a troubled woman, her idealistic son, and her mentally challenged cousin take in a wounded Western aid worker, unknowingly igniting a chain of deadly consequences that forces them to confront their pasts, their beliefs, and the brutal realities of survival.

Watch the best scene: https://www.youtube.com/watch?v=LzQEhUvZHwM

Get to know the writer:

What is your screenplay about?

The need to face one´s worst fears if any redemption or peace are to be found.

What genres does your screenplay fall under?

Drama.

Why should this screenplay be made into a movie?

It deals with the many traumas and desecrations of war, it delves into the divisions and differences from which conflicts spring and it evokes the love and common humanity that is our only hope.

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EP. 1467: Screenwriter Michael Kezele (AFTERLIFE ANONYMOUS)

Watch the best scene reading: https://www.youtube.com/watch?v=GnDAMmKGiJc

A gay ghost haunting a West Hollywood house, along with his dysfunctional Grim Reaper friend, help a straight cop solve crimes.


Get to know the writer:

What is your screenplay about?

It’s about a gay ghost haunting a West Hollywood home, inhabited by a psychic cop, in which the gay ghost and his dysfunctional grim reaper friend, helps solve crimes.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I wanted to enter the Toronto film festival because it’s one of the best out there. I was really surprised at my feedback. It was good. Even though I knew the script was good, you don’t expect it.

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EP. 1465: Screenwriter Nathan Burt (LOST & FOUND)

Watch the best scene reading: https://www.youtube.com/watch?v=FPQ_695FAF8

Summary: Martin’s mother passes away after a two year battle with cancer and his long lost best friend Abe finally shows up after seven years. They have to catch up and fill each other in on what they have missed out on -only to realise that they might have missed out on being more than best friends.

Get to know the writer:

What is your screenplay about?

The logline for my script is about as basic of a summary as I could muster: “A reunion at a funeral between two friends who haven’t seen each other in seven years leads to conversations regarding loss, relationships, career, and family trauma.” Beyond that barebones description, within the span of the day these two guys will spend together, they realize how deeply impactful the other one was on their lives when they were younger.

What genres does your screenplay fall under?

The screenplay straddles back and forth between drama and comedy throughout.

Why should this screenplay be made into a movie?

Man, that’s a tough question, and I’m not sure I can come up with an answer that isn’t self-congratulatory on some level – haha! But, I think one of the things I like so much about these characters is that, throughout the script, they have the chance to work through issues that I would hope are universal for so many people, regardless of how one identifies.

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EP. 1464: Screenwriter Chase Yancey (SALLIE)

Watch the best scene reading: https://www.youtube.com/watch?v=g_gq-ueaUbU

When the paths of the 11th Pennsylvania Civil War regiment and an American Staffordshire Terrier pup intertwine, the men of the 11th’s lives are changed in ways they never could’ve predicted.


Get to know the writer:

What is your screenplay about?

It is about a dog named Sallie who is the mascot of the 11th Pennsylvania Infantry Regiment of the Civil War. We follow her throughout the entire war and see the war through her eyes as she forms bonds and relationships with the men of the 11th. It is also based on a true story.

What genres does your screenplay fall under?

Drama, family and history.

Why should this screenplay be made into a movie?

This screenplay should be made into a film because it shows war from a unique perspective that not many others see very often, the point of view from a dog. It also demonstrates why dogs are man’s best friend, how they are willing to be there for us during our darkest moments.

EP. 1462: Screenwriter Nicole Sell (Echoes From The Veil)

Watch the best scene reading: https://www.youtube.com/watch?v=CWRdffz8UBM

Newly widowed father, Daniel Lambert, grapples with his skepticism of the supernatural as he moves into a charming old house with his four children, seeking a fresh start after the untimely passing of his wife. The family struggles to adapt to their new life, each of them finding their own way to cope with their grief. However, his teenage daughter, Leila, longing for a connection to her late mother, turns to a séance, hoping to bridge the gap between the living and the dead. Unbeknownst to her, the séance inadvertently opens a portal to a sinister realm, inviting a malevolent spirit into their home. As inexplicable events begin to unfold, David’s disbelief in the paranormal is tested, forcing him to confront his deepest fears to protect his children and reclaim their home.

http://www.instagram.com/echoesfromtheveilmovie

Get to know the writer;

What is your screenplay about?

My screenplay, “Echoes from the Veil” is about a newly single father, Daniel Lambert, who moves his 4 children into a new house after his wife dies suddenly and tragically while at work. His second oldest daughter, Leila, wants to try to connect to her mom one more time but she ends up opening a portal and causing havoc on her entire family. The bigger problem is Daniel is basically the definition of a skeptic, so there’s a logical explanation for everything, so everything that goes on not only tests his beliefs but it tests his relationship with his children.

