Watch the Best Scene Reading: https://www.youtube.com/watch?v=ew4yxfT2YUA

Fiona Haegerbergh, a journalist for The Metro Standard, arrives in a rural Norwegian town to investigate rising drug use. Officially, she’s there to produce a webcast— but Fiona has her own agenda: uncovering the truth behind the recent suspicious death of a local drug dealer. Fiona’s editor urges her to stay on task, as much is riding on the Metro Standard’s survival—now largely dependent on the recent success of its popular web series.

Get to know the writer:

What is your screenplay about?

My screenplay is about a journalist Fiona Haegerbergh, who travels to a remote Norwegian town to cover rising drug use for her paper’s popular web series, but she’s secretly investigating the suspicious death of a local dealer. She’s met with hostility from townsfolk and a wary sheriff, but she gradually earns his reluctant trust as she digs into the community’s hidden drug network. Her search leads to Jenny, a young mine worker with ties to Fiona’s brother, who may have inherited the operation. When Jenny is suddenly found drowned, Fiona’s investigation takes a darker turn and she is faced with a devastating choice: expose what she’s uncovered and risk her own secret being revealed—or stay silent and let the town’s shadows close in.

What genres does your screenplay fall under?

Thriller, Mystery

Why should this screenplay be made into a movie?

Because it has a good mystery, loveable characters and an unexpected twist.

How would you describe this script in two words?

Powerful forces

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The true story of a small-town girl, born with physical limitations, abandoned as a baby, bravely builds her life and creates a love story that crosses continents through the romance of letter writing. An empowering and cinematic story of love and resilience.

https://www.greytowngirlthemovie.com/

Conversation with screenwriter and producer Rani Sitaram on the making of the film.

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Sequoia, 15min., Switzerland
Directed by Michelle Künzler
Sequoia, a diligent AI maid, works for the captivating yet mysterious Mrs. Terrance. Although not designed to harbor any emotions, Sequoia starts developing sentience, when a certain sound triggers a feeling inside her that feels oddly familiar – and human. Forced to conceal her newfound emotions to evade shutdown, Sequoia embarks on a dangerous quest for truth, tearing at the seams of her own identity and re-evaluating the intricate power dynamics that govern her place within the household.

http://sequoia-shortfilm.com/
https://www.instagram.com/sequoia_shortfilm/

Get to know the filmmaker:

What motivated you to make this film?
I started writing ‘Sequoia,’ when AI tools like ChatGPT were rapidly gaining traction and the Hollywood strikes were unfolding, motivating me to explore the ethical implications and potential dangers of AI. The film was also deeply inspired by my personal experience. Growing up in a traditional household with a stay-at-home mom, I didn’t initially grasp the value and scope of unpaid domestic labor until I got older. As a feminist filmmaker, I wanted to pay tribute to housewives like my mother and shed light on that often overlooked, gendered work while connecting it to the theme of AI. I was particularly interested in the way modern technology intersects with gender roles—given that today’s AI assistants like Siri, Alexa, and Ameca are still predominantly female in name, voice, and/or appearance.

From the idea to the finished product, how long did it take for you to make this film?
It took 20 months. The idea for ‘Sequoia’ first came to me in April 2023, and I completed the film in November 2024.

How would you describe your film in two words!?
Feminist dystopia

What was the biggest obstacle you faced in completing this film?
There were quite a few challenges throughout the entire project—from budget and time constraints to assembling the right crew. However, the biggest hurdle came during production as we fell behind schedule due to constant noise disruptions during exterior filming and a stunt scene that look longer to shoot than expected, resulting in an unplanned pick-up shoot. With some key crew members no longer available for the reshoot, it was difficult to find replacements and maintain continuity. Still, I’m proud to have persevered and overcome this obstacle. I’ve certainly learned and grown a lot from this experience.

What were your initial reactions when watching the audience talking about your film in the feedback video?
Hearing the audience talk about my film, when it’s usually the other way around, felt like a rare and special moment. It was incredibly rewarding and refreshing to just listen to their honest feedback and kind words, and it was especially satisfying to learn that the twist at the end genuinely surprised them.

