Watch the Screenplay Reading: https://www.youtube.com/watch?v=E2NTuJ462gA

With the exception of Grace Hart, students of Lexington Academy perform tunes at a fall concert. When she’s suspended, her divorced parents, Adam and Emma, squabble over the cause of her mutism. The Harts have attempted to put their divorce behind them, each with younger lovers, Emma with hunky Owen, Adam with law school student Dennis. However, Emma’s depression over the divorce persists, while Adam, committed to Dennis, has difficulty expressing affection for him in public.

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OTHERS, 19min., USA
Directed by Chris Durr
In a midwest suburb, an aging radio enthusiast becomes suspicious that a lonely hispanic teenager is a response to his interstellar transmissions. As misunderstanding and coincidence collide, Mateo perceives Frank as a potential threat, while Frank becomes convinced Mateo is a response to his message that he transmits to the skies. Their misperceptions are flipped over when they are interrupted by a close encounter with an unexpected guest.

http://chrisdurr.com/

https://www.instagram.com/others.film

Get to know the filmmaker:

The polarization I’ve been experiencing in my country over the past decade has had me pondering what on Earth could drive humanity together…not saying “Others” is the answer, but I wanted to tell a story about two very different people misperceiving one another while experiencing the same isolation or loneliness. The sci fi alien stuff came from an experience I had in 2009 that left me very open minded, so I thought that might be a fun way to get us there in the film.

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Watch the Novel Transcript Reading: https://www.wildsound.ca/videos/thessalonika

1. The title of my novel about a girl willing to sacrifice her name and her identity

2. The middle name of Cleo Hart, a scholarship student at a prestigious New England university in the 1950’s

3. A feminized form of “Thessaloniki,” a city in Greece possibly named after Alexander the Great’s half-sister

Get to know the writer:

A college student masquerades as her male classmate to join an archaeological dig in 1954 Crete. While excavating Minoan ruins, she unwittingly enters a labyrinth of post-war sociopolitical conflict.

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THE SHEPHERD, 14min., USA
Directed by Arie Forma
Struggling with the news of his son’s interfaith engagement, a religious father seeks solace in his estranged brother.

https://www.arieforma.com/the-shepherd
https://www.instagram.com/rosecolored.pictures/

Podcast Hannah Ehman talks to lawyer turned actor Allan Whitehead about finally getting into actor and his role as "Solomon Cohen" in the award winning film The Shepherd.

Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/

Watch Hannah’s national commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman

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Watch the Screenplay Reading: https://www.wildsound.ca/videos/galentines-day

After finding her fiance with another woman, Lisa and her friends all head on vacation together to celebrate Galentine's Day. However, they were not prepared for the dangers they came to face.

Get to know the writer:

Valentine's Day is etched in Lisa's memory as a day of betrayal. Four years ago, she embarked on a journey through a relentless snowstorm to surprise her fiancé, Jim, only to stumble upon a scene that shattered her – Jim with another woman.

In the wake of that devastating revelation, Lisa's friends — Debbie, Mandy, Jenny, and Katie — fashioned Galentine's Day, a cherished retreat where solidarity among the women reigns supreme. But nothing lasts forever. This is the final Galentine's Day because the women each have busy lives and romantic partners they'd rather spend Valentine's Day with. So the women get together for one last hurrah at a secluded lake house in the Ozarks.

Ultimately, Galentine's Day is about friendship, love, betrayal, and how people slowly grow apart and change, no matter how hard they try to stick together.

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THE LETTER, 6min., USA
Directed by Ruben Rodas
A daughter comes to terms with the loss of her father with a heartfelt farewell letter …

http://skyframepictures.com/

https://www.instagram.com/irene_stepanenko/

Get to know writer/actor Irene Stepanenko:
My motivation to create this film stemmed from a deep desire to honor my father for the immense love, care, and unwavering support he provided me throughout my life.
The idea for the film came to me two months after my father’s passing on May 26, 2021. I wrote the script as a monologue on July 27, 2021—our shared birthday. That day, alone in a Dallas hotel, I began writing a heartfelt letter to him, which later became the script. I held onto the monologue for a couple of years. When I shared it with my dear friend Ruben, a talented producer and videographer, he immediately connected with my vision. Our collaborative efforts led us to shoot the film at a beautiful location by the end of last summer. Overall, the journey from concept to completion took about two years.

