Telling stories through film and conversation.
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WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

EP. 1546: Interview with Screenwriter Bren Dahl (BLONDE IN THE CONGO)

Watch the script reading: https://www.youtube.com/watch?v=z8dO89qOZRk

An adventure seeking young girl comes of age, joins the Peace Corps, gets posted in the Congo and takes a wild ride through culture clashes and love affairs.

Get to know the writer:

1. What is your screenplay about?

My screenplay is about an adventure seeking young woman who joins the Peace Corps to advance her career, gets posted in the Congo, and ends up falling in love with two fellow volunteers.

2. What genres does your screenplay fall under?

The genre is Romantic Drama.

3. Why should this screenplay be made into a movie?

This movie needs to be made because there has never been a Peace Corps movie made before, and the Congo is the 4th world that Americans need to see.

4. How would you describe this script in two words?

In two words: compelling and original.

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EP. 1545: Screenwriter Brad Havens (JUSTICE AND THE MACHINE)

Watch the best scene reading: https://www.youtube.com/watch?v=XnOurfvF21E

Sci-Fi/Political/Action – A popular President’s re-election campaign is beset by a relentless, brutal Assassin with whom he shares a dark, shocking history.

Get to know the writer:

What is your screenplay about?

The fundamental story of Justice and the Machine is about one of the most popular presidents in US History, William B. Justice, becoming the target of a brutal assassin during his run for re-election. Calling himself “the Machine”, the assassin unpredictably succeeds in killing the President’s innermost cabinet. His loyal wife gets kidnapped by the Machine, and he soon reveals that he has a secret history with her husband that goes beyond anything she understood to be reality.

Much to her disbelief, she comes to accept the truth that her husband, the President of the United States, is an alien from another planet with murderous intentions to conquer the planet. The Machine is, in fact, his sworn enemy, and whenever they meet, they are obligated to duel to the death.

So, on its surface, there’s a lot of fun action and sci-fi sort of genre bending elements, but at its core is a story of deception and betrayal and the discovery that completely changes one woman’s world view.

What genres does your screenplay fall under?

I used to enjoy calling it: My Sci-Fi/Political/Action/Thriller – so, depending on which page you turn, it’s one or more of those.

Why should this screenplay be made into a movie?

Are you freaking kidding me!? This is a franchise starter baby, come on! I’ve got the sequel and a follow up if they wanna go for three – I know how to meet a deadline, let’s write up that deal!

How would you describe this script in two words?

Crazy Politics

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EP. 1544: Screenwriter Ed Vela (THE MORTALITY GAME)

Watch the best scene reading: https://www.youtube.com/watch?v=DLrcCUBi10A

Facing death due to different illnesses, three patients find themselves playing a made up game called The Mortality Game to experience life one last time risking it all.

www.instagram.com/thevelamonster

Get to know the writer:

What is your screenplay about?
It’s about 116 pages! Sorry, I just had to get one “Dad Joke” in, even though I’m NOT a Dad (that I know of). “The Mortality Game’ is in essence a story of life as seen through the lens of impending death. It’s about how we as humans face the “final act” of the stage play of our lives. In the case of my three headed lead: Schubert, Halada and Tugger face it in their own differing, yet quirky ways. Ultimately deciding to take a final road trip across the country while playing a game where they do dangerous things to challenge and defy death, since they have nothing to lose.

What genres does your screenplay fall under?
Character Driven Dramedy for the most part, as it has elements of Comedy and Drama, with a bit of Coming of Age mixed in for good measure.

Why should this screenplay be made into a movie?
Because the characters are as diverse in age and attitude as they are strong in development and memorability. Because the story, about how we face death is an important one to tell, since that is a situation that none of us can avoid. Because it explores letting go as well as fighting back, finding the joy in the dreaded, and allowing yourself to feel what you feel facing the end, whether it’s understandable or not, expected or not, appropriate or not.

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EP. 1543: Filmmaker Ally May (THE ABIDING)

The Abiding, 11min., USA
Directed by Ally May
A lonely woman reminieces about the three great loves of her life while she decides if trying again is a risk worth taking.

https://writerdirectorallymay.com/

https://www.instagram.com/allymay/?hl=en

Get to know the filmmaker:

1. What motivated you to make this film?
Honestly, my motivation was/is to take every opportunity to develop as a director. I was at a festival, I had a room, a crew and actors, so I put it together really fast and shot it.

