OTHERS, 19min., USA
Directed by Chris Durr
In a midwest suburb, an aging radio enthusiast becomes suspicious that a lonely hispanic teenager is a response to his interstellar transmissions. As misunderstanding and coincidence collide, Mateo perceives Frank as a potential threat, while Frank becomes convinced Mateo is a response to his message that he transmits to the skies. Their misperceptions are flipped over when they are interrupted by a close encounter with an unexpected guest.

http://chrisdurr.com/

https://www.instagram.com/others.film

Get to know the filmmaker:

The polarization I’ve been experiencing in my country over the past decade has had me pondering what on Earth could drive humanity together…not saying “Others” is the answer, but I wanted to tell a story about two very different people misperceiving one another while experiencing the same isolation or loneliness. The sci fi alien stuff came from an experience I had in 2009 that left me very open minded, so I thought that might be a fun way to get us there in the film.

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Watch the Novel Transcript Reading: https://www.wildsound.ca/videos/thessalonika

1. The title of my novel about a girl willing to sacrifice her name and her identity

2. The middle name of Cleo Hart, a scholarship student at a prestigious New England university in the 1950’s

3. A feminized form of “Thessaloniki,” a city in Greece possibly named after Alexander the Great’s half-sister

Get to know the writer:

A college student masquerades as her male classmate to join an archaeological dig in 1954 Crete. While excavating Minoan ruins, she unwittingly enters a labyrinth of post-war sociopolitical conflict.

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THE SHEPHERD, 14min., USA
Directed by Arie Forma
Struggling with the news of his son’s interfaith engagement, a religious father seeks solace in his estranged brother.

https://www.arieforma.com/the-shepherd
https://www.instagram.com/rosecolored.pictures/

Podcast Hannah Ehman talks to lawyer turned actor Allan Whitehead about finally getting into actor and his role as "Solomon Cohen" in the award winning film The Shepherd.

Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/

Watch Hannah’s national commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman

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HORNED, 4min,. USA
Directed by Jerrod D Brito
When a cocky cam boy jokingly live-streams a creepypasta dare, he inadvertently summons an ancient demon who craves more than just his soul.

Get to know the filmmaker:

Funny story. I attended Dan Savage’s HUMP Film Festival, a traveling film fest that features short films of an adult nature, and though they had many diverse films, I didn’t see any strictly horror movies. I felt there might be an opportunity there, so I tried to come up with a way to merge horror—my signature genre—with sex. I just started jotting notes and tried to find a way to combine them both, but be fair to both, too, and then I added a little humor. Those were the ingredients for “Horned.” But I really wanted to make sure it stood alone as a horror story, with a beginning, middle, and end, and as much character development as I could squeeze into a short in under five minutes of length. So I cut it two ways—a more explicit version for HUMP with thirty more seconds of content and a better punchline to the film (it was selected, by the way—it tours this fall), and the somewhat censored version we were lucky enough to screen at Horror Underground.

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FIRST GRADE HEADACHE, 13min., Canada
Directed by Jajube Mandiela
A burnt out first-grade teacher finds herself in a night from hell when a group of vindictive parents break into her home.

Get to know writer/producer/star Jacqueline Godbout & director Jajube Mandiela

Jacqueline (writer): I was wanting to make a horror film next, but it seems whenever I start writing anything remotely dark, it always becomes a dark comedy. I’m leaning into it now. Growing up, my mom was a teacher and I also work part time as a music teacher so there were likely some thoughts from that world floating around in my brain when daydreaming ideas. One day, I was just doing my favourite activity of playing around with loglines (no joke) when I came up with the logline of First Grade Headache. Right away, it was very clear to me that I wanted… needed to make this film now.

Jajube (director): It’s quirky, absurd and yet plausible. Looked like a fun script to film, I could relate to it, and genuinely laughed upon first reading it. How to direct it was very clear in my mind, and for a while Jacqueline (writer) and I had been regularly meeting to see how to collaborate on another project together.

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PARROT, 24min,. Canada
Directed by Cameron Faulkner
After forcibly being sold a parrot, Ollie is thrust into a surprise birthday party hosted by his roommates. The night spirals into chaos as he tries to regain control and sort his life out. Based on an unbelievable true story.

https://www.instagram.com/parrotfilmofficial/

Get to know Oliver de la Harpe:

Covid is the short answer. Charles (co-writer) and I were isolated across continents and in many FaceTime conversations we finally started to commit to a film project we had been talking about for a few years. It lived mainly as a script we would work on until Charles showed it to our director Cameron for notes. To which he signed on immediately and said he wanted to shoot. From there the only question was when.