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HORNED, 4min,. USA
Directed by Jerrod D Brito
When a cocky cam boy jokingly live-streams a creepypasta dare, he inadvertently summons an ancient demon who craves more than just his soul.

Get to know the filmmaker:

Funny story. I attended Dan Savage’s HUMP Film Festival, a traveling film fest that features short films of an adult nature, and though they had many diverse films, I didn’t see any strictly horror movies. I felt there might be an opportunity there, so I tried to come up with a way to merge horror—my signature genre—with sex. I just started jotting notes and tried to find a way to combine them both, but be fair to both, too, and then I added a little humor. Those were the ingredients for “Horned.” But I really wanted to make sure it stood alone as a horror story, with a beginning, middle, and end, and as much character development as I could squeeze into a short in under five minutes of length. So I cut it two ways—a more explicit version for HUMP with thirty more seconds of content and a better punchline to the film (it was selected, by the way—it tours this fall), and the somewhat censored version we were lucky enough to screen at Horror Underground.

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SOLITUDE, 87min., USA
Directed by Jeremy Brown, Mick Strawn
A famous upbeat survivalist is cast for a popular television
series about surviving in solitude, but survival turns to despair when she discovers a supernatural entity's presence.

Interview with well renowed Production Designer Mick Strawn about his upcoming co-director horror film "Solitude".

http://www.brownspacefilms.com/
https://www.facebook.com/solitudefilm2023
https://twitter.com/brownspacefilm
https://www.instagram.com/solitude_film_2024/

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PISS ON PATRIARCHY, 10min., Germany, Drama

Directed by Lena Fakler

Marie (Caroline Hellwig) is driving on the highway and needs to pee urgently. But the toilet at the rest stop is broken. And an increasingly absurd odyssey through this toxic male biotope begins for Marie - and ends in blood.

WILDsound Podcaster Hannah Ehman interviews Caroline Hellwig. They talk about her role in the award winning film PISS ON PATRIARCHY, plus her creative aspirations both behind and in front of the camera.

https://www.instagram.com/carohellwig/

Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/

Watch Hannah’s national commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman

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M0D3RN T1M3Z, 30 seconds, USA
Directed by Richard Thompson
A machine comes to life in a 3D animation short inspired by Charlie Chaplin.

https://www.instagram.com/r_crosbythompson

Get to know the filmmaker:

I wanted to use it as a teaching tool. I teach digital design with a specific focus on bringing virtual characters to life and visual storytelling through animation. I created an assignment where students had to design a non-humanoid machine that first had to move as if it were only a machine but comes alive with cause. As a class, we could then discuss the differences in the type of movement needed to convey that change from machine to living creature. Two main characteristics defining living creatures are movement with intent and responding to environmental stimuli. The other thing I wanted my students to focus on was only creating the objects needed to tell their story — that is the reason for the lack of any environment. I wanted to emphasize the importance of story and creating an empathetic link — not spending weeks creating an environment that would likely make little difference to their story (only much time-consuming work). For the machine-like animation, I drew inspiration from Charlie Chaplin’s turn as an animatronic in The Circus. I always do the assignment myself before giving it to my students. I also record tutorial videos that support their learning and process when they get to do it. Once I had created the animation, I showed it to a few people and it always got a strong reaction even though there was no sound at the time. This made me think about submitting it to film festivals. I asked my oldest son — who is in the film industry — if he would add sound. I started to submit the film and have been a little blown away by the reception it has received.

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FIRST GRADE HEADACHE, 13min., Canada
Directed by Jajube Mandiela
A burnt out first-grade teacher finds herself in a night from hell when a group of vindictive parents break into her home.

