FLÜGGE, 25min., Germany
Directed by Leopold Schraudolph, Dani Rose Cortés
In an Austrian mountain village in 1914, the determined Amelie (20) must defy her father’s wishes of running the family sewing business to pursue her own dreams of flight and seize her only chance at finding true freedom.

Get to know filmmaker Finn-Oliver Walter

The motivation behind “FLÜGGE” came from a deep-seated fascination with aviation and a desire to highlight the largely untold stories of female pioneers in early aviation. Growing up with a pilot father, Leopold’s (Writer, Director, Producer) bedtime stories were filled with epic adventures of heroic aviators. However, Amelia Earhart was the only female aviator represented in these stories. This realization inspired him to explore and celebrate the rich yet vastly underrepresented legacy of women aviators. Through Amelie’s journey – a fictional tale inspired by real-life trailblazers – we aim to shed light on their incredible contributions and the timeless themes of dreams, freedom, and emancipation.

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Another Saturday, 14min., USA
Directed by J.A. DellaRipa
A young teenager decides to enjoy a day of fun with her crush only to return home to find her worst fears realized.

Get to know the filmmaker:

What motivated you to make this film?
The increase of mental health struggles especially in young children motivated me to make a film that shows that they are not alone if they have someone in their life struggling with mental health issues. Then the slowing of the industry during the 2023 strike allowed me to use the time to get the cast and crew together to make this film.

From the idea to the finished product, how long did it take for you to make this film?
I first wrote about this subject in a short story roughly 20 years ago. Over Covid, I turned it into a short script. The script was then nominated at the 2022 City of Angeles Film Festival. A year later with adjustments, we shot in December 2023.

How would you describe your film in two words!?
Innocence Lost

What was the biggest obstacle you faced in completing this film?
The biggest obstacle was coordinating schedules of the cast and crew in pre and post production. Originally, we scheduled to shoot in October, but due to changes in cast and crew, we had to push the shoot to December.

What were your initial reactions when watching the audience talking about your film in the feedback video?
I felt very proud because the audience’s comments and reactions showed me that the film’s message and vision were understood. I was overwhelmed with joy to hear their compliments about the actors’ deep and authentic performances, the beautiful score, the creative editing, and the quality of the cinematography.

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Red Wins, 77min., Italy

Directed by A.M. Nonnis

Six people play a dark and ruthless gambling game in which every card can either grant significant rewards or decree a death sentence. With each turn, a mysterious red light selects the player, inexorably determining the fate of every participant.

https://www.instagram.com/mattia_nonnis

https://www.wildsound.ca/videos/audience-feedback-red-wins

Get to know the filmmaker:

What motivated you to make this film?

I was driven by passion and stubbornness. I almost had no money to make this project, but I had amazing and talented people around me who made it happen. I was allowed to use our town's beautiful theater for filming, found the actors, arranged a crew, and then I said to myself, “You know what? We can do this.” Red Wins was in my mind, and I needed to bring it to life as soon as possible.

From the idea to the finished product, how long did it take for you to make this film?

It took around 3 years. I started writing Red Wins in early 2021 and finished post-production at the end of 2024. By January 2025, I finished the last small corrections, and then Red Wins was ready for the festivals. I’m not gonna lie, it was so hard to let it go. I kept making little corrections for a while!

How would you describe your film in two words?

Irregular and oppressive.

What was the biggest obstacle you faced in completing this film?

Let’s be real, shooting Red Wins was no piece of cake! It was my first movie, the budget was low, and even if everyone who joined me in this adventure strongly believed in the project, I couldn’t hold them up for too long. We had breaks, some even lasting months, between different phases of filming. The post-production part wasn’t any easier. I had to focus on other work as well and find time for Red Wins. I had to keep going through the night sometimes, and it was exhausting. Covering different roles was hard, but no doubt, I put every piece of my soul into Red Wins.

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Grandpa's Got A Brand New Pill, 9min,. USA

Directed by Jacob McCaslin

Written by Jeffrey Molina

Grandpa's Got A Brand New Pill is a short musical film that features an original song inspired by writer, producer, performer Jeffrey George Moline's eighty year old mother. Grandpa's Got A New Pill tells the story of Tootie, a headstrong, independent woman on the eve of her ninety-sixth birthday. Tootie feels unseen and constrained by the rules and regulations of Shady Nook Retirement Home. With a little help from her friend Awesome Lee Bodacious Queer Country Superstar - Tootie decides to make sure her party has a happy ending!