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SCREAMING SILENCE, 17min., UK
Directed by Kalyn Elizabeth Wood, Hal Waghorn
In the hauntingly enigmatic and dialogue-free short film, ‘Screaming Silence’, Elizabeth, a young woman in the aftermath of a traumatic event, navigates her world through a haunting soundscape of everyday noises, which ‘peoples’ her world and forces her to face her reality of circumstances and her fear of reaching out for help. As the audience intimately experiences her journey, Elizabeth’s silence becomes a bittersweet force, echoing the profound emotional depth that empowers her to move forward in an altruistic twist of an ending.

https://www.screamingsilencefilm.com/

Get to know filmmaker Kalyn Elizabeth Wood:

This film first started out as my dissertation project for my masters program in London. I was the only one in my class who was doing a digital piece. I knew when beginning to write my piece that I wanted to examine women’s relationships, mainly womens relationship to trauma, sexual assault, loss, isolation and also to dive a little into the mother-daughter relationship dynamic. The film’s first iteration was completely different from its final iteration that it is today and to be quite honest I am glad I went the route that the film is now rather than what it was ‘supposed’ to be. It challenged me and pushed me to places I had never been before as a performer intrinsically, technically, and emotionally. What started out as a quest to fulfill or rather rewrite my story as a gift to my mom and it then became something in singularity. From women, to women. A singular and multifaceted relationship with trauma, the aftermath, loss, isolation and more importantly silence. I investigated the notion of: the power of female silence in films through the lens of trauma. I want anyone who watches this film to feel as though they are allowed in Elizabeth’s world to experience and observe her life in that present moment. I want people to be inspired by the lack of Elizabeth’s voice to find their own voice. To open up and out and maybe even scream.

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Conversation with writer/producer Ken Barrett about the Opera Film “BRAINLAND”

In 1935 Egas Moniz, renowned Portuguese neurologist, visit psychiatrist Sobral Cid in order to persuade him allow his patients to be act as subjects for Moniz's experiemntal treatment - frontal leucotomy. After some resistance Cid agrees. The first such operation is staged, but Moniz's exhaltation is cut short by an attempt on his life. This self-contained chamber opera is actually scene 7 from a longer opera of the same name that tells three stories from the history of 20th century brain science (rather than a screenplay we worked with a libretto). it was filmed very quickly with little resources and involved professional and non-professional cast & crew. The music is by Stephen Brown. Directed by Chiara D’Anna

https://www.brainlandtheopera.co.uk/

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CIAO, BELLA, 8min., USA
Directed by William Quinn Dover
In this modern film noir romance, a young stalker can’t seem to get over his ex lover, until finding out the double meaning of "Ciao Bella".

https://www.instagram.com/reel/C4oPE1juDqh/?igsh=MXh4anVtMTFrMGM4dA%3D%3D

Get to know the filmmaker:
As much as it sucks to say, I caught somebody I was seeing on a date with another guy. I didn't take it in a bad way though. Seeing that just sparked the idea, I'm glad it happened. I was also watching "A Boy Meets Girl", a french noir movie that is absolutely stunning, and got directly inspired by that.

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HOME SWISS HOME, 72min., Switzerland
Directed by Geert Smets
Mike, a defiant New Yorker, is left by his girlfriend Julie, who argues that he doesn't have the necessary means to provide for the future family she so desperately wants. Determined to win her back, he sets out to secure his long-awaited promotion.

Interview with the producer/cinematographer Sandeep Abraham

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HEART WORN OUT & AGAINST THE WALL, 6min., Romania
Directed by Izabella Sandra Alda, Ovidiu Claudiu Moldovan
This short “Heart Worn Out & Against The Wall” is a short movie about loneliness and fear. Fear of losing a loved one, of being superficial, of being unlovable. About the struggles of filling a void that can never be filled and mannerisms used to cope with these feelings. About wanting affection but not being able to deal with human interactions. About feeling disconnected, but never allowing this to be seen, and thus, constantly having to deal with the inauthenticity.

https://www.facebook.com/midoristarsmidore
https://twitter.com/midoristars24
https://www.instagram.com/midoristars/

Get to know director/singer Izabella Sandra Alda:

Ren's music video for "Hi Ren" ahaha. When I saw his video, it really gave me the confidence to make a similar music video, as I already had a piano version of "Against The Wall" and the "Heart Worn Out" spoken word poetry. It was meant to be something really simple, a one-shot type of video filmed from different angles, but while working on the script, it naturally shifted into what it is now.

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9/10: Love Before the Fall, 58min., USA

Directed by Daron Hagen

The myths of Orpheus and Charon are interwoven with the entirely sung magical-realist story of four friends dining in an Italian bistro who are fated to perish the next morning in the attack on the Twin Towers. At meal’s end, through magical realism, the restaurant’s mysterious strolling violinist is revealed to be Charon, hand extended, awaiting payment. Complying, each reconciles with death, and departs to the sounds of the next morning’s busy signals and the calls of first responders.

https://www.9-10operafilm.art/

https://facebook.com/burningsled

https://instagram.com/910_operafilm

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THE SHEPHERD, 14min., USA
Directed by Arie Forma
Struggling with the news of his son’s interfaith engagement, a religious father seeks solace in his estranged brother.

https://www.arieforma.com/the-shepherd
https://www.instagram.com/rosecolored.pictures/

Get to know the filmmaker:

I was motivated to bring The Shepherd to life for a few reasons. The first is that the topic of interfaith marriages is very prevalent in my life. I was confused by the negative reactions to my sister dating a non-Jew. Upon further research, I saw that this issue extended beyond other religions and that there were stories where families could take these reactions a step too far (HINT HINT).”