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ALL WE WERE, 20min., USA
Directed by Emily Aleece Burton
Olivia, a struggling artist and hopeless romantic, is blindsided when her successful boyfriend, Nico, suddenly dumps her. The two then reflect on all their relationship from two perspectives. For her, he’s a broken distraction she can fix; for him, she’s a beautiful mystery just out of reach. What happens when you fall in love with the idea of someone you’ve created in your head instead of who they actually are? Can you honestly say you knew all we were?

https://www.instagram.com/allwewerefilm/

Get to know the filmmaker:
I chose to write and direct this short film, ‘All We Were,’ after getting out of a toxic relationship of my own. I fell in love with a man who allowed me to feel safe and vulnerable for the first time only for him to then use that against me when I expressed how insignificant I felt to him. After months of therapy, I wanted to create something beautiful not only to take back my voice that I felt that he had dismissed but to explore both sides of the relationship to see where along the way we got lost in translation. People tend to fall in love with the idea of someone instead of who they are. The same goes for my lead characters, Olivia and Nico. In the end, Nico uses radical honesty to try and deflect any blame for the outcome of the relationship. At the same time, Olivia refuses to believe him as she has hung on to any breadcrumbs of love he’s ever given her as proof to herself that he does care. Neither one ever sees the other for who they actually were.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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A CHANCE, 16min., USA
Directed by Jillie Simon, Ange Arabatzis
When Mia and Caroline reunite in a city park, they soon find out that the past is not always quite past. Conflicts are resurrected, sparks fly – and then things get complicated.

http://www.facebook.com/AChance
https://instagram.com/jilliesimon

Get to know Jillie Simon:

JILLIE: I’d been cast in the play version, “Be Still”, which takes place all on a park bench, and thought it was a very compelling situation with a powerful relationship between the two lead characters and clever dialogue – and I suggested to the playwright, Ange Arabatzsis that it could make a really interesting short film if we had flashbacks showing what brought them to this place – and got them off the park bench! The fact that it was a story about a lesbian couple gave me more motivation to make it, because fewer stories are told for the LGBTQ audience, and all groups that are more marginalized should have the opportunity to see themselves up on screen.

ANGE writes: He’d “originally envisioned “Be Still” as a man-woman piece. Then a seemingly unrelated conversation with a dear friend awakened in him the realization that love, true love is a meeting of the hearts. What followed was a reading at the Writers and Actors Group in NYC, where ( he) had the idea- based purely on chemistry to cast the wonderful Jillie Simon and Karen Irwin. The room held it’s breath during the entire read and he knew then, that he was onto something.”

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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SANKOFA CHICAGO: THE UNTOLD, 102 minutes, USA
Directed by Vanessa Wright
Sankofa Chicago: The Untold is a powerful documentary that is the second part of a three-part series exposing the inadequacies of American History curriculums in Chicago Public Schools, a problem across the US. It highlights the overlooked contributions of Black and Brown people in American history. It explores methods of enhancing the current History and Social Science curriculum and alternative avenues for incorporating this vital history into other academic disciplines. The film stresses the significance of accurate representation and continuous learning, inspiring viewers to question conventional narratives and seek a more comprehensive understanding of American history.

http://www.sankofachicago.com/

Get to know the filmmaker:

The motivation behind creating “Sankofa Chicago: The Untold” stems from a twofold source of inspiration. Firstly, the positive feedback received from the previous installment in the series, “Sankofa Chicago,” encouraged the pursuit of this sequel, affirming its potential to resonate with and educate a broad audience. Secondly, I was motivated to create “Sankofa Chicago: The Untold” because my two kids are currently studying social science and history in the Chicago Public School system. I felt a strong need to investigate what they were learning and explore various ways in which they could be exposed to their history, mainly black history and the histories of other ethnic groups.

My motivation stems from a personal passion for uncovering untold histories. Throughout my life, I’ve been intrigued by the idea of delving into the hidden narratives of our past. Sharing these stories can enrich my children’s education and contribute to a more inclusive and comprehensive learning experience for everyone. As a parent, I’m acutely aware that we don’t always have complete insight into what our kids are learning, which further fueled my desire to provide a glimpse into their education, shed light on why it matters, and explore alternatives for teaching history.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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MANUFACTURING THE THREAT, 82min., Canada
Directed by Amy Miller
For the first time ever, a feature-length documentary is examining the issue of agent provocateurs and entrapment in Canada’s national security apparatus. Manufacturing the Threat is a thrilling and emotional film, which examines a deeply disturbing episode in Canadian history, when an impoverished couple was coerced by undercover law enforcement agents into carrying out a terrorist bombing. Further, viewers learn that this case is far from unique in the context of Canadian intelligence.