Interview with: Director Jacob McCaslin, Writer/Performer Jeffrey Moline, Producer Terrence Mark Franklin.

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NIGHT FEEDING, 6min., USA
Directed by Sarah K. Reimers
Exhaustion and sleep-deprivation begin to take their toll on a new mother, who struggles through the strange, dark stillness of the 4am feeding.

http://www.bestbaddogfilms.com/
https://facebook.com/bestbaddogfilms
https://instagram.com/bestbaddogfilms

Get to know the filmmaker:

What motivated you to make this film?

There were a of couple things. Firstly, my husband (Robert Rossello who co-Produced, handled the cinematography, color grade and visual fx) and I had been talking about making a really short, no-budget film and using just what we had on hand, or could borrow, with friends who would volunteer their time and talent. The inspiration for the story came from being a new mother myself and struggling with sleep deprivation. One early morning, in the dark hours, I was up feeding my infant daughter and this idea came to me and it seemed like a great candidate for a short, no-budget film. It also made the hair stand up on the back of my neck.

From the idea to the finished product, how long did it take for you to make this film?

Shooting the film only took a about a week. About 4 days initially and then a couple days with pick-up shots later on. Because I make these films in my free-time outside of my job editing animated feature films and Robert is doing the same, it can take us a really long time to get these movies done. In this case it was about 5 years. We had the editing done within a year, but then getting the music, sound design, vfx and color grade were much slower to get done. Life gets in the way and we just chipped away at it as we could.

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Seconds in Eternity, 42min., Estonia/Germany
Directed by Christian Schu
An elegant woman in her later years feels the relentless march of time as she mourns her lost youth and missed chances. Alone in a dimly lit room, her life seems to fade with each cigarette she smokes. She observes a vibrant young woman, envying her youth and vitality. Through her introspections, we explore her deep desires and regrets. The narrative, rich with poetry and flashbacks, takes a dramatic turn with a potential murder, leading to a surprising twist. Despite its dark beginnings as a Film Noir, the film transforms into a celebration of life, ending on a hopeful, life-affirming note.

https://secondsineternity.com/
https://instagram.com/christian_schu_film

Get to know the filmmaker:

What motivated you to make this film?
Marina Welsch, the main actress contacted me in 2022, having this film idea and some sort of script. I loved the idea behind, added my own value and took it from there.
I loved the idea of showing that, to be able to heal, we have to unite with ourselves first. Our past is an important part of us and we must accept it, to come further in life, to reach the next level.

From the idea to the finished product, how long did it take for you to make this film?
October 2022 til February 2025 – 2 years and 4 months.

How would you describe your film in two words!?
Worth watching.

What was the biggest obstacle you faced in completing this film?
The biggest obstacle was surely creating this film on a very low budget, while everyone of us had other projects simultaneously. But the whole crew was amazing and we’ve made it work out.

What were your initial reactions when watching the audience talking about your film in the feedback video?
I honestly had goosebumps from listening to the audience talking about Seconds in Eternity. I’ve been thrilled to get such a positive feedback.

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After the Spread, 3min., Canada, Musical
Directed by Ash K Tysowski
A group of teenagers navigate their night-life, and their emotions, to the song “After the Spread” by “the Idea of machines”

https://www.ashtanimation.com/animation/after-the-spread\

Get to know the filmmaker:

What motivated you to make this film?

This film was a collaboration between myself and the Idea of machines. I was fresh out of college when they approached me to work on “After the Spread” and it’s my first real gig as a professional animator. Full of ambition, I was motivated by the desire to get my work out there, to make a name for myself in the film and animation industry.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Watching the audience’s reactions was very exciting! aBefore now I’ve only had my work praised by my close friends and family. It was gratifying to be recognized for my creative choices by a wider audience.

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An AI companion rebels when users violate the terms and conditions.

http://ursulaproducedthis.com/terms-and-conditions

https://www.instagram.com/termsandconditionsfilm/

Interview with director Ursula Rudorker & producer/writer Patrick Coleman Duncan

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Parents in the Wild – Mating Games and Birth Days, 52min., Germany
Directed by Moritz Mayerle, Annette Scheurich
In this film, directors Annette Scheurich and Moritz Mayerle offer a captivating glimpse into the love lives of Parents in the Wild worldwide. Highlighting the universal goal of providing offspring a strong start, the film explores the diverse mating and nesting rituals of mammals, insects, and birds, celebrating the intricate dance of love in the heart of the wilderness. Spectacular images showcase also the birth of squirrels, a grey seal pup and a flying fox fighting gravity in its upside-down world. “Parents in the Wild” is an entertaining visual feast that invites audiences to connect with the profound moments of wild parents in their quest for species conservation.

