SPIDER-MAN: MORALES, 17min,. USA
Directed by Sipho A Nxasana
In the wake of a personal tragedy, young Miles Morales begins his journey of donning the mask as the titular hero Spider-Man.

https://www.instagram.com/cherrystreetofficial/

Get to know the filmmaker:

A lot of what motivated me to make this film stemmed from my life-long adoration of the character of Spider-Man. I think what’s always endeared me to him is how human his stories can truly get. I think a lot back to how impactful and meaningful these stories have been to me, and even beyond the mythos of Spider-Man – film has always been such a transformative medium for me. It’s a way to not only express yourself, but to give others a voice in doing so. I think that’s probably the most important aspect of film. And so when making this, I kept a lot of that in mind.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

CARELESSLY THERE, 13min., USA, Drama
Directed by Rachel Deutsch
As Elaine grapples with romantic feelings for her best friend May, she begins to confront her own identity, and the lies she’s told to protect it.

http://www.racheldeutsch.com/
https://www.instagram.com/racheldeutschh/

Get to know the filmmaker:

This is a film that was written by my best friend Isabelle Fenn Miller. I wanted to make this film because I wanted to challenge myself and take on a project as a director. Thus far I have directed my own work. My first film, Until I Met You, I had written, starred in, and directed. Which is a lot. I was excited to take a step back and focus on directing!

This piece was originally an essay Isabelle Fenn Miller wrote in college. We both went to acting school together at NYU Tisch and took a class called “devised work” where we were encouraged to write about anything. I knew I wanted to direct her writing because I could still remember specific lines I saw as images in my head many years later. I never had forgotten the piece.

I believed in her work so much. We both took a chance by trusting each other to make it. I couldn’t have been happier when working with Isabelle. I felt fully trusted by her to bring my own vision to the writing as a director. It helped that we were already close as friends. Our friendship fostered an environment where we were able to really listen to each other when it came to making hard decisions.

Beyond our working relationship, a theme in my work (and life) so far is creating art about romantic female friendship. I found the character of Elaine challenging. (Which is what I liked about her.) It was challenging to create a character who doesn’t DO anything, but just allow life to happen to her. If I’m being honest with myself, I feel like this often. I also feel that most of the time we think we are in control of our life when we are not at all. I was excited about exploring all these ideas when it came to making this film!

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

BLACK BOX, 8min., China, Drama
Directed by Olivier Hero Dressen
“The Black Box” is a romantic drama film that tells the story of Thibaut, a Frenchman, and Sai, a Chinese girl, who fall in love during the peak of the Covid-19 crisis. Despite the harsh quarantine restrictions, they decide to meet and spend time together, with Thibaut having to endure 28 days of quarantine to do so. The film explores their relationship, which is narrated through dream, reality, and Sai’s fantasies. At one point, Sai describes herself as a black box, the memory of their relationship and the moments that never happened. The film also touches on their shared fascination with planes and airports, with Thibaut collecting photos of X-rays with his suitcase and Sai being fascinated by plane black boxes. The film ultimately explores the fragility and indestructibility of relationships, memory, and love.

https://www.studiosupremefilms.com/the-black-box
https://www.facebook.com/studiosupreme/
https://www.instagram.com/studiosupreme_prod

Get to know the filmmaker:

“The Black Box” was motivated by a desire to explore the complexities of love and relationships, particularly during challenging times like the COVID-19 crisis.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

Nesia, 15min., Canada
Directed by Mikel Guillen
An avant-garde film about trauma and how a little girl connects through dance with her surviving Hungarian grandmother who was a Auschwitz survivor.

http://mikelguillen.com/
https://www.facebook.com/mikelguillenfilm/
https://www.instagram.com/mikelgb/?hl=en

Get to know the filmmaker:

I am very interested in how trauma travels through generations and cultures and how it affects many people around the globe.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

CHECKED BAGS, 2min., USA
Directed by Mark Cline
A combat veteran is traveling by a civilian airline. The airline now requires all passengers to check their emotional baggage before boarding any flight. After checking his bags, the man experiences the serenity of becoming unburdened by the guilt and trauma that he carries inside all the time.

https://www.imdb.com/title/tt27484867/

Get to know the filmmaker:
As an armed services veteran (non-combat) I know that many veterans suffer from PTSD and traumatic brain injuries. In between the building out the visuals for ‘Checked Bags’ I would watch different podcasts interviewing prior and active service members. I would hear them independently discuss their personal story and how PTSD and TBI’s go hand in hand. The veteran community is getting better at sharing these stories with the public and more importantly with other vets in letting them know that they are not alone in this type of recovery and help is out there. In a way this is my contribution to help spread the word.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