Get to know the filmmaker:

It’s an extremely important topic that has not been covered in a feature documentary to date so I felt a sense of responsibility to ensure there was at least one film that took on the subjects.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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ANGEL NEGRO, 8min,. USA, Drama
Directed by Eduardo Zamora
In “Angel Negro,” Eduardo Zamora plays a skilled hitman who specializes in taking out troublesome husbands at the request of their wives. Based in Los Angeles, California, Angel is a highly sought-after assassin who operates in the shadows and has built a reputation for his discretion and efficiency.

https://instagram.com/silkroadstudiosmia

Get to know the filmmaker:

A: I wrote this film in a my LA flat where I was catching vibe one night and I played the butterfly song by crazy town and I wrote the short in about 45 mins , Then I made a shot list and I told myself “if I came up with this this fast and down all this in one night I must shoot it” and I did. I wanted to tell a story using my surroundings as a backdrop.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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Watch the Screenplay Reading: https://www.youtube.com/watch?v=4G_fvjDyr-Y

A down-on-his-luck gay man looks back on his former relationship with the love of his life… which just so happened to coincide with the Martian invasion of Earth.

CAST LIST:

Narrator: Kyana Teresa
Topher: Sean Devlin
Nate: Allan Michael

Get to know the writer:
Topher & Nate & The Invaders from Mars tells the story of Nate, a gay delivery driver looking back on his relationship with Topher, the love of his life, which coincided with the Martian invasion of Earth.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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AND THE COMMUNITY WILL RISE, 63min., USA, Documentary
Directed by Lenora Lee

http://www.lenoraleedance.com/
https://www.facebook.com/LenoraLeeDance
https://www.twitter.com/LenoraLeeDance
https://www.instagram.com/LenoraLeeDance

Get to know the filmmaker:

Lenora Lee Dance, Asian Improv aRts, and Chinatown Community Development Center had been working on a collaborative project featuring CCDC’s residents already in 2018. Given the impactful results, we wanted to further this working relationship, and decided to embark on this new project “And the Community Will Rise”.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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HEY ALEXA, 10min., USA, Fantasy
Written by Produced by Xochi Blymyer
Alexa is helpful, she’s funny, she’s kind, she’s a friend, who is she? A day in her life…with us.

http://gottagrinpictures.com/
https://www.twitter.com/xochib
https://www.instagram.com/Xochib

Get to know the writer/producer:

I had always been curious when Alexa and all the other AI helpers were created – what would she look like and how does she actually get all this information. From the first time we all discovered she would tell you where to bury the dead body (that changed later!) to telling us good night like a friend.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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TO SAY GOODBYE IS TO DIE A LITTLE, 15min., USA, Drama
Directed by Michele Ly
To Say Goodbye… follows a late night ride share where their journey is the same but their destinations are very different.

https://www.kristinamillerweston.com/koolbnz-productions
https://instagram.com/koolbnzprod

Get to know Kristina Miller-Weston
This film came about in an odd way. My husband, Stephen Weston the writer, read a Reddit thread that inspired this idea. Who would you confide in if you weren’t willing to tell your friends and family that you were dying? What does that conversation look like? He stepped away for a couple hours one night and came back with this script and said “that’s finally out of my head”. I fell in love with it and knew it needed to be made. It was an important story to be told.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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ANATEVKA, 4min., USA, Family
Directed by Danielle Durchslag
A group of school children perform a darkly comedic version of the song Anatevka, from Fiddler on the Roof, for their parents, with new lyrics exploring the modern tribulations of Jewish communal anxiety.

https://www.danielledurchslag.com/

https://www.instagram.com/ddurch/

Get to know the filmmaker:

Years ago, I attended a Fiddler on the Roof themed birthday party for a girlfriend’s daughter. Alongside the other adults, I watched a group of young Jewish ladies in pink ballet outfits, singing and dancing all the big hits from the show. One song they did not perform, I noticed, was my personal favorite from the musical, a sorrowful, sarcastic number sung by the ensemble about being forced to flee their beloved, poor, small village, Anatevka, due to the violent antisemitism perpetrated on them by their Christian neighbors. It’s a heavy, sardonic, shrug of a song. Not the tone we typically associate with children’s birthday parties.

Yet Anatevka’s exclusion haunted me, as did the party in general. Why, I kept wondering, with so many powerful examples of Jewish art, does this one story stubbornly persevere, especially in America? My people have not lived in shtetls for a very long time, thankfully, and though hatred of our community certainly and terrifyingly continues, the story of American Jewish life is largely one of safety and success. Yet this tale, of our poverty and victimhood, of being fundamentally unsafe, remains at the center of how we see ourselves and invite others to see us.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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THE THIRD, 4min., USA, Comedy
Directed by Jonathan Kehoe
Making friends is hard.

From Danny Abrahms:

I wanted to make something fun with my actor friends that we could all add to our reels. I wrote it in January, we filmed it in May, and had a final cut by September. There was plenty of downtime in between, but from start to finish was about eight months. We ran into some technical issues in post that were very annoying and slowed the process down. We probably would’ve finished it a month or two sooner otherwise.

