Space Trash, 9min,. USA

Directed by James Jarosz

Short film and first installment of web series. A galactic garbage collector picks up a seemingly innocuous piece of space junk but it turns out to be more than he bargained for. This sci-fi action comedy will have you laughing, entertained and wanting more.

https://www.instagram.com/jimbrokenreelpics

Get to know the filmmaker:

What motivated you to make this film?

Back in the mid 90s I read an article about space junk and how difficult it was going to be for shuttles and rockets to launch without hitting orbital debris. I was also very interested in the idea of taking an ordinary blue collar job and making it the most dangerous job in the future. The marriage of those two ideas along with my love for 70s and 80s sci fi films became the seed for Space Trash.   

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was very pleased. It was great to hear what people outside of the project thought of the film and that they very clearly understood the world I was trying to create. I'm glad that the humer landed and that overall people found it entertaining.

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Sowing the Seeds of Love, 18min., USA

Directed by Riley Young

Sowing the Seeds of Love explores the obscure and peculiar sex lives of animals through the eyes of Hulk Hogan (1980’s WWE wrestler icon), Joyce DeWitt (Janet Wood from the popular 1970’s sitcom Three’s Company), and Robert Picardo (known for his character as the Holographic Doctor on the 1990’s Star Trek: Voyager series). Their role in this film is to satire their popularity to make the subject of animal sexuality more digestible to those without a scientific background.

https://www.rileyoung.com/new-page-1

Get to know the filmmaker:

What was your motivation to make this film? 

My true motivation for making this film was to find an engaging and accessible way to communicate science to a broad audience. With a background in Marine Science, I experienced firsthand during my capstone research project how challenging it can be to make scientific concepts exciting and understandable for those without a science background. That realization led me to pursue documentary filmmaking as a way to bridge that gap—bringing science to life in a way that is fun, accurate, and captivating for viewers of all backgrounds.

Two major inspirations shaped this film. The first was Jean Painlevé, a French filmmaker and pioneer of underwater cinema. His films explored the mysteries of marine life while blending science with humor, making complex topics engaging and accessible. The second was Isabella Rossellini's Green Porno series, where she playfully reenacts animal mating behaviors in surreal, theatrical settings. Her bold, unconventional approach to documentary filmmaking opened my eyes to new ways of presenting science—ways that are visually striking, thought-provoking, and deeply entertaining. Both of these influences challenged traditional documentary styles, incorporating themes of sexual identity, gender norms, and finding beauty in the unexpected—ideas that became a driving force behind my own film.

Drawing from these inspirations, I wanted to create something fresh, quirky, and exciting while still staying true to scientific accuracy. That's how Sowing the Seeds of Love was born. My film follows a trio of celebrity hosts who use humor, animation, and their star power to educate audiences about unconventional animal mating science—while drawing thought-provoking parallels to societal conversations around sexual identities. My goal is to reach people who might not typically watch documentaries—because let's face it, the word "documentary" alone can turn some people away. I want to change that by proving that science can be just as entertaining as it is enlightening.

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The Story of Marjan the Bunny, 3min., Slovenia
Directed by Mitja Manjek
Marjan the bunny was the first pet of little Mitja, which was named after his dad. One day boy found an empty cage and he didn't know where the bunny had disappeared.

http://www.mancekmitja.si/en/Films/ProfessionalYears/TheStoryOfMarjanTheBunny/

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ROSALIND, 32min,. USA
Directed by Veronica A. Hodge-Hampton
Vivian and Rosalind love each other, but after Rosalind was diagnosed with lung cancer she became abusive to her only caregiver, Vivian, for nine life draining years. When Vivian leaves town to see her dying father, a nurse and their close friend, Phoebe, teaches both Rosalind and Vivian a lesson in love they will never forget.

http://www.gloryfilmworks.com/
https://facebook.com/gloryvisionworks
https://www.instagram.com/gloryvisionworks/

Get to know director Veronica A. Hodge-Hampton & writer/producer/songwriter Sandra Hodge-Hampton:

What motivated you to make this film?

Sandra (writer/producer/songwriter): I wanted to show that when a person has limited strength or even a terminal diagnosis their caregivers should let them keep as much independence as they can because in addition to the sadness associated with the illness the person is also dealing with feeling like a burden to their loved ones.

Veronica (director/producer): I wanted to make this film to show that caregivers need to ask for help while they are caring for their person whoever that is, and that it is okay to ask for help when you’re not the one that’s sick.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Sandra: Relieved and thankful! Because I prayed that everything I wanted to convey in the script would translate into a meaningful and thought provoking experience for the audience and their comments proved that we did our job.