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OUT OF THE DARK, 3min,. USA
Directed by Alexa Ruggiero, Ashley Carrizo
A screendance film that portrays how certain relationships in ones life can cause turmoil. The process of letting someone go can be freeing while also being an emotional rollercoaster full of sadness, anger, and relief.

Get to know the filmmakers:

Alexa: To tell a story people can relate and connect to. I’ve always been passionate about dance so l loved using movement verse a script to tell that story.

Ashley: I had always wanted to create my own work on film but didn’t know how or where to start. I was associate choreographer last year on another artist’s project. That experience gave me the inspiration to want to create my own work with cameras and sets verse just creating choreography for stage.

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SYNTHETIC HOPE, 16min., USA
Directed by Chris Hinton
Faced with certain death a young girl unleashes a mysterious AI to help her escape.

https://www.instagram.com/synthetic_hope

Get to know the filmmaker:

Listening to the first 30 seconds of Gravastar by Hybrid when I was sick. It sounds like what a robot would hear when it’s booting up. I thought to myself what scenario could I create to have this in live action. So I wrote a story that created this situation. Unfortunately I couldn’t get Hybrid to let me use the song. I was close though, they were talking to me about it. Also I want to say, recent advances in AI motivated this story as well, there are a lot of unknowns as to how this emerging technology will be used.

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Low Down Larry Versus the Giant Reptile, 7min., USA
Directed by Sammy Verni
In their latest adventure together, Larry and Spike set out in a time machine to be the first to bring a living dinosaur back with them to present day. They’ve already been to the Moon and back, but this time have they gone too far?

Get to know the filmmaker:

Low Down Larry Versus the Giant Reptile is the second in a series of shorts that I have made based on a comic book character I used to draw when I was about ten years old. I see it as a love letter to that time in my life as well as an homage to sci fi b movies, classic stop motion and the Saturday morning cartoons that I grew up with.

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CLAIRE, 25min., USA
Directed by Paul Ambe Ngang
Committed to getting his crush to love him, Mark uses an AI to snoop into her private life; but when the AI unexpectedly develops love for him and spite for her, he must choose the AI or lose everything.

https://www.instagram.com/claireshortfilm/

Get to know the filmmaker:

I started to write this when it started to be a hot topic in 2023. Soon after the writers strike happened so I felt like it was now or never to get the story going.

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Watch the Screenplay Reading: https://www.youtube.com/watch?v=AG9Sloz1fUg

A woman who ran away from her past discovers that you can’t, as it catches up to her and drops off a 5 year old on her doorstep which forces her to grow up, face her past and move forward more honestly.

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MELIORA, 20min,. Estonia
Directed by Kristin Hildebrand
Emma is a perfectionistic painter with a rich husband and great style. But it soon becomes clear that her perfect life is merely an illusion. Emma is forced to navigate self-doubt, jealousy and to face the darkest parts of herself. Her repressed emotions come to life in the form of a Monster, who shows no mercy to those who have wronged her. In the end, Emma must choose between staying in her gilded cage or facing the Monster.

https://www.imdb.com/title/tt32384134/

Get to know the filmmaker:

This film began as something completely personal, a result of spiraling mental health and feeling unable to express myself artistically. I was trying to capture a certain emotion and then built a plot and message around it. As the themes became more clear I became more motivated to see the project through; when I discussed the idea with people, especially other women, I realized that I wasn’t alone in many of the things I felt. I met with several female painters to learn more about the struggles they’ve faced in their careers and it was uncanny how similar their stories were to what I had written, down to a similarly abusive relationship. It made me feel like I was on the right track, that it wasn’t just a selfish ego project but something that could resonate with audiences and make people feel heard.

I researched a lot about emotional abuse and the effects it has on victims. The common denominator is that they get isolated, cut off from loved ones and dependent on their abuser, in Emma’s case both emotionally and financially. When your self-worth becomes so tied to another person’s opinion of you, the smallest look or word can cut deep and drive you insane, yet leaving the relationship feels impossible. I think there is a certain power in art and especially film language to communicate things that we might not otherwise be able to put into words. We worked hard with my cinematographer Luisa

Valgiste and sound designer Venla Rummukainen to put viewers in Emma’s headspace.

20 minutes is a very short time to dive deep into something but I hope that if nothing else we managed to capture that feeling of being trapped.

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P IS FOR PENIS, 9min., UK
Directed by Joe McGowan
An overdue catch up down the pub between two old friends is thrown into chaos by the inclusion of a terrifying third wheel with an embarrassing secret.

http://www.thejoemcgowan.co.uk/
https://instagram.com/joe_mcgowan88

Get to know the filmmaker:

I wanted to make a film that focused on an escalating absurd premise. I love a good sitcom that is led by strong, memorable characters who find themselves in a bit of a pickle. It’s Always Sunny in Philadelphia is by far my favourite show for this. The way the characters talk and treat each other always cracks me up and the levels of escalating circumstances in that show are second to none. I approached this film like I was writing a scene from a sitcom, as ultimately that’s what I would love to do in the future.

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