Telling stories through film and conversation.
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WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

Posts in Independent Film
EP. 1234 - Screenwriter Melanie Munt (DISCHORDANT)

Watch the Screenplay Reading:
https://youtu.be/QexzCn2nFPc

 
A down-on-her-luck violinist reluctantly accepts an offer to teach a young boy with severe social anxiety.

Get to know the writer:

Dischordant is a live action/animation hybrid about self-destructive, single Rachel, a forty-year-old violinist whose greatest dream is just to get her job back with the Adelaide Symphony Orchestra but fucks it up every time, and David, a selectively mute, neurodivergent eleven-year-old with a dark secret, who just wants to fit in.

Rachel struggles to connect with and unlock her full talent. Her technique is perfect, but her heart? That’s locked away. In the pilot, Rachel loses her job and her beloved cat, and – once again – blows an audition with the Symphony Orchestra. She’s under constant pressure from everyone around her – Gracie, her half-sister who suffers from PTSD, her mum Joan who pesters her at every turn and who develops early onset Alzheimer’s, and her needy BFF Lucy who, through her own insecurities, makes Rachel feel worthless at every turn. So of course, Rachel has her emotional barriers wayyyyy up. Until now she has been unable to break through these barriers, but David is going to change all of that.

Rachel and David form a unique bond of trust, mainly through music which flows through the series almost like a character itself. Music is the only thing that can calm David when he’s going through his “darkening” – like when the neighbour mows his lawn too loudly, or the markers scratch too loudly on the whiteboard at school. David will eventually learn to trust Rachel, and finally reveals to her the dark secret that made him selectively mute. Rachel must now decide whether to breach his trust in the name of justice, or keep his nightmarish secret and let someone get away with murder.

Dischordant is a character driven, no filter dramedy about falling down and getting back up, time and time again. About being rejected over and over and learning how to live with that. It’s sarcastic – the characters use humour as a coping mechanism – but it is always rooted in the reality of the constant fight to get what you want, no matter how many times you have to claw yourself out of that hole. As viewers, we want Rachel to succeed, we want her to fight, because if she doesn’t, what hope do the rest of us have?

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EP. 1233 - Filmmaker Jax Deerman Kinlaw (WEREWOLF MARGARITA)

WEREWOLF MARGARITA, 10min., USA
Directed by Jax Deerman Kinlaw
A young woman is stalked by a werewolf.

Get to know the filmmaker:

I originally wrote Werewolf Margarita as an assignment in a college screenwriting class. The assignment: pick a random song lyric out of a hat and write a 5-10 page screenplay inspired by the song lyric. I got the lyric, “I saw a Werewolf drinking a Pina Colada” and it started from there. When we did a class reading of the script, i got great responses from both my classmates and teachers so I knew I wanted to make it into a film at some point. Once I graduated, I wanted to continue moving forward in the industry ao I picked up my favorite script from filmschool and pressed go!

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EP. 1232 - Filmmaker Stephanie Williams (MY ROCKSTAR)

MY ROCKSTAR, 13min,. USA

Directed by Stephanie Williams, Graham Nothrup

"My Rockstar" is a compelling and emotional short film that follows the journey of Amanda (aka “Eva” of the band Eva Under Fire”), a determined young Latina woman who dreams of becoming a rockstar while navigating the challenges of her father's opiate addiction. The story delves into the complexities of familial relationships, self-discovery, and the power of resilience. The film aims to evoke strong emotional responses from the audience while conveying a powerful message about the profound impact of addiction on familial relationships. It explores themes of hope, resilience, and the pursuit of dreams, leaving viewers inspired and moved by Amanda's journey.