Veronica: It made me happy that they understood what we were trying to say. They got the emotion, they understood the stress and strain on both characters and they saw Vivian overcome in the end and be at peace about how she took care of Rosalind.

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HOMEPLANET, 26min., USA
Directed by Andrew Pritzker
Barefoot on a country highway, a Disoriented Man is picked up by Two Local Cops who suspect he may be a space alien.

http://qikfingerfilms.com/
https://www.instagram.com/qikfingerfilmsllc/

Get to know the filmmaker:

What motivated you to make this film?

I had a funny idea kicking around in my head about two cops picking up guy on a country road because they thought he was a space alien. But when I fleshed out the story I decided it wasn’t really about the cops but the guy they arrested. So the questioned remained, “Who is he and what is he doing there?” When the script refocused it turned from comedy to a character drama. Once I found the emotional thread, I wanted to shoot the film.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was really happy by the response. The reviewers spoke positively about the film and connected to it emotionally. We loved their reactions. They had a personal experience with the film and that’s terrific.

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Onámuh, 22min,. Mexico
Directed by Miguel Ángel Vives Ponzanelli
Onámuh, a humanoid marked by past abuses, searches for resources to survive. Árret, a deity of the earth, helps him and takes him to her lair, where Onámuh finds the energy he needed. However, his need turns into an addiction, leading him to abuse Árret and make her his prisoner. As the environment rapidly deteriorates, Onámuh must make a fatal decision due to his accumulated guilt.

https://www.instagram.com/pm.a.v/

Get to know the filmmaker:

What motivated you to make this film?

Philosophically, I’ve always loved the ideas Nietzsche had around nature and the way Humans perceive it in terms of an ego out of proportions. We humans tend to try and trap nature in our supposed “reason” but, in that futile attempt, we unleash a destructive force that tries to compensate the shameful fact that we understand almost nothing in the greater scheme of the natural universe. I wanted to portray that struggle with visual metaphors, symbols and allegories.

This brings me to the social part of the motivation to do the film. I’m mexican and, inside my country, we have deep problems concerning the destruction and exploitation of the natural environment. So, I saw an opportunity to try and create awareness of the problem that affects Mexico but also the entire planet as well. A good film can change perspectives and put people into action. Hopefully, this short film generates a bit of that in the audiences that watch it.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I cried. Really, I did. I felt like the film directors that inspired me to do films. My sole purpose has always been to give audiences something worth watching you know? Good quality, good script, performances and attention to detail! The feedback video gave me validation to do more without compromising.

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THE BOSTON BULLDOGS, 96min., USA
Directed by Bryan Cote
“The Boston Bulldogs” is a 90-minute documentary film interviewing 5 people from a running club for addiction recovery, interconnected by one woman’s story from finishing the Boston Marathon after her first full year of sobriety to her relapse 24 hours later, and now her recovery 10 years later. The filmmakers follow Meaghan on a run at the site of her first day with the club in 2014, talk with her sister who saw her addiction at its worst and helped her to recovery, interview Meaghan and her husband Conan about their relationship, their hope for their kids, and Conan’s path, interview Ashley who talks about her low self-confidence on the way to addiction and recovery and how Meaghan saved her life, return to Meaghan and Ashley’s sober living house, and hear why the club formed from its founder. The film is intended to show people in recovery in a positive, hopeful light, providing guidance for those dealing with addiction now, their family and for youth and families dealing with the pressures that come from coming of age in the 2020s.

https://www.thebehavioralhealthhour.com/

Get to know the filmmaker:

What motivated you to make this film? I

‘m a lifelong journalist and love to tell stories and wanted to work with my son on a project to marry our two interests – mine writing, his more broadcasting and film. This was an easy story to want to tell because addiction affects so many people worldwide and is misunderstood, and the running club is a great way to address addiction and recovery, particularly at a public health level but very much so at a local level. I wanted to try to tell this story in a different way than on paper…

What were your initial reactions when watching the audience talking about your film in the feedback video?

Rewarding and validating. It was great to hear the reviewers mention things like the questions we asked and how the film impacted them. I also appreciated one of the reviewers acknowleding that the film is long – probably too long – which I get and I agree with candidly….I found it difficult to organize and package the content in a film compared to a written story. Much easier with words. Harder with images, video.