What genres does your screenplay fall under?

It’s a drama/horror film.

Why should this screenplay be made into a movie?

It’s not your usual “bump in the night” scary story. It has heart, it deals with not just the paranormal aspect, but it goes through everyone’s way of coping with a sudden loss. You want to see this family succeed at staying together, but at the same time you’re terrified at what’s actually trying to tear them apart.

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EP. 1459: Screenwriter Thad Alexander (THE SHADOW KILLER)

Watch the best scene reading: https://www.youtube.com/watch?v=ISexQ4GgQCo

In the heart of Bangkok, Detective Aran Chen, a defiant inspector haunted by his past, pursues the elusive “Shadow Killer,” a ruthless serial murderer. Armed with his sharp instincts and lethal martial arts skills, Aran battles through the city’s underworld, uncovering a chilling link between the killer’s motives and his own scars. As the lines between justice and revenge blur, Aran faces a deadly confrontation that will test his resolve and redefine his destiny.

Get to know the writer:

What is your screenplay about?
Shadow Killer is a grounded crime thriller set in Bangkok, following a police investigator haunted by his past as he hunts down a mysterious serial killer. As the body count rises, he relentlessly pursues the murderer, relying on sharp detective work and his martial arts skills. His past looms over him, threatening to cloud his judgment, but he pushes forward, determined to stop the killer. The chase builds to a brutal final confrontation, where his skills and resilience are put to the ultimate test.

Why should this screenplay be made into a movie?

Shadow Killer is a bold, high-impact reinvention of the action genre, fusing a gripping crime investigation with bone-crunching martial arts combat. In a world where thrillers often fall into predictable formulas, this film keeps audiences on edge with relentless action, shocking twists, and a hero who fights both a deadly killer and his own past.

With one or two game-changing twists leading to a high-stakes, brutal finale, Shadow Killer delivers exactly what modern audiences crave—an electrifying, no-nonsense action experience that’s as smart as it is thrilling. It’s a ride that never lets up, never holds back, and most importantly, never forgets to entertain.

This isn’t just another action movie, it’s the one that will leave audiences breathless.

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EP. 1458: Screenwriter Jane Dafoe (REWIRING JADE)

A fierce forty-something woman tries to escape traumatic memories by participating in the Ironman triathlon, only to be diagnosed with CFS. As her life unravels, she clings to an unlikely friend who helps and then hinders her journey to recovery.

Get to know the writer;

What is your screenplay about?

This film is centered around the protagonist Jade, a 40-something newly single woman who is very driven in her work life and with her athletic pursuits.

On the surface she appears to be chasing her dreams, but in reality, she is running away from a nightmare.

This film explores themes of how people cope with trauma. We’ve all seen stories about people who dive into counselling, others who self-medicate or those who sink into depression. In this story, the character doubles-down on pursuing her goals. We know that society celebrates and admires driven people. In this story Jade’s drive causes her life to unravel, and she sinks into a state of self-loathing.

This film also deals with themes of identity. Jade struggles with the loss of her identity because she defines herself by the things she does, not who she is at the core. Rewiring Jade explores the complex relationships Jade has with unlikely friends who both help and hinder her journey.

What motivated you to write this screenplay?

I struggled with a chronic illness for a decade and my recovery felt transformational. When I came out the other side, I was not the same person as before. Writing this script allowed me to process and release the traumatic memories, making it a cathartic experience! Adding unexpected humour to the story helped me take my power back from an experience that almost destroyed me.

This film is not literally about me – rather it is inspired by what I went through. While the characters are fictional, a few are inspired by a combination of real people and imaginative elements.

While snippets of the story mirror real events, the main similarity that aligns with my experience is how Jade felt in certain situations. I have also tried to be as realistic as possible about the impact of CFS, but it has been toned down for the film.

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EP. 1457: Screenwriter Nancy Lydia Kimmel ( JOSH’S EMPLOYMENT AGENCY OF BROOKLYN)

Watch the screenplay reading: https://www.youtube.com/watch?v=bFc5CPBmoUg

In the dilapidated streets of Brooklyn, Josh runs a failing employment agency that’s haunted by three ghosts. Josh is reluctantly recruited by them to help solve a series of murders. Of Course, Death’s AKA-Al curiosity is piqued and decides he’s in too.

Get to know the writer:

What’s the screenplay about?