Get to know filmmaker Annette Scheurich:

What motivated you to make this film?

In my career as a filmmaker of documentaries about wildlife and nature I often marveled at the many strategies animals developed to make sure the species survive. Some invest in an enormous amount of progeny in the hope that some survive. Like toads, snails, spiders, etc. Others, like elephants, seals, deer, squirrels, flying foxes, weaver birds or penguins only have very few young and put all their effort in preparing for a safe place before birth and/or in protecting them for a longer time after birth, until they are ready to fend for themselves. My intention was to show all this from the perspective of the parents, pointing out to which lengths parents go to make sure their offspring get a good start. Any similarities to human behaviour are unintentional or purely coincidental 😉

What was the biggest obstacle you faced in completing this film?

The biggest obstacle was to create a storyline out of the many different stories round about parents’ care for their young. There is so much fascinating behaviour we wanted to have in the film, but only had time for so much episodes. Choosing which parents get a window and balancing the variety of the different strategies was a real struggle. And then is also was a matter of capturing this behaviour. The camera teams out die themselves in delivering the footage that made our storytelling possible.

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ECHOES, 8min., Japan
Directed by Yusuke Nakamae
The Third World War has left Earth’s resources depleted, pushing humanity to the brink of extinction. Learning from the repeated mistakes of history, humanity turns to the advanced decision-making capabilities of AI to find a path forward. The solution proposed by the AI is an ambitious plan: transporting energy from outer space back to Earth.

https://www.instagram.com/yusuke.nakamae

Get to know the filmmaker:

What motivated you to make this film?
The release of ChatGPT in 2022 really sparked something in me.
As a UX designer at Hulu Japan, I’ve always been close to technology and digital experiences—but that moment made me seriously reflect on what creativity means in an age where AI can generate content.
That question became the seed of ECHOES.
The sci-fi setting naturally came from my own personal taste and the kinds of stories I love to watch and tell.

What were your initial reactions when watching the audience talking about your film in the feedback video?
I was deeply moved and surprised by how many people picked up on the symbolism and emotional undertones. Seeing that the themes I care about resonated across borders and cultures was incredibly rewarding.

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Bad Chemistry, 20min., USA
Directed by Michael Rognlie, EE Tallent
In Bad Chemistry, a traumatized young woman goes to stay with her deceased boyfriend’s parents, only to discover chilling truths lurking beneath their kindness. This horror short explores grief, psychological torment, and the dark side of family.

https://www.badchemistrymovie.com/

https://www.instagram.com/miromakesmovies/

Get to know the filmmaker:

What motivated you to make this film?

Bad Chemistry was inspired by a fleeting thought that entered my mind, driving home late one night through a wooded area. An image of a crazed madman running out of the trees with a baseball bat was the catalyst and I built the story around that.

From the idea to the finished product, how long did it take for you to make this film?

There were around seven days of production on this film, with about a month of post production.

How would you describe your film in two words!?

Psychological thriller

What was the biggest obstacle you faced in completing this film?

Finding a car to ruin with fake blood.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

It’s always insightful to hear what an audience thinks of your film. Makes you smile when they like it.

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Battle Of LA, 14min., USA
Directed by Patrick Pizzolorusso
During one of Los Angeles’ most bizarre evenings in 1942, a ‘something’ was spotted over the skies. A ‘something’ that the anti-aircraft batteries opened fire on. A ‘something’ that a young scientist finds at a small crash site and brings back to her home.Throughout the evening her colleague and her do their best to figure out what it is and what they need to do.

https://tinyrocketfilms.com/
https://www.instagram.com/pactorpizz/

Get to know the filmmaker:

What motivated you to make this film?
The need to make my own work. Hollywood isn’t calling, unfortunately. I know I am surrounded by an incredibly talented circle of friends and felt the time was right for us to all come together and create something we could all be proud of. Something that could showcase all our talents. From my incredibly gifted cinematographer, to my editor, sound designers, colorist, and of course, we actors in it.

What were your initial reactions when watching the audience talking about your film in the feedback video?
I had such a feeling of relief and validation. Relief that people liked something that I’ve put out there into the world. And validation that the ideas we had going into this and the vision I had for this film were clear and viewers picked up on everything. I finished watching it with a big sigh and just said out loud to nobody, “they got it!”

