Cats Cradle is inspired by the Greek myth Ariadne and her journey from Crete to Naxos. Like The Fates, she is associated with the symbol of the thread, which she uses to help Theseus kill the Minotaur. Central to Ariadne’s story is her deification, her transcendence from mortal to divine through a union with Dionysus. By revisiting this ancient myth, Cats Cradle invites viewers to reflect on how they navigate their own inner labyrinths of identity and transformation.

https://www.instagram.com/allysonglennart/

https://www.facebook.com/allyson.glenn.1/

What motivated you to make this film?

I was preparing for a solo art exhibition called Date with Hermes: Journeying between Dreams and Reality for the Vorres Museum in Greece (2024). The curator, Dr. Katerina Pizania, suggested I create an animation to connect the Greek myth themes. While the show focused on large-scale paintings and works on paper, the film became a companion piece to my series on Ariadne and Dionysus.

From the idea to the finished product, how long did it take for you to make this film?

I only had two months to develop the animation for the first exhibition, so the first version was more of an “outline.”Completing the film took a year and a half.

How would you describe your film in two words!?

Intense!

What was the biggest obstacle you faced in completing this film?

Time! As a full-time Associate Professor at the University of Saskatchewan, Canada, I worked on the animation during weekends with invaluable help from students and alumni.

----

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod

https://www.facebook.com/wildsoundpod

A PLACE TO HIDE, 11min., USA, Drama
Directed by Eámonn Wrightstone
Charlie and his mother, Laura, are on the brink of poverty, living out of a motel room they rent monthly. His mother, in late-stage dementia, requires constant care; leaving him unable to work. Receiving no help from his absent father, Charlie resorts to sex work at night to get the money he needs to care for his mother.

https://www.ejwdp.com/a-place-to-hide

From the filmmaker:

On a thematic level what really motivated me to make this film was just getting older. College is wrapping out for me in less than a year and this was the second to last film I would make in school. Seeing my parent’s over the holidays just reminded me that they’re getting older too. My dad has had cancer 3 times, he’s survived every single time, but what if it comes back? All of these questions surrounding my parents, their well-being, and my future seemed to hit together. I was lost. What does adulthood mean and what do I want my life to be? There has been a lot of loss in my family and at the age of 14 becoming suffocatingly aware of your parent’s mortality is not only frightening, but it’s a stark reminder of your own. ‘A Place to Hide’ sets out to explore how far we will go for the ones we love, the failures of our economic/healthcare systems, and coming into adulthood too soon.

Playing on the Film Festival Streaming service later this month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

Subscribe to the podcast via Twitter, Instagram, and Facebook

The art of pulling off a great performance while also directing the film. Chat with multi-talented performer and director Collin Chute about his short film LATE NIGHT SWIM.

Playing at the Best of DRAMA Shorts Festival Today. WATCH the film now.

Follow WILDsound Podcasts on all social media channels: @wildsoundpod

Submit to the festival anytime via FilmFreeway: https://filmfreeway.com/WILDsoundFilmandWritingFestival

Subscribe via Twitter: https://twitter.com/wildsoundfest