Telling stories through film and conversation.
WSPodcast New Logo.png

WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

Posts tagged female directed film
EP. 1490: Filmmaker Michelle Künzler (Sequoia)

Sequoia, 15min., Switzerland
Directed by Michelle Künzler
Sequoia, a diligent AI maid, works for the captivating yet mysterious Mrs. Terrance. Although not designed to harbor any emotions, Sequoia starts developing sentience, when a certain sound triggers a feeling inside her that feels oddly familiar – and human. Forced to conceal her newfound emotions to evade shutdown, Sequoia embarks on a dangerous quest for truth, tearing at the seams of her own identity and re-evaluating the intricate power dynamics that govern her place within the household.

http://sequoia-shortfilm.com/
https://www.instagram.com/sequoia_shortfilm/

Get to know the filmmaker:

What motivated you to make this film?
I started writing ‘Sequoia,’ when AI tools like ChatGPT were rapidly gaining traction and the Hollywood strikes were unfolding, motivating me to explore the ethical implications and potential dangers of AI. The film was also deeply inspired by my personal experience. Growing up in a traditional household with a stay-at-home mom, I didn’t initially grasp the value and scope of unpaid domestic labor until I got older. As a feminist filmmaker, I wanted to pay tribute to housewives like my mother and shed light on that often overlooked, gendered work while connecting it to the theme of AI. I was particularly interested in the way modern technology intersects with gender roles—given that today’s AI assistants like Siri, Alexa, and Ameca are still predominantly female in name, voice, and/or appearance.

From the idea to the finished product, how long did it take for you to make this film?
It took 20 months. The idea for ‘Sequoia’ first came to me in April 2023, and I completed the film in November 2024.

How would you describe your film in two words!?
Feminist dystopia

What was the biggest obstacle you faced in completing this film?
There were quite a few challenges throughout the entire project—from budget and time constraints to assembling the right crew. However, the biggest hurdle came during production as we fell behind schedule due to constant noise disruptions during exterior filming and a stunt scene that look longer to shoot than expected, resulting in an unplanned pick-up shoot. With some key crew members no longer available for the reshoot, it was difficult to find replacements and maintain continuity. Still, I’m proud to have persevered and overcome this obstacle. I’ve certainly learned and grown a lot from this experience.

What were your initial reactions when watching the audience talking about your film in the feedback video?
Hearing the audience talk about my film, when it’s usually the other way around, felt like a rare and special moment. It was incredibly rewarding and refreshing to just listen to their honest feedback and kind words, and it was especially satisfying to learn that the twist at the end genuinely surprised them.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1466: Filmmaker Parker Fenady (I DIDN’T LIKE YOU)

I DIDN’T LIKE YOU, 12min., USA
Directed by Parker Fenady
As Emilia and Maxine spy on their best friend’s first date, they come to realize the chemistry might not be between the couple they anticipated.

https://www.instagram.com/parkerfenady/

Get to know the filmmaker:

What motivated you to make this film?

For me, this story was always the one. It’s my opener—my “Hey, this is me. This is what I’m about” piece. Coming of age can feel electric, like you’re catching lightning in a bottle as you live it. This is a first love story—a rush in every sense of the word. More than that, it’s about all the little moments that once made you feel out of place, suddenly dissolving in an instant. It’s about the euphoria of finally feeling at home in your own skin, independent of anyone else’s opinions. That was this story for me.

At the same time, I was drawn to how naturally this story fit into the short film medium. That feeling of transience—of being thrown right into something before you’ve had time to make sense of it—mirrors the experience of coming of age itself. It rarely has a clear start or finish, and it’s almost never a clean break. The short form captures that immediacy, that fleeting intensity. And beyond that, it’s a fun movie. Bringing a little slice of fun into the world felt like a nobe idea.

What were your initial reactions when watching the audience talking about your film in the feedback video?

To be honest—it was completely surreal. We’re just starting to show the film to audiences beyond those directly involved, so seeing how it’s landing is incredible.

Watching people engage with the film in such an intimate way was so special. I never fully imagined this part of the process, so I’m just trying to stay present and take it as it comes.

When watching the audience feedback, I kept thinking: yes, girl, she gets it. She’s eating in her textual analysis. Seeing the audience pick up on the subtlety and layers beneath the surface was incredibly rewarding. It made me realize the impact of every small choice, bringing me right back to the edit. It’s a testament to all the unseen, often tedious collaborative work that went into it—work that wouldn’t have been possible without Luke, Cooper, and Alexis, who were with me every step of the way.