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ELIZA, 11min., USA
Directed by Bianca Roth
After hitting rock bottom, 23 year old MIA, updates her home AI system to help turn her life around. What start out as small “life improvements” slowly begin to control her.

http://biancarothfilms.com/
https://www.instagram.com/biancaaroth/

Get to know the filmmaker:

What motivated you to make this film?
I first got the idea to make this film when I kept hearing about everyone using chat gpt… honestly myself included! Obviously this AI helps a lot of people in their day to day life which I think can be a great thing. However, as the uprising of AI technology becomes more and more prevalent I started to think about where the boundary is. How much can AI help until it begins to just do things for us, and then at what point does that begin to take over. This led me to a bigger thought of will AI get so smart it begins to take over…. I hope not! These are some of things I had in my head and I wanted to create a snapshot of one person’s experience during that AI takeover.

What were your initial reactions when watching the audience talking about your film in the feedback video?
I was very happy to hear that a lot of the themes and messages I had put into the film came across. I wanted to show the buildup of how AI can start as helpful and pose the question of what can happen if it becomes too much. I am so happy people enjoyed it!

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SANGUINE DEPOSIT, 15min., USA
Directed by Robert Del Campo
Mac is a violent, train hopping, drifter who has found himself wandering from small town to small town during the Great Depression. He is a sadist with no compunction about using robbery, or even murder, to survive. Although he seems happy-go-lucky, he can become annoyed or angered easily. To Mac, the world, and everything in it, are up for grabs to someone who is not afraid to use violence as a tool.

https://www.instagram.com/sanguine_deposit/

Get to know writer, executive producer, and lead actor (Mac), Dr. Greg McWhorter.

What motivated you to make this film?

Without getting into too much detail, I basically saw that I had an opportunity to work with a director to create my vision of a black-and-white, silent, horror, film, and I approached him with it and luckily, he agreed to work with me on it. I always wanted to make a silent horror film that would’ve been like the first slasher film ever made but also like a lost film from the 30s that we’re just discovering nowadays. And I wanted it to be violent, but also fitting with the times and I knew I had the chance to use a lot of great sets and I have an eye for buying the right pieces for the costumes and props. Basically this was in my head for years and I saw the opportunity to work with the right director to get this done.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was actually pleasantly impressed and excited by how much they seem to like the story and the acting, which was my doing. But I’m glad they also talked a lot about the cinematography which was my director’s doing. We made a good team and this film never would’ve been made if it wasn’t for both of us bringing our talents to it. I am always thrilled to learn when an audience likes our film as that is what it’s made for… Entertainment!

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SEEK, 93min,. Japan
Directed by Shane Kosugi
Kyohei Aizawa, an assassin for a covert non-governmental espionage group in Japan called “???” or “SEEK”, is grieving over the loss of his girlfriend from a tragic plane accident.

https://www.instagram.com/shanekosugi/

Get to know the filmmaker:

What motivated you to make this film?
A: I grew up around the movie industry and always had a passion for watching and making films. Furthermore, I love ACTION movies!

. From the idea to the finished product, how long did it take for you to make this film?
A: From pre-production to the final product took about 1 year.

. How would you describe your film in two words!?
A: Kamikaze Action

What was the biggest obstacle you faced in completing this film?
A: With all the action in this film and the limited time to film it in due to cast and location constraints.

What were your initial reactions when watching the audience talking about your film in the feedback video?
A: First of all, Honored. I was so happy that they thought it was exciting, the action was top notch, and that they found the story to be intriguing. All feedback good and bad will help make my future films to be even better.

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Pongo Labyrinth [VTuber KawaiiMermaid120’s Final Livestream], 11min., USA
Directed by Nathan William Frost
An eerie glitchy stop-motion video made by Nathan Frost about a Virtual YouTuber’s final livestream.

Get to know the filmmaker:

What motivated you to make this film?:

I was inspired to make Pongo Labyrinth from growing up on the internet and seeing it evolve and devolve in real time. Mostly devolve, through online parasocial relationships of creators and Silicon Valley algorithms used to suppressed people In actual need of help. This new era of the internet has led to creators having to bend a knee to algorithms and be someone they’re not. Creators are forced to make quick and sanitized art to keep up with the algorithm. It leads to burnout and kills creativity. It also leads to creators getting addicted to likes and followers as a source of dopamine. Due to the abusive algorithm, some creators lean into their audience/viewers’ support for their own benefit. They become obsessed with power. Only then will viewers see the creators’ true colors as the persona starts to slip, one way or another. I made Pongo Labyrinth to express that mind-numbing horror of losing one’s true self on the internet.