It”s about a guy by the name of Josh, who runs or attempts to run an employment agency in the rough side of Booklyn. Josh’s demeanor on the outside is mild mannered, however, there is another side to him that is better left buried. He is able to see ghosts, for whatever reason, and there are 3 living upstairs who are his friends. Mary, his secretary, likes Josh and although Josh doesn’t show it, he likes her too. The three ghosts, Jazmine, George and Detective O’Shaughnessy, frustrated with their ghost boredom ask Josh’s if they can help somehow solve the crime of the young girls who have gone missing or have been murdered. Reluctantly Josh agrees . As it turns out, Mary can also see ghosts as well to her surprise when she stumble unpon Josh and the ghosts upstairs. To make a long story short, they all embark on plan to save the missing girls, and death, AKA, Al, catches wind and decides to help them as a change of pace. Their adventures begin, Mary winds up getting kidnapped and almost dying, death takes a liking to Jazmine, the Columbian rebels, living under immigrations radar in the area come to help them as well as the Brooklyn Police department. Does everyone live happily ever after? Maybe not, as it turns out Mary works for hell, let me rephrase that, she is the queen of hell, and it’s her job not to let the dogooders do too much good and upset the balance of good and evil. But no one knows Mary’s ulterior motives expect maybe death, AKA, Al.

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EP. 1456: Screenwriter Tim Morell (HONG KONG)

Watch the best scene reading: https://www.youtube.com/watch?v=orBQo7TcJY0

Caught between a suffocating marriage and a passionate affair, Anne Delbridge fights to find her own freedom, independence, and voiceamidst the turmoil surrounding the pro-democracy student uprising in Tiananmen Square, China.


What movie have you seen the most times in your life?

Hard to say. I’ve seen Casablanca quite a few times, and The Apartment. I tend to binge watch films that attract my attention for one reason or another.

How long have you been working on this screenplay?

When I first wrote it, it took me about a week to write the first 60 pages, and then about 4 months to write the next 30 because the script was taking me to a place I didn’t really want it to go. When I finally
stopped fighting it, I was able to finish the last act in about a week.

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EP. 1437: Screenwriters Nigel Lee & Ashley Barrios (HOPPA)

Watch the best scene reading of HOPPA: https://www.youtube.com/watch?v=RzN8nTYJLIQ

Get to know the writers:

What is your screenplay about?

Log Line: Struggling with insecurity and doubt about the longevity of their relationship, an American couple travels to Iceland for answers through a unique form of therapy, threatening both their relationship and their lives. Every relationship is a leap of faith.

Synopsis: In the mesmerizing landscapes of Iceland, a disillusioned yet determined American couple, Fawn and Rabbit, embark on a desperate journey for answers to their critical relationship questions through an unconventional couple’s therapy program – HOPPA. Their path leads through a series of harrowing experiences designed to reveal their truest selves while challenging their perception of reality and their beliefs about love and life. As their experiences grow increasingly eerie and nightmarish, they struggle with their inherent differences, relentless lack of communication, and uncompromising needs of each other. Their journey culminates at the edge of a cliff, where a moment of revelation leads to chaos and unfathomable implications from their decisions throughout their HOPPA experience.

What genres does your screenplay fall under?

Psychological Thriller, Horror, Drama

Why should this screenplay be made into a movie?

The story explores relatable, honest partnership struggles as both parties navigate the possibility of compromising their individuality for a shared life together, and the depths they will go to know if their relationship is worth that risk.

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EP. 1436: Screenwriter Naz Tokgoz (CHRYSALIS)

Watch the Screenplay Reading: https://www.youtube.com/watch?v=ONlg9ToDKoY

“Chrysalis” navigates the story of Deniz, an enigmatic alien who, upon arriving on Earth, assumes the form of a 20-something girl. Driven by loneliness and curiosity, she becomes captivated by the vibrant Turkish culture. Alternating between the euphoria of her love with a Turkish woman, Melisa, and the aftermath of a tragic loss caused by homophobia in modern Turkish society, the narrative weaves subtle hints alluding to Deniz’s true nature, inviting contemplation on whether she is an extraterrestrial or a representation of someone who feels like an outsider within their own country. The story delicately portrays the healing journey of both Deniz and Melisa’s grieving mother within a city so capable of profound love, yet at times challenged to extend that love to others.

Get to know the writer:

What is your screenplay about?

The screenplay explores what it means to love in a city like Istanbul- a place that is both beautiful and complicated. Growing up in this country (as with any country), you can find love in every corner within its people. However, there’s also a heartbreaking cycle of hate that seeps through, especially towards the LGBTQ community.

Istanbul is naturally a loving city, but the struggle to embrace all forms of love has persisted for years. This paradox inspired me to create a story that highlights the loneliness and complexity of being part of a community like this in Istanbul. Despite the hate, I believe the city is and will always be filled with love- sometimes, all it takes is a shift in perspective to see that love in its purest form is universal. My love is no different than your love.

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