2. From the idea to the finished product, how long did it take for you to make this film?
I wrote the script several years ago and had it sitting in my computer. Then I got the bright idea to shoot in about a month before we did. So, realistically, about a month.

3. How would you describe your film in two words!?
Intimate, mature.

4. What was the biggest obstacle you faced in completing this film?
The biggest obstacle was blocking the scenes. We did not have access to the hotel room until the day we shot, so had no time to plan out blocking.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?
The first woman was very sterile, it seemed like she hadn’t watched it and was just reading text. The other two that gave feedback seemed very genuine and thoughtful.

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EP. 1542: Screenwriter Andrew Conlyn (HIGH GROUND)

Watch best scene reading: https://www.youtube.com/watch?v=Q1057hMo7JU

Get to know the writer:

What is your screenplay about?

High Ground is a dramatic, near-future story set in climate-ravaged Miami. Gloria Tejeda, a brilliant, physically disabled architect, becomes an unexpected hero. As rising seas and political polarization threaten lives and values, her fight against societal judgment, and radical extremists transforms her from a misunderstood figure into a national symbol of strength, vulnerability, and moral courage.

What genres does your screenplay fall under?

Drama, with elements of Science Fiction, Social Commentary, and Thriller. It delves into abstruse disability issues and touches on Romance and Political Satire.

Why should this screenplay be made into a movie?

High Ground is a blend of personal and planetary crisis, addressing timely issues of climate change, misinformation, overcoming disabilities, and extremism. Gloria is emotionally insecure and physically limited, yet her internal and external challenges bring out inner strength. Her journey is inspiring, cinematic, and relevant. The story delivers suspense, emotional weight, visual spectacle, and a message of hope in a divided world. It is a story that needs to be told.

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EP. 1541: Producer Jay Stinnett (Bill W Conscious Contact)

Bill W Conscious Contact, 58min, USA

Directed by Kevin Hanlon

Conscious Contact explores the personal spiritual quest of Bill W and his thirst for transcendence.

www.instagram.com/billwconsciouscontent

http://www.billwconsciouscontact.com/

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EP. 1540: Filmmaker Emmitt Thrower (DANCING WITH WAVES)

Dancing With Waves, 29min., USA

Directed by Emmitt Thrower

Tammi Judge, the founder of a transformative dance program, leads young dancers on a journey of self-discovery and personal growth, using the power of movement to heal, inspire, and change their lives forever.

Watch Emmitt’s other short film, DISABLED ARTIST SHOWCASE: https://www.wildsound.ca/videos/watch-disabled-artist-showcase

https://www.instagram.com/truth_thrower

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EP. 1539: Filmmaker Abo Fall & DP Neela Yamini (ROUTINE)

Routine, 5min., Canada

Directed by Abo Fall

Meet Benedicte, a happy young woman living in a beautiful, heavenly garden where she doesn't have a single worry in the world. She loves to wander around, lay on the grass and simply live in the moment.

What motivated you to make this film?

 

In an ironic way, I think I was trying to get out of a routine myself. It had been a minute since I made any short film or even attempted to finish old scripts. I started feeling trapped in the 9 to 5 life and saw that, unless I made the effort to pursue my passion despite the obvious obstacles, the current life I'm living would be it forever. It pushed me to get out of my comfort zone and make things happen. We filmed this short film with an iphone and a very restricted budget.

 

From the idea to the finished product, how long did it take for you to make this film?

 

I'll say about 4 months. The main issue was that I work in Nunavik but wanted to shoot the short film in Montreal. So, there was a moment where I had everything ready from the script to finding the right team but had to wait for the occasion to fly back to Montreal and finally get to shooting. But once I was on site, things went fast. We shot the entire script in 3 weeks, mainly because we had to work around everyone's availability. And then I spent about 2 months with Vincent Loiselle-Latour, who worked on the sound engineering and Julien Ferland who worked on the score, to create an atmosphere for the film that we would all be satisfied with.

 

How would you describe your film in two words!?