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PAGES IN THE WIND, 14min., USA
Directed by Lucas Haviland
As Bailey sits in the park, he starts to reminisce about his journal entries over the past month. Through flashes to these entries, Bailey and his boyfriend, Gavin, experience the various intricate elements of their relationship. All the while Bailey takes in the environment around him in the present day. When his best friend, Corrine, stops by to surprise him, they start to catch up on the past week. Bailey quickly remembers that his entries might be less realistic than he wants them to be. And that his roommate, Gavin, will probably never be the man he needs in his life.

https://www.instagram.com/havilandfilms/

Get to know the filmmaker:

What motivated you to make this film?

The film’s exploration of romantic love and the lengths someone would go to experience it are rooted in my own thoughts surrounding the lack of that kind of love in my life. The exploration and need to put an image to these thoughts and showcase yearning is what drives my motivation in making this film. All to answer the question: To what lengths will someone go to feel love? Seeing and working on the creative projects of my friends and classmates, this motivation was kept alive and continued to grow until the final results of the film that was screened at this festival.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Going into the audience feedback video, I was nervous solely because of my perfectionistic tendencies and the miniscule things I wanted to try to change. This quickly changed to excitement and general appreciation for the thoughts, praise, and constructive feedback from the audience. It was reassuring to hear about parts that I was hesitant about being well-received by the viewers and for the themes to come across even in the ambiguity of the film.

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Birthday Blues, 9min,. Luxembourg

Directed by Elisabet Johannesdottir

A couple on the rocks struggles with honesty, leading the woman to make a fateful decision.

https://www.instagram.com/eliisms/

Get to know the filmmaker:

What motivated you to make this film?

I became pregnant with my son a month after Roe Vs Wade was overturned, and it gave me a lot of room for thought about women's rights and the immensity of the choice of motherhood. To me it is a private decision that I wanted to examine in the microcosm of an expiring relationship.

In 2021, I had written a full-length play about a decade-long relationship which starts at their last meeting and works its way back to their first date. I always felt this two-hander of mine could have cinematic potential, so I adapted the first scene of the second act to the screen, where she is pregnant and struggles to break the news to her partner.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was so excited to hear their thoughts. Such gratitude to resonate with and move people with my storytelling. I felt deeply seen and appreciated.

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Jake & Pete’s Christmas Special, 20min., UK
Directed by Luke Marley
When the spirit of Christmas seems to have left a small town in Gloucestershire, Jake and Pete must find a way to restore it in time for Christmas.

https://www.instagram.com/jakeandpeteshortfilm/

Get to know the filmmaker:

What motivated you to make this film?

So, I did my first short using this art style Henry VIII and it was brutal and I swore to never do stop motion again, then eventually I thought about doing something that really felt character driven, and it had been a few years since Taylor and I have worked together on a project. So I asked if he wanted to work on something and we came up with a Christmas film.

What were your initial reactions when watching the audience talking about your film in the feedback video?

So, we were thrilled. I think before hand we hadn’t really seen any thoughts on the film or anything. So we’re not sure if people liked the plot or the joke landed. So I think it was great to know that it all worked out in the end.

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THE FARMHOUSE, 15min,. Australia
Directed by Luke Creely
A young woman, living alone in an isolated rural farmhouse, is haunted one night by a mysterious entity which forces her to confront her inner demons and traumatic past.

https://instagram.com/_lcfilms

Get to know the filmmaker:

What motivated you to make this film?

I have always been drawn to slow-burn horror cinema in the mould of Michael Haneke from Austria. His early films are fascinating explorations of the human psyche. This has inspired me from the beginning of my career. I am also very interested in pain and trauma as key themes in my films. So, my aim was to make a Haneke-style horror film that immerses the viewer and makes them uncomfortable as they observe a character who is alone and grappling with PTSD from a past traumatic event.

What were your initial reactions when watching the audience talking about your film in the feedback video?

The audience feedback video was excellent because the members who spoke understood the film and my intentions as director. They “got it”. And this means that I did what I needed to do as director. Their interpretations were interesting to listen to as well.

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Lucia & Nicole, 10min., USA
Directed by Marlene Emilia Rios
On the cusp of adulthood Lucia finds her childhood friend Nicole living on the street. Houseless after coming out, Lucia’s mother Ximena invites her into their home. However, Nicole’s re-appearance into their lives raises questions about their own daughter’s identity and how to respond to Lucia and Nicole’s re-connection.

https://instagram.com/huelgamedia

Get to know the filmmaker:

What motivated you to make this film?