From the idea to the finished product, how long did it take for you to make this film?:

Pongo Labyrinth took a year to make from the idea stage to the ten minute and 30 second finished work. The idea of an orangutan in a fleshy landscape came to me while at college in biology class for some reason.

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SCORPION. 10min., USA
Directed by Krstover Luaay
When former gang member Peter’s decision to leave his criminal past behind leads to the ruthless murder of his family by vengeful ex-comrades, he is thrust into a perilous quest for retribution. Fuelled by grief and anger, Peter transforms into the relentless Scorpion, navigating a treacherous underworld to settle the score and confront his past, setting the stage for a high-stakes showdown that will redefine his destiny

http://iqbproductions.com/

https://www.instagram.com/director_krstoverluaay

Get to know the filmmaker:

What motivated you to make this film?

I have always been drawn to action films, and my first short film, Money Greed, was also an action film. The story itself was a strong motivator for me, as I wanted to create something that resonated with audiences while delivering high-energy, impactful sequences.

What were your initial reactions when watching the audience discuss your film in the feedback video?

It was an incredible experience. Seeing people engage with my work and share their thoughts was truly rewarding—I couldn’t stop smiling.

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THE LAST PUFF, 4min., India
Directed by Lorick Jain

https://www.instagram.com/lorick.jain/

Get to know the filmmaker:

What motivated you to make this film?

I have a personal attachment to this problem. I lost my grandfather to smoking hence I’m making the world aware of its ill effects. However, I wanted to message this to the audience using a non traditional method. I feel an ad, doesn’t have the same impact as a short conveying the message through the horror, thriller, and suspense genre.

From the idea to the finished product, how long did it take for you to make this film?

It took me about 3 weeks to complete the film.

How would you describe your film in two words!?

Final drag.

What was the biggest obstacle you faced in completing this film?

I think as a first time filmmaker all aspects of filming were new and challenging to me.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I am truly ecstatic winning the best micro short at the world’s #1 Thriller film festival in the world. More importantly, I think the audience feedback video truly helped me understand how my work can reach people and evoke deep emotions in them.

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THE MOMENT, 7min., Canada
Directed by Craig Wrobleski
A poem about resilience and strength as a path to peace. The film follows one woman’s extraordinary journey.

https://instagram.com/cwrobleski

Get to know Craig Wrobleski

What motivated you to make this film?
I received the poem that the film is based on as a text message from my friend Irina Lytchak. It arrived at the end of a rough day and the message of the poem really resonated with me. It felt like a universal message that could help others so I thought I’d make a film inspired by it.

From the idea to the finished product, how long did it take for you to make this film?
Well, that’s a difficult question to answer. From the idea to finishing the one-day shoot was about 3 weeks and then the edit took another couple days. It then went to the composer who spent a couple weeks working on the score and then the mix took another couple weeks. So that process took about 3 months. That is when things get complicated as I then became very busy on a number of projects, lost two close family members and basically had a lot of life happen. For that reason it took about a year and a half to complete the final colour and send the film out to the world. It was a long and difficult time but one in which the message of Irina’s poem became all the more resonant.

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SHADOWS OF THE PAST, 13min., Australia
Directed by Locky Boaretto
A prequel to JUMPING AT SHADOWS.
Also, the origin story for the character “Agent Nixon”.

http://www.youtube.com/@lochnesslegends
https://www.instagram.com/lochnesslegendsproductions/

Get to know the filmmaker:

What motivated you to make this film?

I was inspired by the Noir Sci-Fi vibe of films like James Cameron’s “The Terminator”, and also the character tragedy / fallen hero element of films like “Star Wars: Revenge of the Sith”.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was actually very happy to hear that people not only had a positive reaction to the film, but that they also felt a genuine emotional connection with the 2 lead characters as well, which made me feel extremely relieved because I wasn’t sure how they were going to respond to all the tragedy elements towards the end of the narrative.

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CALIBURN, 16min., USA
Directed by Bryce Ury
The legendary King Arthur goes to the Lady of the Lake for guidance, recounting both his noble deeds and tragic mistakes.

Get to know the filmmaker:

What motivated you to make this film?

I’ve always been fascinated by medieval fantasy and the power of fairy tales to distill reality into one story. My wife used to teach the story of King Arthur to her 5th grade students and the image on the front cover was of a hand reaching out of the water, grasping Excalibur. That image was very impactful and I felt like there was a way to explore that chapter in the legend of Camelot in a way that was fresh and surprising while also feeling thoroughly Arthurian.

From the idea to the finished product, how long did it take for you to make this film?