 

''Literally me''

 

What was the biggest obstacle you faced in completing this film?

 

Time! There was never enough time and, as I said, I work in Nunavik. I had to shoot everything before it was time for me to go back and I had exactly 3 weeks !

 

What were your initial reactions when watching the audience talking about your film in the feedback video?

 

I was thrilled the entire time! I really loved one of the critic's comment, when he said the movie inspired him to want to go make movies himself, that's what's up ! That's what it's all about at the end of the day. Hopefully the story pushes more people to want to try something new and get out of their own ''Routine''!

 

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EP. 1538: Filmmaker Travis Limoge (FIELD REPORT | FLACK FAMILY FARM)

FIELD REPORT | FLACK FAMILY FARM, 15min., USA
Directed by Travis Limoge
Nestled in the hills of Enosburg Falls, Vermont Flack Family Farm has been contributing to the vibrance of their community through their symbiotic work in the soil for nearly a half a century.

https://www.instagram.com/underblkflag/

https://www.wildsound.ca/videos/audience-feedback-field-report

What motivated you to make this film?
As a Chef I have spent the last decade of my career dedicated to researching and implementing community based solutions to the industrial food complex. I have made many impactful relationships with farmers who are working hard to revitalize their local food sheds and felt inspired to share their stories as the majority of the documentaries currently available on food and food production are either glossy or focused on a specific problem rather than demonstrating the collaboration between farmer, soil, and community, the struggles they face and the actions of resilience they take on a daily basis.

From the idea to the finished product, how long did it take for you to make this film?
We had a good idea of the message we were trying to relay in the film and when we set out on the farm to shoot the story unfolded chronologically as we were working hand in hand from harvest to production of the fermented products, when we got to post it was quick work as we were smitten with the story we had captured, all told the whole film from start to finish took a month.

How would you describe your film in two words!?
Thought Provoking

What was the biggest obstacle you faced in completing this film?
The organic nature of the production didn't really come with obstacles, just lessons, Flack Family Farm welcomed us in and took the reins, we just followed along.

What were your initial reactions when watching the audience talking about your film in the feedback video?
It was wonderful to receive feedback from the audience, it was touching that they were able to really connect with the message and the feedback let us know that we had captured the story we were trying to tell.

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EP. 1537: Filmmaker Gary Alvarez (Sweet Dreams)

Sweet Dreams, 34min., USA

Directed by Gary Alvarez

Set in the near future when most people can no longer dream, "Sweet Dreams" follows the story of Esperanza, a young woman who's excited to be a mom for the first time. Weeks before the baby is due, her partner Kiké goes missing. As she searches for him and her savings dwindle, she comes across an opportunity to make some quick money: surrogate dreaming, a new technological advancement which allows her to sell the dreams of her unborn child through a dreamcatcher clinic. After a trial run, Esperanza begins to suspect that the clinic is somehow connected to Kiké's disappearance.

https://www.instagram.com/sweetdreams_film/

What motivated you to make this film?
A conversation I had with my wife when she was about 6 months pregnant with our son, Sol. We discovered that he was dreaming in the womb and that idea blew my mind! I thought it would make a good story and I started writing the script later that night.

From the idea to the finished product, how long did it take for you to make this film?
3 years and 5 months.

How would you describe your film in two words!?
Must watch!

What was the biggest obstacle you faced in completing this film?
Post-production: from false starts on VFX to losing an AE to scheduling sound design and raising funds to pay for all of it! 

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EP. 1536: Filmmaker Soudabeh Moradian & Editor Shon Hedges (THE MERMAID)

THE MERMAID, 105min., USA
Directed by Soudabeh Moradian
A mysterious girl is saved from drowning by a fragmented family living in a desolate beach house. Her strange relationship with them becomes intimate and complex until everything reaches to a point of no return.

https://www.instagram.com/themermaidmovie/

Get to know the filmmaker:

What motivated you to make this film?
The Mermaid was born out of a personal urgency to explore the psychological aftermath of trauma—particularly when it’s silenced or dismissed. I wanted to create a space for a character who’s constantly gaslit, both by her inner world and the people around her, and to blur the line between dream and reality. It’s a reflection on emotional abuse, xenophobia, and isolation, wrapped in the aesthetics of psychological horror.