Working with Alexis, Katelyn, Yasmeen, and Nate was truly a masterclass for me as a director. They’re all so brilliant, talented, and dedicated. They are the heart of this project, each in their own way, and I’m just so excited to be able to honor and showcase their work. This is a performance-driven piece, and seeing them get their flowers makes me feel incredibly proud.


Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1128 - Director/Actor Emily Aleece Burton (ALL WE WERE)

ALL WE WERE, 20min., USA
Directed by Emily Aleece Burton
Olivia, a struggling artist and hopeless romantic, is blindsided when her successful boyfriend, Nico, suddenly dumps her. The two then reflect on all their relationship from two perspectives. For her, he’s a broken distraction she can fix; for him, she’s a beautiful mystery just out of reach. What happens when you fall in love with the idea of someone you’ve created in your head instead of who they actually are? Can you honestly say you knew all we were?

https://www.instagram.com/allwewerefilm/

Get to know the filmmaker:
I chose to write and direct this short film, ‘All We Were,’ after getting out of a toxic relationship of my own. I fell in love with a man who allowed me to feel safe and vulnerable for the first time only for him to then use that against me when I expressed how insignificant I felt to him. After months of therapy, I wanted to create something beautiful not only to take back my voice that I felt that he had dismissed but to explore both sides of the relationship to see where along the way we got lost in translation. People tend to fall in love with the idea of someone instead of who they are. The same goes for my lead characters, Olivia and Nico. In the end, Nico uses radical honesty to try and deflect any blame for the outcome of the relationship. At the same time, Olivia refuses to believe him as she has hung on to any breadcrumbs of love he’s ever given her as proof to herself that he does care. Neither one ever sees the other for who they actually were.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

June 10, 2023 - Filmmaker Alexis Janae (BOIZ KLUB)

BOIZ KLUB, 10min,. USA, Satrical Comedy
Directed by Alexis Janae
This satirical comedy follows four powerful white men—Hollywood executives—on their way to the annual Movie Awards in a limousine. They irreverently discuss the current political landscape of the film industry as they partake of fine champahn-ya, and substances more illicit. There’s only one thing… They are portrayed by four young women of mixed ethnicities. Conventions are discarded and tables are turned during this peculiar voyage through the streets of Tinseltown to the film industry’s most glamorous event.

http://haydenlcroft.com/

Get to know the filmmaker:

I enjoyed being able to speak from the female perspective on how men in the industry are perceived . Hayden is our writer and had been working on the script for some time prior but we filmed it in 2 days and editing took a couple months.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

March 23, 2023 - Producer/Actor Kristina Miller-Weston & Director Michele Ly (TO SAY GOODBYE IS TO DIE A LITTLE)

TO SAY GOODBYE IS TO DIE A LITTLE, 15min., USA, Drama
Directed by Michele Ly
To Say Goodbye… follows a late night ride share where their journey is the same but their destinations are very different.

https://www.kristinamillerweston.com/koolbnz-productions
https://instagram.com/koolbnzprod

Get to know Kristina Miller-Weston
This film came about in an odd way. My husband, Stephen Weston the writer, read a Reddit thread that inspired this idea. Who would you confide in if you weren’t willing to tell your friends and family that you were dying? What does that conversation look like? He stepped away for a couple hours one night and came back with this script and said “that’s finally out of my head”. I fell in love with it and knew it needed to be made. It was an important story to be told.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

Subscribe to the podcast via Twitter, Instagram, and Facebook

November 25, 2022 - Filmmaker Suzanne Marie Moreau (BLOOD BUDDIES)

BLOOD BUDDIES, 12min., Canada, Drama
Directed by Suzanne Marie Moreau
A friend in need is a friend indeed – or are they? Two best childhood friends go to their first summer camp together – and it tears them apart.

From the filmmaker:

I felt motivated to tell the female experience of puberty including that momentous occasion, a first period, since it seemed to be missing from the screen. I looked into ‘first period’ stories and discovered an online trend was shaping up among today’s generation. It made sense emotionally and theoretically to try to capture the experience and how it coincided with friendships in a sensitive, vulnerable way with a mature perspective that drew from my own remembered feelings.


Playing on the Film Festival Streaming service later this month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

Subscribe to the podcast via Twitter, Instagram, and Facebook

August 29, 2022 - Filmmaker Petrina Gheorghiu (JUST SMILE, YOU’RE FINE)

Set in a parallel society where people take 'Just Smile Tabs' multiple times a day, a young girl struggles to superficially suppress her negative emotions. A commentary on society's strive for perfection and the masking of mental health issues.