Get to know writer/producer/star Jacqueline Godbout & director Jajube Mandiela

Jacqueline (writer): I was wanting to make a horror film next, but it seems whenever I start writing anything remotely dark, it always becomes a dark comedy. I’m leaning into it now. Growing up, my mom was a teacher and I also work part time as a music teacher so there were likely some thoughts from that world floating around in my brain when daydreaming ideas. One day, I was just doing my favourite activity of playing around with loglines (no joke) when I came up with the logline of First Grade Headache. Right away, it was very clear to me that I wanted… needed to make this film now.

Jajube (director): It’s quirky, absurd and yet plausible. Looked like a fun script to film, I could relate to it, and genuinely laughed upon first reading it. How to direct it was very clear in my mind, and for a while Jacqueline (writer) and I had been regularly meeting to see how to collaborate on another project together.

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Watch the Screenplay Reading: https://www.youtube.com/watch?v=uWx2x_ogn58

A young gay songwriter in the grip of meth addiction must face his past when he learns he is actually a prophet who must save New York City from Judgement Day.

Get to know the writer:

My Name Is Jonas tells the story of a young gay songwriter in the throes of crystal meth addiction who gets a second chance at life when he meets God and learns that he’s actually a prophet. It’s a modern retelling of the Book of Jonah based on my own experiences as a person in recovery. The pilot episode introduces us to Jonas on his first day in rehab where he tries to convince his counselors that he’s a prophet who has been sent on a mission from God to save New York City from Judgment Day.

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THE HARDSHIPS OF SUMMONING A DEMON, 14min., Canada

Directed by Britt Dallyn

In order to woo his school crush, a determined but highly misguided Stan attempts to summon a demon with the help of his sister stuck at home on Halloween night, by kidnapping a heavily intoxicated young man under the ruse of his own sacrifice being an after party.

https://www.instagram.com/summoning_a_demon/

Get to know the filmmaker:

While attending Vancouver Film School, the course allows six story ideas to be voted on by the class to get made for our "final" projects. With these "finals" we are given our highest budget and longest shooting schedule to film our original 9 page scripts. I had made many short films in the past, but all with minimal (mostly zero) other people, less knowledge and no money. I saw this as a great chance to create a film to showcase my creative voice with the type of resources I never had before.

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LOST DREAMS, 10min., USA
Directed by Andrew Wakeman Proctor
Lost Dreams is about dreams. Scientists have not fully figured out dreams. The ancients believed you could predict the future through your dreams, Native Americans created dream-capturing devices. Some people keep dream diaries. Freud believed that we could fix people’s psychological problems by analyzing their dreams.

https://www.imdb.com/title/tt32021226/?ref_=ttawd_rvi_tt_i_4

Get to know the filmmaker:

I took an experimental film class at Connecticut College. We studied the works of Maya Dern and Stan Brackage. I was inspired by Anticipation of the Night by Stan Brackage. In the fall of 2009 I received an email inviting me to submit a film to an Experimental film festival in Switzerland. My friend John Prevedini sent me his music “Lost Days” and it inspired “Lost Dreams”.

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MY ROCKSTAR, 13min,. USA
Directed by Stephanie Williams, Graham Nothrup
"My Rockstar" is a compelling and emotional short film that follows the journey of Amanda (aka “Eva” of the band Eva Under Fire”), a determined young Latina woman who dreams of becoming a rockstar while navigating the challenges of her father's opiate addiction.

WILDsound Podcaster Hannah Ehman interviews Amanda Lyberg. They talk about her role in the award winning film MY ROCKSTAR, plus working as an artist, musician, and actor in the Detroit, Michigan area.

Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/

Watch Hannah’s national commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman

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MORNING ROUTINE, 2min., Canada
Directed by William Thibodeau
Inspired by the epic true story. After sleeping in, Jack must go through his morning routine before it’s too late…

Get to know the filmmaker:

I wanted to turn something seemingly boring into something exciting. We are all in a rush during our morning routine and I wanted to depict it in the most epic way possible.