Read movie review of the film: https://festivalreviews.org/2024/05/21/short-film-review-my-rockstar-directed-by-stephanie-williams-graham-nothrup/

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EP. 1230 - Filmmaker Michael DiBasio-Ornelas (THE YORKIE WEREWOLF)

THE YORKIE WEREWOLF, 74min., USA
Directed by Michael DiBiasio-Ornelas
A rebellious teen witch is turned into a tiny werewolf and thrown into the middle of a decades-old war between one small town’s creatures of the night — and the local mafia.

https://www.instagram.com/michaeldibiasio/
https://twitter.com/MichaelDiBiasio

Get to know the filmmaker:

Fun. The goal of this film was to do something absurd, to enjoy the process of that, and to make something that would hopefully make a lot of people laugh. I first got the idea nine years ago, and then forgot about it. It occurred to me again — “what if someone got turned into a werewolf, but instead it was a Yorkie” — and this time I pitched it to someone while looking for my next film to line up. The pitch went well enough that they said “if you write the script, I can try to help you get some financing at a low budget.” Ultimately, that opportunity didn’t pan out but I pretty quickly got a private investor on board based on the strength of the concept.

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EP. 1229 - Filmmaker Elisabetta Zavoli (THE FISHERMAN, THE ALIEN, THE SEA)

THE FISHERMAN, THE ALIEN, THE SEA, 9min,. Italy
Directed by Elisabetta Zavoli
In June 2023, the population of blue crabs (Callinectes sapidus) boomed unexpectedly in the Goro lagoon, Delta of Po River, Italy. Here, amidst the alarmed but inactive shouting of the entire community, a young fourth-generation fisherman, Alessio Tagliati, leader of a small cooperative of clams farmers that has lost all their production to the blue crabs’ voracity, faces this new environmental challenge by reviving a traditional sustainable fishing technique his grandfather taught him and by following what the sea taught him: being ready to adapt to an environment that continuously change, thus showing a tremendous spirit of resilience in the face of the collapsing of his world.

http://www.elisabettazavoli.com/
https://www.facebook.com/elisabetta.zavoli
https://twitter.com/elizavola
https://www.instagram.com/elizavola/

Get to know the filmmaker:
I’m a freelance documentary photographer and filmmaker. In 2023, I investigated the invasion of alien species Atlantic blue crabs (Callinectes sapidus) in the Mediterranean Sea thanks to the support of the National Geographic Society – Storytelling Grant. One of the outputs was a short film telling the impacts of the blue crabs invasion.

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EP. 1227 - Filmmaker Tor Kristoffersen (DIRECT ACTION)

DIRECT ACTION, 13min., UK
Directed by Tor Kristoffersen
A teenage environmentalist leads a protest
against a coal mine, setting her on a collision course
with her father, the police and courts.

https://www.instagram.com/torkistoffersen/

Get to know the filmmaker:

A few things – the first is obviously the climate crisis, which is pretty much the backdrop (in some way) for all the scripts I write – having this unprecedented and existential issue staring us in the face, which we’re not really dealing with has always motivated me to try and tackle it in some small way and I think fictional stories are a very important way of doing that. In England we’ve got a government which after making some good noises about Net Zero has started giving the green light for more coal mines and oil fields, while at the same time introducing some draconian laws making peaceful protest virtually illegal and giving some pretty hefty sentences to climate protesters which is pretty alarming. Most climate protesters don’t want to go out and start marching down streets (you can trust me on that) but they’re pretty well informed on the science – indeed the ones I know are some of the most educated people in our society such as doctors and scientists so it’s quite alarming when we start locking these people up for trying to raise awareness of the subject. I totally appreciate that their tactics can divide the room but the reason they’re doing this is because we’re ignoring the problem.

The other main issue I was interested in was how a lot of young females were being dealt with (particularly by the press in the UK) for taking part in these protests — basically how they were being branded as ‘fanatical’ and that reminded me of the suffragette movement. We look back on that with selective amnesia in the UK, Emily Pankhurst and the woman who fought for their rights are now rightly celebrated but at the time they were horribly vilified and they had to use some pretty hard core tactics which are never mentioned. A lot of women were imprisoned for simply wanting rights and I found there to be an interesting parallel here. So out of that (and a few women I have met) Emily Phliips was born – I then really liked the idea that her mum had played a role in activism but her dad saw work opportunities in the mine – this enabled me to bring the other side I wanted to explore as well – which is the struggle a lot of people have with paying the bills and how lack of political leadership makes the transition away from fossil fuels very real and economically scary for a lot of people. These are themes I was able to explore more in the feature but they’re touched on very lightly here.