From the idea to the finished product, how long did it take for you to make this film?
It took more than three years from the initial concept to the final cut. Development and writing were fairly quick, but production and especially post-production were long and complicated—partly due to budget constraints and doing so much of the work myself.

How would you describe your film in two words!?
Hauntingly intimate.

What was the biggest obstacle you faced in completing this film?
Financing and post-production. I wore multiple hats—writer, director, producer, editor —and managing everything independently while teaching full-time at Syracuse University was incredibly draining. There were moments I truly thought it wouldn’t get finished.

What were your initial reactions when watching the audience talking about your film in the feedback video?
It was surreal and deeply moving. Hearing people connect to the emotional undercurrents, even if they interpreted things differently, made me feel like the risks I took paid off.

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Matthew Toffolo
EP. 1535: Filmmaker/Actor Law Artis (LAW’S WORLD: LIPSTICK BANDIT)

Law’s World: Lipstick Bandit, 13min., USA
Directed by Law Artis
“A sassy pansexual sex blogger prepares for a high-profile house tour, but his plans are derailed by his narcissistic bestie, determined to retrieve something she claims is irreplaceable.”

http://lawartis.com/
https://instagram.com/laws_world

Get to know the filmmaker:

What motivated you to make this film?

I grew up watching so many tv shows and as a performer I wanted to create something I’ve never seen. I wanted to mix my love of reality tv, web series, and film into my own version of a proof of concept film for my web film series I wrote. It;s time for a plus size, poc, to lead a comedy film series and why not me!

From the idea to the finished product, how long did it take for you to make this film?

This was a one year process. I am a graduate of School of Visual Arts as a Film Directing Grad Program. I wrote the script in the summer of 2024, and started preproduction winter of 2024, and was in post production by early spring 2025.

How would you describe your film in two words!?

Fabulously Iconic.

What was the biggest obstacle you faced in completing this film?

Biggest obstacle for any indie filmmaker/creative; where is the money coming from?

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EP. 1534: Filmmaker Liz Smith (THE LINE WE CROSSED)

The Line We Crossed, 110min., US

Directed by Liz Smith

A British story of dissent, drawn from the frontlines of climate resistance. Through the experiences of those who stood in defiance, it traces the quiet unraveling of our protest rights. The film challenges audiences to question what makes dissent effective and where the line of acceptability is.

http://www.thelinewecrossed.com/

https://www.instagram.com/p75investigates/

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EP. 1533 (Actor's Podcast #18): Actor Elena Franke (FLÜGGE)

FLÜGGE, 25min., Germany
Directed by Leopold Schraudolph, Dani Rose Cortés
In an Austrian mountain village in 1914, the determined Amelie (20) must defy her father’s wishes of running the family sewing business to pursue her own dreams of flight and seize her only chance at finding true freedom.

Hannah Ehman chats with actress Elena Franke about her award-winning performance in the short film FLÜGGE.

Elena Franke Instagram: https://www.instagram.com/elena_frnke/

——

Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/

Watch Hannah’s commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman

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EP. 1532: Filmmaker Job Michiel van Zuijlen (KHENTOPIA)

KHENTOPIA, 72min., USA
Directed by Job Michiel van Zuijlen
Khentopia is a peaceful society on the planet Zeeray, where ethereal energy generated through chanting at Harmony Center is used to feed a protective shield that envelops the planet. All is well, until one June morning in 2502, the crew of raider ship Space Wolf is intent on breaking through the shield to carry out a pillage mission. They succeed in obliterating the ethereal power generation and so the protective shield. On top of that, a parallel universe emerges with an alternate Khentopia that is harsh and hostile.

http://khentopia.com/

Get to know the filmmaker:

What motivated you to make this film?


The idea for Khentopia already existed for another story, but the inauguration of Trump 1 in 2017 made me think that we had entered a parallel world. I developed a new story with that in mind.

From the idea to the finished product, how long did it take for you to make this film?

It took about seven years. To get the story itself right was a challenge. I knew the beginning and the end, but I struggled with the middle.

How would you describe your film in two words!?

Khentopia regained.

What was the biggest obstacle you faced in completing this film?