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PARROT, 24min,. Canada
Directed by Cameron Faulkner
After forcibly being sold a parrot, Ollie is thrust into a surprise birthday party hosted by his roommates. The night spirals into chaos as he tries to regain control and sort his life out. Based on an unbelievable true story.

https://www.instagram.com/parrotfilmofficial/

Get to know Oliver de la Harpe:

Covid is the short answer. Charles (co-writer) and I were isolated across continents and in many FaceTime conversations we finally started to commit to a film project we had been talking about for a few years. It lived mainly as a script we would work on until Charles showed it to our director Cameron for notes. To which he signed on immediately and said he wanted to shoot. From there the only question was when.

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PROJECT 405: LOST AT SEA, 12min,. USA
Directed by Josie Hull
Aspiring artist Alexia, grieves the loss of a loved one and struggles to finish her painting. The-o, her personal AI assistant, who has little understanding of human emotions, tries everything in his power to feed her longing soul.

https://www.fenderbenderfilms.com/
https://www.instagram.com/fenderbenderfilms/

Get to know actors & creators Marco Labate and Gica Pucca

M: Coming from pretty intense personal journeys, we wanted to work with the idea of fantasy vs. reality, and we chose to use grief as a vehicle. At the end of the day, you can always make the choice to either acknowledge or ignore what you feel, but the latter can lead to confusion, and reality always catches up to you.

G: We liked exploring the concept of artificial intelligence and the modern world, conflicting with art and human emotion.

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SCREAMING SILENCE, 17min., UK
Directed by Kalyn Elizabeth Wood, Hal Waghorn
In the hauntingly enigmatic and dialogue-free short film, ‘Screaming Silence’, Elizabeth, a young woman in the aftermath of a traumatic event, navigates her world through a haunting soundscape of everyday noises, which ‘peoples’ her world and forces her to face her reality of circumstances and her fear of reaching out for help. As the audience intimately experiences her journey, Elizabeth’s silence becomes a bittersweet force, echoing the profound emotional depth that empowers her to move forward in an altruistic twist of an ending.

https://www.screamingsilencefilm.com/

Get to know filmmaker Kalyn Elizabeth Wood:

This film first started out as my dissertation project for my masters program in London. I was the only one in my class who was doing a digital piece. I knew when beginning to write my piece that I wanted to examine women’s relationships, mainly womens relationship to trauma, sexual assault, loss, isolation and also to dive a little into the mother-daughter relationship dynamic. The film’s first iteration was completely different from its final iteration that it is today and to be quite honest I am glad I went the route that the film is now rather than what it was ‘supposed’ to be. It challenged me and pushed me to places I had never been before as a performer intrinsically, technically, and emotionally. What started out as a quest to fulfill or rather rewrite my story as a gift to my mom and it then became something in singularity. From women, to women. A singular and multifaceted relationship with trauma, the aftermath, loss, isolation and more importantly silence. I investigated the notion of: the power of female silence in films through the lens of trauma. I want anyone who watches this film to feel as though they are allowed in Elizabeth’s world to experience and observe her life in that present moment. I want people to be inspired by the lack of Elizabeth’s voice to find their own voice. To open up and out and maybe even scream.

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Conversation with writer/producer Ken Barrett about the Opera Film “BRAINLAND”

In 1935 Egas Moniz, renowned Portuguese neurologist, visit psychiatrist Sobral Cid in order to persuade him allow his patients to be act as subjects for Moniz's experiemntal treatment - frontal leucotomy. After some resistance Cid agrees. The first such operation is staged, but Moniz's exhaltation is cut short by an attempt on his life. This self-contained chamber opera is actually scene 7 from a longer opera of the same name that tells three stories from the history of 20th century brain science (rather than a screenplay we worked with a libretto). it was filmed very quickly with little resources and involved professional and non-professional cast & crew. The music is by Stephen Brown. Directed by Chiara D’Anna

https://www.brainlandtheopera.co.uk/

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