Interview conducted by Matthew Toffolo

Playing on the Film Festival Streaming service today! You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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BLOOD BUDDIES, 12min., Canada, Drama
Directed by Suzanne Marie Moreau
A friend in need is a friend indeed – or are they? Two best childhood friends go to their first summer camp together – and it tears them apart.

From the filmmaker:

I felt motivated to tell the female experience of puberty including that momentous occasion, a first period, since it seemed to be missing from the screen. I looked into ‘first period’ stories and discovered an online trend was shaping up among today’s generation. It made sense emotionally and theoretically to try to capture the experience and how it coincided with friendships in a sensitive, vulnerable way with a mature perspective that drew from my own remembered feelings.

Playing on the Film Festival Streaming service later this month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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Anjela Pencheva has suffered from Cerebral Palsy since birth, but the difficult diagnosis has never broken her spirit and has turned her into a writer, an actress and a dancer. Through her work and with her computer generated voice, she participates in various initiatives for the rights of the people with disabilities and inspires everyone who has met her.

Director Statement

Anjela's story has haunted me for 13 years, even before I started making films. Life encountered me with it again and again, in different situations, until the time to tell it came. Or not, time she tells it through me came. Her need to communicate with the world has led her to art, where, although snuggled down in a wheelchair, she flies. It was this freedom of spirit that I wanted to recreate with animation - brave, vivid, light as a feather Anjela. The incredible animation artist Dimitar Dimitrov-Animiter magnificently captured that. And so, in 16 minutes Anjela can do everything she has always dreamed of, and we can only benefit from her strength.

Playing on the Film Festival Streaming service later this month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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Set in a parallel society where people take 'Just Smile Tabs' multiple times a day, a young girl struggles to superficially suppress her negative emotions. A commentary on society's strive for perfection and the masking of mental health issues.

Project Links

• Website

• Facebook

• Twitter

• Instagram

Director Statement

For this project, I was tasked with creating a film that would be submitted to the annual student film festival at my school. From conception, I had the goal of creating a serious film that tackled a serious global issue. This film came about during a very agitated and pressuring time of my life, and after many failed attempts of finding the right story idea, it only seemed authentic that I portrayed the mental health struggle of anxiety and stress. With today’s competitive nature and expectations imposed by oneself or others, being stressed out has become so normalized that it’s almost looked down upon to be vocal about it. I just felt like this thread would resonate with a lot of people, the same way it resonated with me. From there I conceptualized the idea of being forced to mask negative emotions with the magical realism element of the ‘happiness pills’ that superficially made people content. And from there the world with the motto “Just Smile, You’re Fine” unfolded.

Film playing on the Film Festival Streaming service later this month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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Two couples in the same family face a new pregnancy, one for the first time, the other with a sorrowful past. After a miscarriage, the family dynamics change and they must learn to deal with tragedy in a whole new way.

Blog interview: https://matthewtoffolo.com/2022/08/07/interview-with-filmmaker-rachel-jacob-four-on-the-mantle/

Director Statement

I was driven to make this piece because I had the honor and privilege of walking closely alongside several amazing women who have had miscarriages. It's a subject that I find is still taboo and no one knows how to talk about it or bring up their own grief or experience of it. I felt that anguish and eventually it came out in this story. The point of this film is not to tell anyone how to talk or grieve about this experience, but to shed light on its existence in a very real way, with all that can be at stake, and to hopefully open the door so more conversations can start happening. Thank you for watching.

Film playing on the Film Festival Streaming service later this month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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THE LAST CHAMPION was the winner of “Best Feature Film” at the Sports & Recreation Film Festival. Conversation with co-writer and actor Hallie Todd on the making of the film from creation to editing.

Project Links

Website

Facebook

Twitter

Instagram

“A former championship wrestler is forced to face his past when he returns to the hometown he left in disgrace twenty years earlier. Can he become the hero his town expected… or will he remain a prisoner of his past mistakes?” Directed by Glenn Withrow. Starring Cole Hauser, Peter Onorati, Randall Batinkoff, and Hallie Todd.

Film playing on the Film Festival Streaming service today. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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THE LAST PICTURE was the winner of BEST DIRECTION at the June 2022 FEMALE Film Festival.

Ally May attended the UCLA Writing Program, the Academy of Film Writing, SF Film School, the Directing Actors Workshops and Sundance Directing Actors Programs. Ally has written 7 award-winning screenplays. She has been an Athena Finalist, Austin finalist, ScreenCraft Finalist, Page Finalist, Final Draft Finalist and more. Ally has directed 6 short films which have placed in festivals including - NOLA, Napa Film Festival, Sonoma Film Festival, Oregon Film Festival, Toronto Independent Film Festival, Los Angeles Independent Film Fest and more.

Watch the Festival Today. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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