MISFORTUNE, 7min,. USA, Drama
Directed by Linda Kudzmas
Adapted from a Polish folktale, ‘Misfortune’ tells the story of two sisters; Marta the elder, and Zofia the younger. Marta is very rich, and lives in luxury. Zofia is very poor because Misfortune lives on her stove. Misfortune plagues Zofia, causing disasters that constantly keep her struggling to survive. When Zofia cleverly rids herself of Misfortune, Marta becomes jealous and risks everything to get Misfortune once again, living on Zofia’s stove.

https://friedegganimation.com/misfortune/index.html

Get to know the filmmaker:
The story of how someone can experience misfortune through no fault of their own, and how other people judge the situation and not the struggle.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

BLUE BURROW, 14min., USA
Directed by Leah O’Donnell
Blue Burrow is a short movement based film fully immersed in the sun, sand, and water of Lake Huron. The shore is the meeting place for characters of different species, while the world underwater comes to represent the subconscious. Perspectives shift from fish to human to sun, and metaphors about our relationship to the natural world emerge.

https://www.leahfayeodonnell.com/
https://www.instagram.com/_leahfaye/

Get to know the filmmaker:

Growing up in Michigan, the Great Lakes were a prominent element of my childhood memories. They are the largest fresh water source in the world, with waves and views that could easily be mistaken for the ocean. Several years ago, I became interested in site-specific dance and began dreaming up images of a live performance on Lake Huron, where I have swam many times with my family. The idea to make it a film came once COVID hit. Live performances were being rapidly shut down and I realized that not only would a film be safer for the performers, but we would be able to share the work with more people. Because the camera became the audience’s eye, we were able to more deeply immerse ourselves into the water, showing more intimate perspectives of the landscape and the choreography.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

JOINTS, 12min., USA, Horror/Comedy
Directed by Hadrian Lynn

Get to know the filmmaker:

I was and still am obsessed with the zombie genre, and have always wanted to do a zombie film. When the opportunity rose to make a 10-15 minute short film, I gladly took it and created this film! Other than my love of zombie movies, some other sources and motivated/inspired me were the movie 12 Angry Men and my own personal life.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

FREEDOMTOWN: NOT SO BLACK AND WHITE, 15min., USA
Directed by Morteza Rafiei
Freedom Town: Not So Black And White takes viewers on a journey to explore the tension between activism and police forces around George Floyed’s death amidst the 2020 pandemic chaos. Through two filmmaker lenses, we follow an activist and former cop over 2 years as they navigate their respective worlds.

Get to know the filmmaker:
As a Middle Eastern individual and my creative partner is African American, we embarked on creating a movie that sheds light on our country’s challenges during the pandemic and the impact of George Floyd’s tragic death. Coming from the Middle East, where I sought freedom upon arriving in this country, witnessing how the police treated their own citizens was truly bewildering. It was astonishing to see the similarities between some of the protests in America and those I had experienced in Iran. With our film, we aimed to delve deeper into the reasons behind the mistreatment of African Americans while also giving voice to the perspective of the police.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

FRENCHIE, 6min,. USA, Documentary

Directed by Franklin S Riley

This is a short documentary of Darryl Francis. Darryl is a ex-convict turned screenwriter after spending 20 years in prison for a murder he didn’t do. His story comes with twist and turns and ends with triumph.

https://www.instagram.com/theknueworld

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

The Great Basin! Or: How I Learned to Stop Worrying and Love the Desert, 15min., USA
Directed by Eric Weeks
The Great Basin! Or: How I Learned to Stop Worrying and Love the Desert is a film, book and print project that addresses climate change, the severe drought in the Western United States, gun culture, the military’s use of the basin and range of Nevada for atomic testing, cultural stereotypes, my own personal history, and my experiences in this mostly remote area. In the 15 minute short film I am creating complex collages of my still and motion captures made in Nevada with appropriated short clips from Mutual of Omaha’s Wild Kingdom, recent weather footage, The Lone Ranger, as well as John Wayne’s and other historic films, cartoons, and many other cultural artifacts, in order to speak to the place and its significance.

https://ericweeksphoto.com/the-great-basin-2

Get to know the filmmaker:

In early 2022, I applied to a unique residency through the Montello Foundation (https://www.montellofoundation.org/) in Montello, Nevada. The residency is designed for one person to spend two weeks completely off of the grid in the basin and range of northeast Nevada. I was fortunate to be awarded a residency for that summer. While there I captured moving and still images, and did a deep research dive about the area. Two out of the twenty plus books that I read while there were instrumental in my conceptualization of my film The Great Basin! Or: How I Learned to Stop Worrying and Love the Desert. They were Rebecca Solnit’s Savage Dreams and John McPhee’s Basin and Range. While there in that peaceful and contemplative environment, I realized how so much of the human activity that has taken place in Nevada has affected my experience. Climate change, gun culture, atomic testing, cultural stereotypes, and my childhood came bubbling up for me, and I needed to make my film. I understood that I couldn’t tell this story with my images of the basin and range alone, so when I returned to New York City after the residency, I began to appropriate clips from classic films, TV commercials, cartoons, etc.

• You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

  • Subscribe to the podcast via Twitter, Instagram, and Facebook

FROM MY EYES, 98min., USA
Directed by Darrick Landreneau
When a freshman embarks on a journey to film everyday of college, he discovers that growing up might be harder than he ever imagined.

https://instagram.com/frommyeyes/

Get to know the filmmaker:

Honestly it was a mixture of my love for film and a God idea. I’d been suffering from a real lack of ideas during my first month of my Freshman Year at LSU. I had a camera (Sony NEX-VG10) and a lifetime supply of inspiration and drive… but no ideas. So I’m a Christian and one day on my way to math class I started praying for an idea, a big idea. I can take you to the exact spot where this thought just infected my brain, “Why don’t you film college?” My initial thought was, “yea right”, but over the next week God opened doors and provided a way for me to start filming. On October 16th, 2012 I picked up a camera not knowing what the story would be but curious enough to find out.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

BEAT, 23min., UK
Directed by Christopher Karallis
Beat looks into the world of Saul Eisenberg, musician and performer who turns the discarded junk of our city into instruments that make unique and beautiful sounds.

Get to know the filmmaker:

I came across Saul when we moved back to London after eighteen years living in the USA. We were temporarily staying with my sister and the back of her house looked out onto a typical London back alley running behind a row of high street shops and rental flats punctuated by overflowing rubbish bins, garage lock ups and the constant hum of industrial extractor fans. It was also my short-cut to the park when I walked the dogs. Passing one of the double garages at the start of the mews I was frozen by a beautiful, lyrical, scale suddenly bursting into life seemingly out of nowhere. It sounded something like a Glockenspiel only more resonant, deeper in pitch and tone with a sound that penetrated my core. I realized the sound was drifting out from the half open door of one of the lock-ups. It stopped suddenly only to be replaced by the explosive whir of a power tool as an angle grinder cut against metal for several seconds. The contrast was stark. I poked my head under the garage door rather awkwardly to find Saul, a friendly, bemused smile on his face, filthy blue overalls, safety goggles pushed high up on his head standing over a series of heavy metal poles cut to various lengths. “I’m sorry but I just had to ask what you’re doing in here, that sound is…?” I wasn’t quite sure how to finish the sentence. Saul took the uninvited intrusion with warmth and good grace, telling me that he was making a “scaffold-a-phone” out of discarded scaffold poles. I was stunned. How could something so industrial and brutal sound so lovely. I peered around the lock up which was packed with spent gas tanks, fire extinguishers, old decking and even flip flops that had all been salvaged and turned into percussion instruments that, I would come to discover, all sounded not only beautiful but absolutely unique. A type of alchemy was occurring under our very noses and barely anyone knew about it. I realized immediately that I had to tell the story of the remarkable things Saul was doing with the discarded junk of our city and how his work is an inspiration to children, parents, musicians and anyone lucky enough to come into contact with his work.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

THE SLOW DEATH, 22min,. Canada
Directed by Chris Hird-Saunders
A disturbed woman reanimates her recently deceased father’s corpse in a twisted, ambitious experiment intended to save humanity from the ongoing climate crisis.