Because it took such a long time, the biggest challenge was to stay interested. It is also a lot of work, and some scenes are necessary but kind of tedious to do.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was pleasantly surprised by the insightful comments, especially from the second woman. She was able to distill various elements that I had put into the story and expressed them clearly.

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EP. 1531: (Actors Podcast #17) Tanya Hobson-Williams (Staycation/Apocalypse Death Party)

STAYCATION, 93min,. USA
Directed by Russell Emanuel
How is the world affected by a catastrophic event? Everyday people live through a government mandated quarantine during a global pandemic while desperate scientists race to find a cure before it’s too late.

https://russem.com/
https://www.instagram.com/russem31/

Hannah Ehman chats with the lead actor of the award winning feature film STATCATION

Tanya Hobson-Williams Instagram: https://www.instagram.com/shaybutta823/

——

Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/

Watch Hannah’s commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman

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EP. 1530: Screenwriter Laurie Gruber (RAVEN’S CHOICE)

Watch the best scene reading: https://www.youtube.com/watch?v=-QDNj491w8Q

James Stuart Donovan Hastings, Earl of Billingswood, has had one headache after another. First his home is in disrepair, his nephew is too young for his own good, his best friend thinks he’s gone round the bend and now someone just tried to kill him. If it wasn’t for the angel with strawberry blonde hair and amethyst eyes, he might well be dead. Blasted horse, thinks he knows more than the master!

What is your screenplay about?

James Stuart Donovan Hastings, Earl of Billingswood, has a potentially deadly encounter on his way to Sandringham. He is rescued by a beautiful angel. His horse decides it is his right to make choices for the master. Can there be a happy ending?

Why should this screenplay be made into a movie?

With the success of other Historical Fiction/Romances such as Bridgerton allowing for viewers the chance to escape their day to day experiences, allowing them to immerse themselves in an era that has been romanticized.

How would you describe this script in two words?

Captivating drama

What movie have you seen the most times in your life?

Princess Bride

How long have you been working on this screenplay?

Couple of months

How many stories have you written?

Seven novellas

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EP. 1529: Actor/Writer Ashna Sharan & Director Kelly Lynn Warren (SHAME)

Shame, 5min., USA
Directed by Kelly Lynn Warren
When a woman is sexually assaulted by a mutual friend the night before, her confrontation with her best friend leads to tragic consequences.

https://www.instagram.com/shametheshortfilm/

Get to know actor/writer/produer Ashna Sharan:

What motivated you to make this film?

I was a peer counselor in college and know of people in my life who have been sexually assaulted. I wanted to raise awareness of the issue and show it from the perspective of two friends instead of focusing on the assailant. The ultimate goal of Shame was to take it to universities and spark dialogue among students.

From the idea to the finished product, how long did it take for you to make this film?

9 months

How would you describe your film in two words!?

must-see, impactful

What was the biggest obstacle you faced in completing this film?

One of our actors had an emergency and had to back out of filming on Day 1, so I had to recast the same night because we were shooting the next day. Our actor, Sophia Cofino, stepped in and nailed the part.

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EP. 1528: Filmmaker/Actors Kyle Riggs, Dylan Lighthall (THE INTERROGATION)

The Interrogation, 5min., USA

Directed by Kyle Riggs, Dylan Lighthall

A Russian mob interrogation goes awry when an over-eager enforcer tries to pitch in, but can't get his mind out of the gutter.

www.instagram.com/riggseyyy

www.instagram.com/dylanlighthall

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EP. 1527: Screenwriter Tom Pratt (ONE MAD APPLE)

Watch the best scene reading: https://www.youtube.com/watch?v=EJWMb6F1GVY

What is your screenplay about?

A dark comedy feature inspired by a true story and based on the book of the same name.

After a man moves to a small town to care for his dying father, he embraces the community and his new life as a stepfather and husband, until he finds himself in the crosshairs of an unhinged townswoman who challenges him in a school board election and makes him look like the crazy one.

What genres does your screenplay fall under?

Thriller/Dark Comedy

Why should this screenplay be made into a movie?

The story is inspired by real life and will be relatable to the viewer. Everyone has a crazy aunt like the antagonist!

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