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EP. 1226 - Filmmaker Roberta Pia De Angelis (THE TWO SPINSTERS)

THE TWO SPINSTERS, 9min., Italy
Directed by Ugo Lanzotti, Roberta Pia De Angelis
Two ladies have been living together for many years. One of them, Maria, has to face an old family hostility for having chosen to live love…

https://www.instagram.com/roberta_de_angelis

Get to know filmmaker Roberta Pia De Angelis:

This film was born as a final project at our university last year. What we wanted to tell was a homosexual story but in a different way. What motivated us to write this story, as it has been written, was to show how love has no age or gender. However, as in most cases, it is not always easy to follow your heart and feelings, especially when the people you loved most during your life did not support you in your choices.

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EP. 1225 - Filmmaker Maziyar Khatam (THE SWEATER)

THE SWEATER, 9min., Canada
Directed by Maziyar Khatam
Pressured into giving away his clothes, an emasculated young man obsessively attempts to reclaim his cherished sweater before it vanishes into the donation abyss.

https://www.instagram.com/funnybonepictures

Get to know the filmmaker:

This idea has been bouncing around in my head since 2017: a guy donates his sweater at his girlfriend’s request, but his male friends make him feel inferior, so he decides to steal it back at all costs to prove his manhood. Firstly, it’s a comedy, but it was also important for the story to feel personal, delving into masculinity, self-worth, and the struggle for validation.

At the time, executing this film didn’t seem feasible from a budgetary perspective, especially with one of the key scenes being set at a donation center/thrift store. Our team had no finances to shut down an entire store, hire background extras, and shoot such a scene.

Years later, we had been discussing another idea that would utilize a more guerrilla shooting style. It occurred to us that we could shoot The Sweater this way as a proof of concept for our other more expansive project.

So we used hidden cameras and snuck into locations, which gave the film a voyeuristic and personal feel. The result was a bizarre hybrid of real people and actors fusing into a single narrative.

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EP. 1221 - Filmmaker David Babasiev (STRUGGLE)

STRUGGLE, 5min., Armenia
Directed by David Babasiev
In the remote mountains a family facing intense challenges as the mother and their prized cow approach childbirth simultaneously.

Get to know the filmmaker:
I’ve always wanted to showcase the reality of the struggle that many face. This film is a reflection of that desire, aiming to shed light on the raw, often unseen challenges people endure. How people are capable of facing two challenges at the same time and going through that.

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EP. 1220 - Filmmaker Cory Wexler Grant (SCREAMS FROM THE TOWER)

SCREAMS FROM THE TOWER, 2 hours, USA
Directed by Cory Wexler Grant
SCREAMS FROM THE TOWER is a gay, coming-of-age comedy that follows Julien Rosdahl, his best friend Cary, and their outcast friends through high school in the 1990’s. The only thing Julien dreams of is having a show on the high school radio station, but his brand of comedy is very… weird.

http://www.screamsfromthetower.com/

Get to know the filmmaker:

After finishing my first feature, PAINTER, which is a dark, brooding, psychosexual drama, making a coming-of-age comedy about a couple of closeted gay boys growing up in the 90’s, felt like nice change of pace. And I’d never seen a gay film quite like SCREAMS. It’s also a love letter to an old friend, who formed me, and shaped the way I saw the world.

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EP. 1219 - Filmmaker Britt Dallyn (MOB FAMILY TIES)

MOB FAMILY TIES, 9min., Canada
Directed by Britt Dallyn
After grandpa Michael begins to unintentionally rat on old associates due to his mental decline, the Leslie’s, a mob family, face a moral dilemma whether they need to whack grandpa or not as they host his possible final meal in this send up of traditional TV sitcoms.

Get to know the filmmaker:

I made this at Vancouver Film School for what they call “demo shoots”. Meaning after we had filmed our higher budget, 2-3 day shoots throughout the year, we were given an opportunity to film one more project before the year ended to add to our demo reels. Unlike the shoots earlier in the year however, these projects had no budget and had to be filmed within the school for 1 day only. Everybody had to write a 6 page script and pitch it to the teachers as an assignment where the teachers would pick 6 to actually be filmed. So with those parameters I thought about what I had access to for free within the school. Then I thought “hey, that one pre-built set kinda looks like a sitcom set. I’ve always appreciated a good sitcom, so what if I made one of my own but with a dark kind of humour that you wouldn’t typically see in a show like this.” I found the contrast of all the cheery dressings of a sitcom mixed with a story about murder to be promising for a comedy. In short, like many solutions in film, it all came together out of necessity.

