Telling stories through film and conversation.
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WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

EP. 1692: Filmmaker Meg Poveromo (THE BOX TRAP)

The world of a blissfully detached woman turns upside down when she’s forced to adjust to the ordinary life that exists beyond working at an off-the-wall lesbian bar, and its rivalry with the gay club across the street.

https://instagram.com/theboxtrapmovie

What motivated you to make this film?
Inside jokes between me and my friend Gabby, unfortunate life experiences and the uncontrollable urge I felt to make a feature-length film.

From the idea to the finished product, how long did it take for you to make this film?
The idea was developed in 2023 and I started writing it as a dramedy, which I don’t know why I did because I hate dramedies, and I ended up rewriting it a bunch of times throughout that whole year until it became what it did. We shot it in 2024 and it took me around 10 months to edit the whole thing. So, roughly 2 and a half to three years.

How would you describe your film in two words!?
Chicken wings.

What was the biggest obstacle you faced in completing this film?
I think I had many obstacles that felt like the end of the world at the time but seem so small when I look back at them now. The main obstacles are typically the same in every set: actors or crew calling out last minute, technical difficulties, unlucky weather and having to stay on schedule through all of it. We were doing an overnight shoot on one of the Box Trap set days, and it was like 5am. The goddamn birds would not shut up outside. It took us way longer to film a super short outside scene that I had dedicated two hours to on the schedule. Among that, almost everything that could’ve went wrong that day went wrong and we ended up having to plan a reshoot day, which was an extra $5,000 or so over budget. Looking back now, I am thankful that everything went the way it did because it gave us extra time to really focus on the smaller scenes. But at the time, I almost gave myself a stroke and did not sleep the rest of that filming week.

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