About five years passed between the first inkling of an idea and the final edit being made on the project. Passion projects can take a long time. The “passion” can come and go. One of the greatest lessons I learned was that waiting for creativity to surface is much less productive than diving in and finding it yourself.

What were your initial reactions when watching the audience talking about your film in the feedback video?

The audience feedback video I received from the festival was very surreal to witness. Knowing that there were people I hadn’t met who were watching my film and enjoying it, lauding the parts of it I was proud of, was very encouraging.

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CHAIN, 5min., USA
Directed by Ling Han
“Chain,” directed by Ling Han, is a 3D animated short film featuring charming characters and a sophisticated environment. It uniquely tells the story of the mantis catching the cicada, unaware of the oriole behind.

https://www.chainanimationofficial.com/
https://www.facebook.com/profile.php?id=61559900085971
https://www.instagram.com/chain_animation_official/

Get to know filmmaker Ling Han:

What motivated you to make this film?
On my journey to becoming a professional animator, I’m always seeking opportunities to grow and improve my artistic skills. In 2021, I started wondering how I could challenge myself further. Directing seemed like the perfect way to step outside my comfort zone and push my creative boundaries. That’s why I decided to make this film.

. From the idea to the finished product, how long did it take for you to make this film?
Creating this film took us over two and a half years. We continuously faced numerous challenges, including a limited budget and technical issues. These challenges significantly influenced the schedule of the project.

How would you describe your film in two words!?
I would describe my film as ‘challenging and rewarding.’ It was challenging because completing the entire project was difficult. It was rewarding because our teammates all grew as better artists throughout the process.

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HELLBOUND FUGITIVE, 5min., USA
Directed by Christopher Patrick Vallone
In a desperate bid for freedom, a convict seeks refuge in a decaying fortress within the mountains. He inadvertently enters a nightmarish arena where ancient demons punish the wicked, and survival means fighting hell itself.

Get to know the filmmaker:

What motivated you to make this film?
SO this film is just a piece of a feature length script I wrote 18 years ago when I was just getting out of indie filmmaking after 10 years. AI came into my life almost 2 years ago, and so I started to dabble in it. I started to make a film trailer to that feature I wrote, and then started to see some AI horror, thriller contests online, and decided to make a short “Hellbound Fugitive” as a piece off of the trailer I was producing. I figured I had some scenes made already from the trailer, why not make a short from some of the clips? So that’s what I did.

What were your initial reactions when watching the audience talking about your film in the feedback video?
Very cool, so glad everyone enjoyed it, and the constructive criticism was great too, great advice to help me improve next time.

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BAD BLOOD, 19min., Argentina
Directed by Guillermo Ronco
Abandoned by the state and with his daughter’s life at stake, police officer Rafael chooses to break his deepest convictions and commit a crime to resolve his situation. But when what was supposed to be a robbery turns into a kidnapping, he discovers that there are limits he cannot cross.

https://www.instagram.com/lucero_audiovisual/

Get to know the filmmaker:

What motivated you to make this film?
In 2018/19, I began developing my first feature film, “Saints of Buenaventura”, but it was canceled due to the COVID pandemic. So, my next move to push forward this project was to shoot a short film with similar characteristics in terms of tone and artistic style. So, I took the structure of the third act of the first draft of that script and turned it into a story with a beginning and end in less than 20 minutes.

What were your initial reactions when watching the audience talking about your film in the feedback video?
It was awesome! The way they got engaged and moved by the story, and their comments about the right pacing and the sound score building suspense and anticipation. I work so consciously on those topics that it makes me very proud that I got them right. Feedback is priceless for us filmmakers. Thanks so much for that!

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The Second City – A Documentary, 34min., USA
Directed by Samson Ziegelman
My goal with this documentary is to share the magic of The Second City and the art of improvisation with actor and writer Bob Odenkirk and Second City Vice President Kelly Leonard. We discuss their Second City experiences, the stars they have worked with, how improv shaped their careers, and advice for the younger generation.

Get to know the filmmaker:

What motivated you to make this film?

I spent four summers at The Second City, learning and performing improv, and it left an indelible impression on me. With this documentary, I wanted to give back to The Second City and hopefully inspire people interested in comedy to give improv a try.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I am so pleased and grateful that people responded so positively. I am very glad people learned more about The Second City!

When did you realize that you wanted to make films?

For as long as I can remember, I have loved being creative. I have always been interested in movies and my passion sparked after I watched Ferris Bueller’s Day Off. The way John Hughes highlighted Chicago, the city I grew up in, was deeply inspiring to me, and I hope to one day highlight the city in a similar way through my films.

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