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EP. 1216 - Filmmaker Graham Northrup (GIFT)

GIFT, 19min,. USA
Directed by Graham Northrup
A young man escapes through the woods with his barely-conscious sister. Pursued by a warlord and his ruthless tracker, he must prevent her from falling into their hands again. But they will stop at nothing to control her unique gift – the ability heal others with touch.

http://www.northrupstudios.com/
https://facebook.com/northrupstudios
https://instagram.com/northupstudios

Get to know the filmmaker:

I love sci-fi and its ability to ask probing questions of humanity while couching them in a future or alternate reality. Although I have written and directed dramas, comedies, thrillers and more, sci-fi is my preferred genre, and I wanted to do a complete project, from script to screen. I knew I had a gap between productions, so I wrote a short that could be accomplished in that window, and possibly open up more opportunities once it was developed.

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EP. 1213 - Filmmaker Ruben Rodas (BEFORE DAWN)

BEFORE DAWN, 15min., USA
Directed by Ruben Rodas
“A top hit-man gets caught in the middle of a betrayal scheme within his contractors”

http://www.rodasruben.com/
https://www.facebook.com/ruben.rodas.144
https://www.instagram.com/rubenrodas/

Get to know the filmmaker:

I simply love the Thriller/crime/suspense genre and it’s been a while since I made a film like that, so it thought it was time to do a new one LOL

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EP. 1212 - Filmmaker Lea Esmaili (THE ART OF COMPETITION)

THE ART OF COMPETITION, 2min., France
Directed by Lea Esmaili
Two souls driven by one same goal, can someone win ?

https://www.leaesmaili.com/
https://www.instagram.com/heyimleaaa/

Get to know the filmmaker:I always like to ask myself questions and then an idea will come up. This time I asked myself if competition is real in Art, because Art is so subjective. And what is making us always see projecting on other competitions ? The dance field is particular where our physiques also have a major role in our career.

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EP. 1208 - Film Festival Director Kendra Ann Sherrill (CHILDREN'S FILM FESTIVAL SEATTLE)

Children’s Film Festival Seattle is a cine-magical extravaganza for tots, teens, and everyone in between! Since 2005, CFFS has grown to become the largest film festival on the West Coast dedicated to children and their families, with an annual lineup piled high with shorts, features, and hands-on activities for all ages.

https://nwfilmforum.org/cffs/

Get to know Film Festival Director Kendra Ann Sherrill

https://www.kendrannsherrill.com/
https://www.instagram.com/kendra.ann.sherrill/

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

EP. 1205 - Filmmaker Ethan Knecht (SWISS CHEESE HOLE and HOSPITAL ART)

SWISS CHEESE HOLES

Covertly filmed in Disney World, Swiss Cheese Holes is a multi-layered documentary that explores the timeless question: How do you make a film about your father’s mental breakdown in Disney World?


HOSPITAL ART

A short aesthetic review of Westchester Medical Center's art.


Director Ethan Knecht:

Ethan Knecht is an educator and a personal essay filmmaker. He lives in Pleasantville, NY with his wife and two daughters. His previous films have screened with Rooftop FIlms, The Hudson Valley Film Festival, Peekskill Film Festival, YoFi Festival, Northside Film Festival, Atlanta Underground Film Festival, etc.