Project Links

Director Statement

For this project, I was tasked with creating a film that would be submitted to the annual student film festival at my school. From conception, I had the goal of creating a serious film that tackled a serious global issue. This film came about during a very agitated and pressuring time of my life, and after many failed attempts of finding the right story idea, it only seemed authentic that I portrayed the mental health struggle of anxiety and stress. With today’s competitive nature and expectations imposed by oneself or others, being stressed out has become so normalized that it’s almost looked down upon to be vocal about it. I just felt like this thread would resonate with a lot of people, the same way it resonated with me. From there I conceptualized the idea of being forced to mask negative emotions with the magical realism element of the ‘happiness pills’ that superficially made people content. And from there the world with the motto “Just Smile, You’re Fine” unfolded.

Film playing on the Film Festival Streaming service later this month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

Subscribe to the podcast via Twitter, Instagram, and Facebook

July 30, 2022 - Filmmaker A.D. Cooper (PUT AWAY)

PUT AWAY was the winner of BEST PERFORMANCES at the June 2022 FEMALE Film Festival.

Project Links

Director Biography - A. D. Cooper

From a copywriting background, A. D. has written and directed a string of short films and longer theatre productions. Many of her films have been screened at international film festivals and won a number of awards. More info at https://hurcheonfilms.com

Director Statement

During the lockdown, I wondered how the isolation I felt could be worse. This is a proof of concept for a feature project set in the same location.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

Subscribe to the podcast via Twitter, Instagram, and Facebook

July 27, 2022 - Filmmaker Ally May (THE LAST PICTURE)

THE LAST PICTURE was the winner of BEST DIRECTION at the June 2022 FEMALE Film Festival.

Ally May attended the UCLA Writing Program, the Academy of Film Writing, SF Film School, the Directing Actors Workshops and Sundance Directing Actors Programs. Ally has written 7 award-winning screenplays. She has been an Athena Finalist, Austin finalist, ScreenCraft Finalist, Page Finalist, Final Draft Finalist and more. Ally has directed 6 short films which have placed in festivals including - NOLA, Napa Film Festival, Sonoma Film Festival, Oregon Film Festival, Toronto Independent Film Festival, Los Angeles Independent Film Fest and more.

Watch the Festival Today. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

Subscribe to the podcast via Twitter, Instagram, and Facebook

July 4, 2022 - Filmmaker Elena S. Shelton (REMEMBER BEGINNING)

REMEMBER BEGINNING was the winner of BEST DIRECTION at the May 2022 WILDsound Film Festival.

“A fleeting glance into one man's journey from childhood into mature years with an object, a yellow tape, as a symbolic witness, which takes on a more mystical presence as the time goes on.”

Conversation with new filmmaker Elena S. Shelton on her amazing journey making this film.

Watch film tonight! You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

Subscribe to the podcast via Twitter, Instagram, and Facebook

June 21, 2022 - Filmmaker Katarina Krstic (THE LARK)

THE LARK was the winner of BEST LONG FORM SHORT FILM at the May 2022 FEMALE Feedback Film Festival.

“Iva (19) moves from her cosy home to a bustling Belgrade, where she finds her apartment in ruins. The first thing she sees after arriving is her childhood crush Vuk. That encounter gives her a painful headache and invokes blurry memories of repressed childhood trauma. Left to herself, the first time without her mother's support, she starts testing the boundaries of freedom. Met with new challenges, she must accept newly found aspects of womanhood, and her past, so she can move on to a new life.”

Go to the WILDsound TV app. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.


Subscribe to the podcast via Twitter, Instagram, and Facebook

June 18, 2022 - Filmmaker Josefine Ezinga van Asdonk (THE WORLD TO MY DAUGHTER)

THE WORLD TO MY DAUGHTER played to rave reviews at the May 2022 Toronto FEMALE Feedback Film Festival.

Project Links

“A fictional short film in which we see everyday moments of a father and a daughter and how life goes during the lockdown. The wishes and dreams of hundreds of women have been symbolically processed in the vision of the future.”

Film played on the WILDsound TV app next month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.


Subscribe to the podcast via Twitter, Instagram, and Facebook

May 20, 2022 - Filmmaker Jana Devino (NO HEARTBEAT)

NO HEARTBEAT was the winner of BEST PERFORMANCES at the April 2022 Female Film Festival.

Project Links

“In a near-future Roe Vs. Wade has been overturned nationwide, banning abortion under any circumstance. 15 year old Nola discovers she’s pregnant and must try to find a way to safely choose what she knows is best for her future, despite her family’s strong conservative beliefs.”