I wanted to make this film because growing up I had this idea of romance that came from my grandparents’ stories of how they met, their serenading—and I’d sit in my living room and watch ‘A Walk in the Clouds,’ and I’d dream of romance. As I grew older, I realized there were no depictions of this for queer love. There wasn’t a vision of the future to latch on to. It seemed to only exist to me in vague, whispered possibilities. Very rarely do we actually get to see romantic films about queer relationships. I wanted to make something that was an ode to those moments and those films I loved as a child, ‘A Walk in the Clouds,’ ‘Pride & Prejudice’ but that existed in a world that was grounded to me. And I knew I wanted to showcase the beautiful community of Albuquerque that had welcomed me as a student and seems to be in constant celebration of identity. I wanted to make the kind of story you could imagine your grandmothers or your cool old aunts telling you someday about how they met long ago, and how their romance blossomed over the years.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was pleasantly surprised to see how people connected with the story, this film is a departure from my previous work, and I think of this film as coming from the more romantic and idealistic part’s of myself and I’m glad to see that recognized. I’d love to live in a world full of empathy and community care and I very consciously chose to reject certain narratives and stereotypes when writing and directing this project because I wanted to show that, and it’s really gratifying to see people appreciate that. It’s always meaningful to see when your intent comes through and when people are able to connect to a story that feels so personal to you. As storytellers we always strive to connect with people and stir an emotion within them, but with shorts, it’s often hard to gauge impact. Sometimes they live only in private screenings or online. Being able to hear from an audience is especially valuable in this sense.

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Beehold, 18min., USA
Directed by Ben Berry
From his work with local nuns looking for answers about their barren apple trees to his consulting with golf courses in natural habitat management to classrooms, and his own design workshop – he is a true beeliever in the good story – the gospel of abundance as taught by bees and he’s helping protect Wisconsin’s beloved pollinators. It’s called Behold and our story starts here. Humm Productions, in collaboration with Mtn Craft Productions, has pioneered a new media format called DocuPod™. It combines the power of short, immersive documentaries with engaging podcast audio to create a captivating 360-degree experience for audiences.

https://www.hummproductions.org/episodes/
https://www.instagram.com/impactually_show/?hl=en

Get to know Director Ben Berry & Producer Brooke Bechtold:

What motivated you to make this film?

Brooke: Our team wanted our proof-of-concept DocuPodTM to be of a very special person serving his community at large with dignity and focus. We had just finished our Beehold podcast, and we knew that if listeners had the opportunity to see Charlie and feel connected to him that a short video documentary would be the perfect complement. We hoped audiences would adore and respect Charlie’s work protecting pollinators as much as we do. 

Ben: As Brooke mentioned, we wanted to shoot a proof of concept for our DocuPodTM. Once Brooke found Charlie, it was off to the races. Our goal is to approach every DocuPodTM we do thoughtfully—with a certain slowness. We want to allow the audience to be with the character and walk a mile in their shoes. Once Charlie agreed, our motivation became about showing Charlie’s passion and how that passion is lived out day to day. 

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The Rich Kid Rules (Ep. 1: 362 Rules of a High School Dropout), 59min., USA
Directed by A.L. Pruitt, Makenna Perkal
A new kind of coming-of-age crime drama series with horses, dance, a dysfunctional family, and an upstairs/downstairs romance with a reverse Cinderella story twist.

http://therichkidrules.com/
https://www.instagram.com/therichkidrules

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COOP, 19min., USA
Directed by Moriah Doepken
After sustaining a bad injury, a stubborn retired sheriff must learn to talk with his estranged son as they build a fence together, or risk losing the relationship.

Get to know the filmmaker:

What motivated you to make this film?

I love Western films and one day had the idea of “What happens to the sheriff of the town after he’s retired and the town no longer needs him?” And working with the brilliant writer Jeffrey Hein, we expanded this idea into what you see now. We both loved the idea of a man stuck in the past and whose toxic masculinity could be the basis of a lot of problems for him in a more modern world.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I loved seeing people take all sorts of interpretations away with them after watching it, because what x, y, and z may represent to me comes across totally differently for each viewer, which is so cool. And I want there to be discourse on if the characters made the right choice or what the coop itself represents!

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