You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

EP. 1203 - Filmmakers Kamil Keenan, Agnieszka Żaglewska (THE CAPSULE)

THE CAPSULE, 20min,. Poland
Directed by Kamil Keenan, Agnieszka Żaglewska
Two astronauts in a space capsule realize that they won’t have enough oxygen until help arrives. In this extreme situation, they suddenly have to face the ultimate questions. Accompanying the characters on their final journey, viewers begin to wonder what their answers would be.

http://kamilkeenan.com/
https://www.instagram.com/kamilkeenan

Get to know the filmmakers:
Kamil:
My uncle had an accident while working underground as a miner and he was stuck for around 8h with no way out nor possibilities to move.
This made me think that so many thoughts must go through your head when you are facing your death so I adapted this situation to a script with Aga’s talent for writing.
Aga: Kamil told me about his idea and as soon as I heard it I knew I wanted to write this script, it sounded very compelling. Dealing with the idea of my own mortality has always been on my mind, so I knew I could express a lot of my own struggles in the film.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

EP 1202 - Filmmaker Yazan Al-Hajari (ETERNAL LINES: William Shakespeare’s Verse in Music and Motion)

ETERNAL LINES: William Shakespeare’s Verse in Music and Motion., 5min., USA
Directed by Yazan Al-Hajari
Eternal Lines: William Shakespeare’s Verse in Motion and Music” is the second part of a series where I delve into Shakespeare’s vast Canon, handpicking songs and sonnets that resonate deeply with me. I’ve woven these pieces into a narrative that, while personal in selection, unveils a connected story, reflecting the universal themes and emotions Shakespeare so masterfully depicted. This project is a heartfelt tribute to the timeless beauty of Shakespeare’s poetry, crafted with deep admiration for his poetic genius. While delving into Shakespeare’s poetry, my goal was not only to breathe new life into these classic texts but also to capture and reflect my own emotional journey as I navigated through the myriad of themes and expressions found in his work. Through a fusion of original music, captivating AI and real footage and visuals, and immersive sound design, I’ve endeavored to present Shakespeare’s poetry in a contemporary light, offering a fresh perspective that honors the essence of his work while inviting modern audiences to experience its magic anew.

https://yazanalhajari.com/
https://www.facebook.com/profile.php?id=100063482441871
https://www.instagram.com/yazanhajari/

Get to know the filmmaker:

My drive to create this film sprung from the enchanting layers within Shakespeare’s poetry—their timeless beauty and the myriad interpretations they invite. Each sonnet, with its rhythmic musicality and vivid imagery, became a cornerstone for the film’s narrative and aesthetics. This project was more than an academic endeavor; it was a personal voyage into the heart of these verses, exploring their resonance within my own life and experiences.

The process was two-fold: a devoted study of Shakespeare’s sonnets to honor their original spirit, coupled with a deeply personal journey to discover their significance to me. This wasn’t just about bringing academic analysis to life; it was about letting these verses breathe and speak through my creative lens, intertwining Shakespeare’s insights with my own. In essence, this film was fueled by a blend of fidelity to Shakespeare’s work and my introspective engagement with his poetry, striving to create a visual experience that is as rich and multifaceted as the sonnets themselves.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

EP. 1200 - Filmmaker Emeline Castaneda (TOTEM)

TOTEM, 3min., France
Directed by Emeline Castaneda
The day had started badly for Alice. But that was without taking into account the old saying “in the jungle you must wait, 13 helps yourself liberate”

Get to know the filmmaker:
It was originally for a contest. We had tell a story around the theme “number 13”. I have always expressed my self best with choreography and I already had this idea of a choreography about animal transformation. It was the perfect opportunity.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

EP. 1199 - Filmmaker Birgitta Liljedahl (POTATO)

POTATO, 14min., Sweden
Directed by Birgitta Liljedahl
When Mother 1 (46) struggles with a tired body, a failed bun-baking project and hopeless over-aged children, Lisa (22) and Dennis (64), conflicts soon escalate beyond what’s accepted by The State of Sweden. The doorbell rings. And The Inspector enters, providing the States quality solution: a shining, new Mother 2 (27). A Mother that fulfills all criteria, not only for the children and the state, but that might even interest a most critical, new Father. Mother 1 fights for her life against the Inspector, the State and Mother 2’s tetra-organic cabbage from Peru, but soon finds herself deported to Svalbard, by the police. When Mother 1 strikes back, the children will meet a force they’ve never witnessed before. POTATO is an absurd, socially critical comedy that takes place in a future more close than we would like..

Get to know the filmmaker:
We are building a society where perfection is demanded. Always. It’s insane. And boring. And just bad business. The human as a species, is magic, where development comes from imperfection, failures and mistakes.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.