Conversation with filmmaker Jana Devino on the making of the film and the important subject matter.

Film also showing on the WILDsound TV app next month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.


Subscribe to the podcast via Twitter, Instagram, and Facebook

May 1, 2022 - Filmmaker John Klein, Kate Black-Spence (STATIC SPACE)

STATIC SPACE was the winner of BEST SOUND & MUSIC at the April 2022 Female Film Festival.


Project Links

“Jamie is a young woman living in rural Indiana struggling to figure out her place and identity. When she inadvertently stumbles across a frequency on her ham radio and makes contact with astronaut Noa currently orbiting Earth, the two women are presented with the opportunity to find meaningful connection, even while worlds apart.”

Conversation with writer/star/co—director Kate Black-Spence & co-director John Klein on the making of the film.

Film also showing on the WILDsound TV app. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.


Subscribe to the podcast via Twitter, Instagram, and Facebook

April 11, 2022 - Filmmaker Evgenia Тaneva (I WIN)

I WIN played to rave reviews at the March 2022 FEMALE Feedback Film Festival.

“Who will win the fight of imagination?”

Conversation with Filmmaker Evgenia Taneva on the making of the film.

Evgenia also has another film, 10 SECONDS, playing on the WILDsound TV APP. You can watch it here: https://www.wildsound.ca/videos/10-seconds

Film also showing on the WILDsound TV app next month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.


Subscribe to the podcast via Twitter, Instagram, and Facebook

April 9, 2022 - Filmmaker Cristina Pippa (UNMANNED)

UNMANNED was the winner of BEST DIRECTION at the March 2022 Female Feedback Film Festival.


”An active-duty drone operator struggles with her decision to re-enlist in the Air Force when she receives life-changing news and a danger close mission reveals the true cost of saving lives.”

http://www.cristinapippa.com/

https://www.twitter.com/Unmanned2022

Conversation with filmmaker Cristina Pippa on the making of the film.

Film also showing on the WILDsound TV app next month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.


Subscribe to the podcast via Twitter, Instagram, and Facebook

March 31st - Producer Samantha Schroeder (Roe v. Wade: A Legal History)

“Roe v. Wade: A Legal History” was the winner of Best Documentary Short at the 2022 Female Film Festival.

“As one of the most consequential decisions in the history of the Supreme Court, Roe v. Wade articulated the right to abortion as a fundamental right. But where did this landmark case originate? In this documentary short, six law professors discuss how and why Roe v. Wade made it to the Supreme Court.”

Conversation with producer Samantha Schroeder on the process making the film and her way of getting the best out of her interview subjects.

Film also playing at the WILDsound TV app next month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.


Subscribe to the podcast via Twitter, Instagram, and Facebook

February 3, 2022 - Filmmaker/Animator Tanisha Petherbridge (De Yojoa, Con Amor)

“De Yojoa, Con Amor” played to rave reviews at the Female Film Festival. Also playing at the WILDsound TV app next month. You can watch for free and sign up at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform.

De Yojoa, Con Amor" (From Yojoa, with Love), created by Tanisha Petherbridge, is a personal exploration of Honduran American identity by cooking chicken soup. Accompanied by her mother’s memories of her home near Lake Yojoa in Honduras, she illustrates the traditional Honduran experience of learning by watching the cooking process.

Conversation with animator Tanisha Petherbridge on the making of the film.

Subscribe to the podcast via Twitter, Instagram, and Facebook

February 3, 2022 - Filmmaker Tony K. Hall (LONESOME)

Matthew Toffolo


January 12, 2022 - Filmmaker Malu Solís (CARLOTA)

CARLOTA played to rave reviews at the Female Filmmakers Festival in December 2021. There is a 2nd screening on the WILDsound streaming service on February 1st. You can watch for free and sign up at www.wildsound.ca (available on your streaming services and APPS).

Conversation with talented Mexican filmmaker Malu Solis on the making of this truly original short film and the process making it.

https://www.facebook.com/carlotashortfilm

Subscribe to the podcast via Twitter, Instagram, and Facebook

January 1, 2022 - Filmmaker Mimi Chakarova (THE MIRROR)

THE MIRROR is an animation/documentary short film made by “Still I Rise Films” www.stillirisefilms.org/ , an organization that produces a series of short films, directed and produced by women, shatters stereotypes and honors those striving for dignity and justice.

Conversation with filmmaker Mimi Chakarova on the creative process making this very important short film.

"The Mirror" is a short animated film that weaves the personal stories, experiences and reflections of nine Black women talking about their interactions with white people.

Subscribe to the podcast via Twitter, Instagram, and Facebook