Get to know the filmmaker:

I was mostly driven to make another film out of the need to keep creating stuff. Covid in particular made me need to seek out my passion after feeling stiffled.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

UNCANNY VALLEY: SAUVAGE, 21min., USA
Directed by Anthony A DiMaria
Uncanny Valley is a series focusing on the culinary scene in Phoenix, Arizona. Sauvage is the second episode in the series, introducing the audience to owner and natural wine connoisseur, Chris Lingua. Learn about natural wine – what it is and how it is made – and discover the challenges and inspiration behind Chris’ journey of bringing natural wine to the city of Phoenix through creating the only all natural wine bar in the state: Sauvage.

https://instagram.com/uncannyvalleyseries

Get to know the filmmaker:

Chris Lingua’s story captivated me from the moment I heard it. An entrepreneur, a connoisseur, and an artist in his craft, Chris’ story is a unique look at the world of wine and one I felt needed to be told. Additionally, having lived in Phoenix for nearly a decade, it is important to me to shine a light on the wonderful things happening in that city through my work. These elements created the perfect recipe to educate audiences on natural wine, showcase Chris’ story, and ultimately tell a piece of the greater story of the food and beverage landscape in Phoenix, Arizona.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

Pamela PerryGoulardt has had multiple scripts performed at the WILDsound Festival, with 5 scripts being turned into “Script Movies”. Those films have gone onto winning multiple awards at various festivals.

You can watch Pamela’s script movies and screenplay readings here:

https://www.wildsound.ca/search?q=Pamela%20PerryGoulardt

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

MI NINA/MY LITTLE GIRL, 7min., USA, Experimental
Directed by Emanuel Loarca
Laura takes us by the hand on a moving journey through time with her mother. You experience how love overcomes suffering and builds lasting memories that give meaning to life and strengthen the soul.

Interview with Director/Producer Emanuel Loarca & Writer/Producer Laura Isabel Figueroa

Emanuel Loarca: What motivated me to make this film was the love imprinted on the page, this beautiful poem that celebrated and honored their unique kind love at different stages of their lives and beyond life itself. I wanted to honor that.

Laura Isabel: The vision of the director and producer Emanuel Loarca, who fell immediately in love with the poem I wrote to honor my mother’s resiliency and unconditionally love. I also wanted to raise awareness among potential viewers to care for their mothers and loved ones while they are still alive. Originally, I was planning to record myself reciting the poem and share the video on social media for Mother’s Day, but Emanuel believed it was meant to be a film and I decided to go along with the idea. I’m glad I did!

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

HE WON’T BELONG, 22min., USA, Drama
Directed by Dominic Mercurio
In the midst of a storm on a desolate strip of California’s lost coast, Theo spots a young shivering stranger named Connor on the side of the road and brings him back to his home for shelter. While they wait for the storm to pass, they begin to uncover each others past wounds.

http://www.hewontbelong.com/

Get to know the filmmaker:

A personal experience I had with a close friend kicked off the initial concept, but there were so many more moments of inspiration along that way that continually made me so excited to make this film. After the bones of the story were in place it became really exciting to be telling a story that played around with audience expectations. Especially expectations we have when two gay men are at the center of a story. I also was very motivated to offer my portrayal of anxiety / panic attacks / nightmares on screen. It was very cathartic.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

LIFE ALTERING GENDER REVEAL, 8min,. USA
Directed by Craig Wildenradt
The lives of unsuspecting party guests are forever changed after they learn of their friends’ baby’s gender.

https://www.imdb.com/title/tt27895666/?ref_=ext_shr_lnk

Get to know the filmmaker:
The vast majority of the time, when I write comedy I’m usually poking fun at things that actually frustrate me. So with that said, it’s probably unsurprising that the bulk of the comedy I write is social critique. It’s kind of a healthy catharsis for me to take those things and make them the butt of a joke. So that’s always a motivation for comedy writing in general. Speaking more specifically to LIFE ALTERING GENDER REVEAL, beyond the aforementioned I personally thought the concept was hilarious, ripe for getting really absurd (which I love to do), and would be a ton of fun to make. I’ve gotten to a point in my life where I predominantly create for myself first. As many challenges as there are to indie filmmaking, one of the luxuries is just being able to do what you want. For me, that’s plenty of motivation by itself. But the rest came when I started sharing the concept and other folks thought it was hilarious too!

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook

BRINK, 27min., Canada
Directed by David VanDyke
Out of work and desperate for money, a struggling family man plots an elaborate scheme to secure a cash grab that would exceed his drug-fueled ambitions.

https://www.imdb.com/title/tt16899900/?ref_=nm_knf_i3
https://www.facebook.com/brinkofficialpage

Get to know the filmmaker:

I’ve always loved crime films, especially true crime so when I discovered an old newscast on the Brinks truck robbery that my film is based on, I was immediately hooked to adapt it into a short film.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

• Subscribe to the podcast via Twitter, Instagram, and Facebook